Le 24ème Jour

Director, P.J. Castellaneta, did close to this same thing (minus the death threats) 13 years earlier in his 1991 release, "Together Alone." Here's how the two films line up:

--2 hunky guys (one married / one not---in both "24th" and "TA").

--A night of lovemaking (remembered+talked about in "24th" / actually in bed in "TA").

--AIDS as a factor (does he have it / does he not---in both films).

--A night of philosophizing (what if this / what if not this---in both films).

Apparently 1991's "Together Alone" garnered even lesser acclaim than has "24th" (but Castellaneta did go on 7 years later to make a somewhat more successful 'little number' you've probably heard of titled, "Relax......It's Just Sex"). Actually, "TA" has never made it to DVD's ranks from its original VHS video release.

Scott Speedman? While still somewhat newer and 'a-learning' as an actor, it takes only moments to see the shock waves of guilt, sorrow, and anger this man throws off in his role as Tom. Wow!

James Marsden? Dear gods, don't be jealous........for this man is so beautiful. (Just an aside: at times I find it almost difficult to look at him. While everyone's perception of beauty differs, to me this man is just plain arresting---watching him here and in "Heights" is almost too much). Nonetheless, his physical attributes are far surpassed by a freshness and depth of feeling, rare in such a young performer, which he brings to his dramatic roles, that of Dan being no exception.

Since I can add nothing more concerning performances and plot points than is contained in the several 7- to 10-Star reviews already here, I will mention only one character detail: Tom is, at his most basic and essential, a good and honest human being. That is never lost sight of in this film, and, I think, is meant to clue us in on the real way in which the film is intended to end.

****

This is another film I purchased without knowing a thing about it, and wound up being quite glad I did. The premise of this film had me on the edge of my seat from the very first gut-wrenching conflict, in a film that was filled to the brim with gut-wrenching conflicts. The acting of both principals in this essentially two-character piece was first rate, and helped to elevate it high above most standard gay-themed fare. But what really made this picture superior to 90% of the gay titles I've purchased in the past year was the confrontation of real issues that gay men should be discussing, but frequently shy away from. Without giving away the plot, let me say that almost every minute of the taught, carefully crafted script is imbued with thoughtful discussion on issues that are all to frequently ignored by sexually active gay men. I didn't see the ending coming at all, and the ultimate, positive and healthy message – that everyone is responsible for their own conduct, and the consequences thereof – is one that too many people don't seem to get, in my observation. In a world where the madness of barebacking and substance abuse is decimating the gay urban male population, the lesson of this film is one that every gay man needs to consider, if not embrace wholeheartedly. Good god! A gay drama that dares to address and discuss sexual responsibility in an adult manner! What will they think of next?

The other reviews have pretty much said it all, although I expected a little more from this given the rather over-the-top ecstatic reviews (certainly I expected more than the one plot 'twist' I got just over half way through - one that had already been revealed to me on the blurb on the back of the DVD).

One can argue it's a homophobic piece or one can argue entirely the opposite, but one can't argue that it's a well scripted, well paced and well acted movie that is worthy of 90 minutes of anyone's time in the world of Hollywood formulaic drama that dominates the mainstream. There isn't, truth be told, a lot of plot here, but what little there is turns out to be surprisingly gripping, thanks to the superb job of both the actors who are never less than totally believable in their roles.

I was amazed to read one 'review' here that just appeared to be a spiteful attack on the perceived commercial success of James Marden's acting career - just because he's easy on the eye is no excuse for slating a performance that most actors would be envious of as a career best. Well worth a viewing!

Don't be fooled by those who say this movie was weak. True, it was a low-budget film that never got into theaters. At the same time, it was suspenseful. The best part is that it is not predictable. You know of course that there will be a twist at the end, and it's exciting to find out what it'll be. Marsden did an excellent job at captivating the audience and making them feel sorry for him, even though we know he lies so much. Both Marsden and Speedman are the bad guys in the movie. Two antagonists and no real protagonist. Those who say it's homophobic are full of crap. I'm a gay man, and I like to have sex (in fact, I kept wanting the two to do it while Marsden was tied up), just as Marsden wants sex, knows he can get it, and does whatever he can to have it. If the movie were untrue to life about how gay men go out and have sex frequently, then the rates of new HIV infection would be dropping incredibly, since everyone would use protection. People get drunk and people have unprotected sex; it's a terrible reality, and this movie portrays it.

"The 24th Day" is one of those movies that you really have to be in the mood for. It may not seem like it at first, but as soon as things change for James Marsden's character Dan, things change for the viewer also. "The 24th Day" is a very thought-provoking film, which due to it's content is not everyone's sort of film, but being such an unusual and rare sort of film, is a great film to watch and perhaps for some people, after watching, may come out with a greater understanding of the issues in the film, one of the obvious being HIV.

Few and far between are there films where homosexual characters are portrayed as normal people, and this is one of them, so when the HIV aspect of the film was introduced it seemed rather odd - do all gay related films have to be about HIV? The answer is of course no, and the film does, through Marsden's character Dan, strongly point out that HIV is in no way a "gay disease", which is a good point, as there seems to be not enough awareness of this, however, the people that need to be aware of that are probably not going to be the ones watching this film anyway. However, it would have been interesting if the film did not have the HIV aspect and for it to be a psychological thriller or something with one guy obsessed with the other years after they first met.

But I digress. James Marsden was wonderful in a role that seems very removed from his usual films, kudos to him. Scott Speedman also did a fantastic job of portraying his character Tom. Essentially a 2-character film (as it is adapted from a theatrical performance), it can get quite monotonous at points, but the actors both stay in good form. Overall, a powerful and effective film.