Shredder Orpheus

I found this movie at the flea market for cheap. I was so psyched because I thought it was a skateboarding movie. I got home put it on, the previews rules and the opening scene with the old guy rolling down the street on the skateboard was awesome. At that moment I realized it was a post-apocalyptic movie but I still had high hopes for it. This movie was awful. A friend of mine was stoned out of his mind when we watched it and even he thought it was horrible and a waste of being high. I kept falling asleep during the movie because it was so boring and the music was utterly awful. I don't know if during the apocalypse all the good music, and all the music that is only kind of crappy is destroyed and everyones memory of how to play it is wiped clean but I think I would rather die than have to endure that crap. Also what the hell was up with the TV studio? I can only assume that this movie was adapted from an old Greek play, with the names and title, but some plays are not meant to be adapted into a futuristic sci-fi setting. Or at least not by the people who were involved with this movie. If you are forced to watch this movie, I can only suggest bringing a hand gun and finishing yourself off before the end. It would be a good movie to kill yourself too, everyone will understand why.

My review was written in May 1990 after watching the movie on AIP video cassette.

The Greek legend that produced arthouse faves "Orpheus" and "Black Orpheus" crashes to Earth in the idiotic punk sci-fi feature "Shredder Orpheus". It's for fans of in-jokes only.

Helmer Robert McGinley also toplines as Orpheus, a band leader (of the Shredders) in a post-apocalyptic world where hipsters live in shanty towns known as the Grey Zone. McGinley's underdeveloped script posits an easy enemy, the Euthanasia Broadcasting Network, which involves Cronenberg-style philosophizing) out of his "Videodrome") as weak satire.

Punk tv programmers want Eurydice (Megan Murphy) for their new show. The underworld in this sci-fi universe is a place where people's memories are shredded faster than you can say Oliver North.

Orpheus becomes a tv star playing an electronic lyre instrument supposedly invented by Jimi Hendrix. Heroine disappears after Orpheus violates the "Don't look back" warning and gazes at her; rest of the film is him searching for her. Finale involving skateboarders is stupid.

Apparently McGinley didn't watch Jean Cocteau's 1950 classic very closely since he leaves out the poignant role of Heurtebise (played eloquently in "Orphee" by Francois Perier). He also fails to find any equivalent to Cocteau's inspired anachronisms, and is instead content to littering the dialog with advertising slogans and catchphrases.

Acting is amateurish and technical quality, mixing film and video footage, subpar.

This movie is a masterwork of nonsense. It is the funniest movie I've seen in years. Of course, none of the humor is intentional, but that's why it's so great.

As for genuine positives, some of the shots looked kind of cool. One of the actors, the one who plays Orpheus' dad, isn't too bad. That's it though, everything else is pretty bad.

The low quality of this film is what turns an otherwise bad movie into a magnum opus. The "skate-rock adventure" to end all skate-rock adventures.

The story? Oh, no, no, no. There is no story. They skateboarded on camera and added the film around it. What little plot there is, it's really corny. Basically, it's a retelling of the myth of Orpheus and Eurydice, but instead of ancient Greece we get storage containers in Seattle. No spoilers on the particulars, because I think if you haven't seen it, you owe it to yourself.

The characters are laughable. There's a really offensive portrayal of a disabled veteran, three villains that look like Rocky Horror Picture Show was eaten by Son Of The Mask, a skater who has a weird whispery voice that isn't convincing, and an overacting producer character. Just to name a few.

The set design is nonexistent. It's bad skater gear and cheesy setpieces all the way, and I wouldn't change a thing.

The cinematography is the best aspect of the film, but it's still not very good. There are a few interesting shots, but there's no discernable personality to it. Also, the DVD copy is formatted so that the image is letterboxed on either side into a 4:3 aspect ratio. The film is closer to a 16:9 aspect ratio, so there are also bars on the top and bottom. The whole picture is slightly above the center, it looks bad.

This is why I'm officially asking whoever owns the rights to this film to please redistribute it on Digital and Blu-Ray. I know a remaster is probably asking too much, but the film must be seen. It needs the widespread love it deserves.

If I were rating it seriously as a film, I would give it a 2/10, but it's more than just a movie. It's an experience.

This movie is one of my favorite cheesy movies. I stumbled upon this movie in a video store started in a trailer in the small town I live. (The store only lasted about 6 months max.) I've never been able to find a place to rent it again. I'll never forget the beginning when the "rock star/skater" sings a rock version of "Nobody likes me, everybody hates me, I think I'll eat some worms." It's all very simple but fun. Don't completely take my word for its entertainment, I haven't seen it in nearly ten years (I was 13 at the time) although my tastes have generally stayed the same.

I too have not seen this film since I was a teenager and I'm not going to go all out and call it a perfect film but I feel like it should be more of a "cult classic" than it is.

Shredder Orpheus is a retelling of the tale from Greek mythology where Orpheus sneaks down into Hades to reclaim his dead gf, Eurydice. Except this one is set in a dystopian (post apocalyptic?) future where everyone lives in a city of shipping crates except for the wealthy plutocrats who are connected to the government propaganda network.

I remember it having a great concept, some awesome costumes, a cool if dated techno/goth soundtrack and decent world-building given its low budget.

Drawbacks were mainly the acting abilities of the no-name cast and a story that only vaguely makes sense. I remember feeling like the climax of the film happens about 2/3 of the way into the tale and further story being somewhat pointless.

This film may qualify as a "vanity project", having been written, directed and starring... what's his name, Robert McGinley? But it's definitely watchable, more so than most films that qualify in that genre. I think he may have even done the music.

I'd recommend this to any fan of skateboard movies, techno/industrial/goth music and fashion, or anyone looking for a lost gem in the dystopian future genre.