L'été de mes 27 baisers

A summer adventure for precocious fourteen year old Sibylla, when she goes to visit her aunt. lots of wise old sayings and superstitions. full moons. romance. local boy Mickey (who's a little nuts) has a crush on Sibylla, but she follows his father Alex (he's 41) around, spying on him constantly. Nutsa Kukhianidze, (Sibylla) was actually 17, and quite developed up front. and already has the eye of all the men in town. some beautiful music. so many leeches. pretty scenery. but there are so many locations listed, one can't be sure which scenes were filmed where. some silliness with sex toys. skulking around town, following the other locals. in this town, even the grim, disapproving higher ups aren't really so prim and proper. everyone here is a little quirky. which works. a fun little adventure. much ado about nothing, Republic of Georgia style. directed by Nana Dzhordzhadze. story by Irakli Kvirikadze. both from the Republic of Georgia.

27 Missing Kisses shows that Europeans are still capable of producing strong little pictures about life in general as lived by ordinary people . Much of the charm of the film lies in the recognition of man's ability of making a complete fool of himself. The natural beauty of the leading character, Sibylla, her disarming honesty in her doomed love for an older man makes one wonder at the forced and unnaturally contrived lives we all lead. Never preachy or heavy-handed, sentimental nor crude, but always utterly believable, its straightforwardness is deceiving. The village in which most of the action takes place is filled with its fair share of funnily sketched characters. Entertaining as they are, they only serve as distractions from what lies beneath.

The clever and convincing script, the sober but beautiful photography and the natural performances combined with the assured direction make this German/Georgian co-production a little gem of which any big name director would have been proud. I'm happy to say they still make them this way.

Popularly unheralded, "27 Missing Kisses" is a gem of a movie. Nana Dzhordzhadze directs with warmth and a lightness of touch whilst retaining a keen eye for some truly memorable imagery. In fact, scenically, the film a visual treat. The plot is a simple one but beautifully realized due in part to the excellent performances of Nutsa Kukhianidze as the main protagonist Sibylla and in the supporting role of Veronica, Amaliya Morduinova. The movie unfolds at an easy pace which allows the character of Sibylla to fully develop and for the supporting characters, particularly the women, to fully reveal themselves. Much of the story takes place around a simple village environment and Dzhordzhadze deserves credit for making this place, so warm and gentle, yet filled with such wonderful characters, so believable. It is a film full of varying emotions but never descends into gratuitous sentimentality. The soundtrack is subtle, never intrusive and absolutely appropriate, beautifully reflecting the mood of the film.

If this film has any shortcomings, perhaps it could be said that some of the sub-plots are less than perfectly resolved and most of the male characters are clichéd in type but these really are minor faults indeed in what is a completely beguiling movie.

This is a beautiful movie in every way. It's too bad that Hollywood can't produce something like this once in awhile. While Sibylla is misunderstood by everyone around her, the audience understands only too well that sometimes we can't explain our feelings. Sometimes we can't just automatically conform. In fact, sometimes the most interesting people are people like Sibylla who is beautiful self from beginning to end. She follows her heart no matter how illogical or imprudent those feelings might be... not matter the cost. Nutsa Kukhianidze is spectacular. Great to look at. Fun to spend two hours with. A very convincing young rebel.

I realize that the film maker wishes us to find her 14 year old Georgian Lolita a delightful free spirit but after 30 min all I could see was a smug bore.