Bazaar

The city of Hyderabad has metamorphosed into a market. What exactly is on display here? Young, gullible girls from impoverished families. And who is the buyer? Rich, influential men who are old enough to be their fathers. Society recognizes this as a "marriage" since due protocol is followed. But we, as viewers, are convinced that this certainly isn't a union of two souls, but is a commercial transaction. #Bazaar1982 may have been released in 1982, but is relevant even today. The film boasts of amazing performances by Smita Patil, Supriya Pathak and BL Chopra. Music by Khayyam is superlative. Long after you leave the theatre, the Lata Mangeshkar and Talat Aziz song "phir chidi raat baat phoolon ki" will remain in your head. Please watch it on priority. Rating 4/5.

Baazaar (1982) represents the true story of numerous unfortunate (Muslim) girls who are virtually sold to the rich people in the Gulf under the camouflage of marriage by their poor parents / guardians. These unfortunate girls thereafter remain accursed to spend their entire life with much older 'husbands' or according to their dictates. This Baazaar (market) is actually the market of their poverty; their helplessness, to be accurate. Most of such so-called marriages which are nothing but the selling of the girls only (marriage being just a decent name for the flesh-trade) take place in Hyderabad.

This movie narrates the selling of the helplessness of a very young and innocent girl - Shabnam (Supriya Paathak) who comes from a poor family and is in love with a poor boy - Sarju (Farooq Sheikh). Her parents finalize the 'deal' of her so-called marriage with a rich old man from Dubai who has arrived at Hyderabad only for this 'marriage'. In finding a suitable girl for him, he is helped by Akhtar Hussain (Bharat Kapoor) who is going to get money for this purpose plus Najma (Smita Patil) who had run away from her home with him because of her parents' also being ready to throw into such a hell only on account of their poverty. Najma herself has been in love with a thinker and Shaayar (Urdu poet) - Salim (Nasiruddin Shah) but their love is platonic. Najma had opted to run away from her parental home with Akhtar and accepted the live-in relationship with him because she was not able to spend her life with Salim and Akhtar had assured her that as soon as he got enough money, he would marry her. Now Najma also becomes a part of this selling-out of Shabnam alongwith Akhtar under the hope that by getting money for that, Akhtar will be able to marry her. Najma is not aware of the fact that Shabnam is in love with Sarju who is Najma's deemed brother. When she realizes her mistake, it's too late. Just too late !

Writer-director Saagar Sarhadi has made a brilliant movie with a modest production value. Even the colours of this coloured movie have got faded out in the prints available now. But one thing is intact. The soul of the movie. This movie is not to be watched by eyes and ears (the songs being immortal ones and the dialogs being the heart-piercing ones) but by the soul. Just visualize the real life plight of hundreds of such poor (Muslim) girls whom none cares for once they are sold out and 'delivered'. They are considered like the animals whose flesh is sold for the consumption of the non-vegetarians. They are not self-sufficient. They are not independent. Hence helpless. And their helplessness gets easily sold out to those who may not be worthy of becoming their husbands but who are wealthy enough to buy that helplessness from their guardians. The girls are just commodities whose selling consideration is also not theirs, it goes into the hands of their guardians.

Baazaar is a realistic movie which penetrates the viewer's heart like anything and makes him / her realize the cruel reality prevailing in our country. There has not been any political or social will shown over the years to abolish this market. The deals have been going on, just going on ! Even the tears of the girls (a majority of them are minor by age) dry up but the stony hearts of the buyers and the sellers do not exude. Everything of this soul-crushing phenomena has been portrayed with utmost realism in this movie through a touching love story (of Sarju and Shabnam) which is destined to go the tragic way. The sentimental love story with the horrifying reality has been blended well with the Shaayari (Urdu poetry) and the melodious music, giving the movie a unique form and rendering it a cult status.

Baazaar highlights the irony of so-called religious customs and the significance given to the so-called giving of tongue (solemn promise made, not to be broken) which are nothing but the subterfuge for ensuring that the deal for giving the girl ultimately materializes and no eleventh hour development is able to stop it. Hollow excuses are painfully furnished to destroy the life of innocent girls whose parents / guardians are not ready to take their steps back despite knowing very well that they are thrusting their girl into hell.

Khayyam's music with the great Urdu poetry created by Mir Taqi Mir, Mirza Shauq, Makhdoom Mohiuddin, Bashar Nawaz etc. is immortal, consisting of classic Ghazals and Nazms like Dikhaai Diye Yun Ki Bekhud Kiya, Karoge Yaad To Har Baat Yaad Aayegi, Dekh Lo Aaj Hum Ko Jee Bhar Ke, Phir Chhidi Raat Baat Phoolon Ki etc.

Towering performances have been delivered by the great artists of Indian cinema viz. Nasiruddin Shah, Smita Patil and Farooq Sheikh. These are the actors who have redefined the art of acting and Baazaar is a showcase of their abilities. However the heart-conqueror is Supriya Paathak who won the Filmfare award for the best supporting actress for her role of Shabnam in this movie.The complete supporting cast involving actors like Bharat Kapoor, Nisha Singh (as Shabnam's friend - Nasreen), Sulbha Deshpande, Yunus Parvez, Shaukat Aazmi, B.L. Chopra, Jaaved Khan etc. has done exceedingly well.

I end this review with a dialog from the final meeting of Sarju and Shabnam in the movie (just before the song - Dekh Lo Aaj Humko Jee Bhar Ke). Sarju says, 'Agar Hum Gharib Na Hote To Humko Koi Bhi Juda Nahin Kar Sakta Tha Na ?' (None could have separated us had we not been poor). And Shabnam replies, Haan, Tab Hamko Koi Bhi Juda Nahin Kar Sakta Tha' (Yes, then none could have separated us).

Review By Kamal K

Gently lamenting about a society where the poor are forced to choose money over relationships, Bazaar is a touching comment on how every individual is essentially trapped. Poetically used, Ghazals and Nazms add a powerful haunting quality to this film.

A great movie ! Especially the romantic scenes between Farooq and Supriya are sensitively depicted. A true classic piece of work ! An instructive lesson in movie making. Another rare gem from the alternative cinema of India. Khayyam scores once again. The actors play their roles extremely well. A true Sagar Sarhadi classic . This movie could have been instrumental in awakening the law enforcement agencies to a major bride buying racket that was going on in India in the 1980s. The victims were usually minors and the buyers were generally middle east sheiks. The story , especially the ending is a bit clichéd and thats the reason I give this movie 9 stars instead of 10.

the theme is hard hitting and powerful. A movie worth watching .

All the ugliness of society shown in it still exists.