La noce

I never heard of that russian movie until I saw it in T.V. The Director matches it perfectly to connect a typical wedding comedy with critics on the (many) social problems in Russia. You have it all: The rich mafiosis, the corrupt policists, the poverty of the workers, the alcoholism, the decline of social institutions. But despite all, it is very positive movie - because of the hero Mischa, the husband, who gives never up, but also tries to stay brave and not to become a gangster. The movie is in its original russian way a bit similar to the blockbuster "monsoon wedding" from India. But I think "Russian Wedding" is the better movie, more funny, more cynical, more realistic.

E.G.: the bride maria mironova looks like an angel.

This amazing comedy mocks all film rules, giving you hardly any opportunity to predict what comes next. This wedding is a wodka-loaden, Russian, chaotic party with a bride worth alone to watch the film for, amazing scenes (like in the orphanage), with extreme characters who never become unreal. It's very warm, very funny, sometimes even scary although nothing really extreme happens. Weird things happen, though. The movie starts with Tanya, a supermodel, returning to her home village from Moscow, looking for a shy mineworker she was in love with when she was 14, and making him a proposal: flip a coin, heads is marrying, tails is not marrying. Later on, you'll understand why. You'll love this film if you can enjoy movies that are not by-the-book.

Five years ago, Tania (Mariya Morinova) left her small village and left to Moscow, pursuing a career as a model. Now she returns, and for everyone's surprise, she decides to marry Mishka (Marat Mashanov), her former lover. As the preparations for the wedding begin, many passions are set loose. Mishka's family does not trust Tania and Mishka himself doubts about Tania's motivations. To make things worse, Mishka is not wealthy, so he must rely on his best friend Garkusha's talent for the illegal in order to raise money. The Wedding night will be full of surprises.

That is the plot of "Svadba", a Russian movie that proves that good movies are made with love and not with SFX. The wedding celebration is a perfect background for this comedy/drama that explores the misfortunes of a typical Russian family of miners. The realistic approach taken by director Pavel Lungin makes the audience feel part of the celebration, as if it were the real video home of an authentic wedding.

Part of this success is due to the great acting of the cast, Andrei Panin is outstanding as Garkusha and he steals every scene he is in. His character the perfect catalyst between drama and comedy, giving the film humor and heart. Mariya Morinova is beautiful and shows a great talent for drama as the mysterious Tania. The rest of the cast is quite good and everyone receives a chance to shine as the wedding party goes on.

"Svadba" presents us a glimpse of Russian society; in a manner similar to India's "Monsoon Wedding" or Mexico's "El Anzuelo", the wedding is an event that serves as backbone to the stories of the family friends and relatives, from the sister who can't find a boyfriend to the town's police chief, who wants nothing but to leave the small village.

Another point that is handled with subtlety by the movie, is the new society of post-Communist Russia. In the small village that seems lost in time, Moscow is like a dream, where capitalism runs rampant and where everything is to be possible. However, Tania returns home looking for a quieter way of life, and the inhabitants of her hometown represent that lost innocence she struggles to recover.

The movie is a light-hearted comedy with touches of drama that has enough charm to capture the attention without getting boring, or overtly sentimentalist. This is a movie that proves that all a movie needs to be good is a lot of heart. 8/10

The same theme as "A Wedding" by Robert Altman, but with the much sadder social context of contemporary Russia. Communism might be finished (notwithstanding the odd hammer and sickle still showing here and there), but the quality of life of the people has not improved - with the only exception of mafia-stile capitalists. Towards the end of the film the chief of police says excitedly: "I AM BACK !", and this might be the sad reflection of the author on the future of the country (not necessarily back to Communism, that is, but to an authoritarian regime of sort).

And still, the people maintain a sort of desperate cheerfulness - made of jokes, drinking, music, dancing and sex. If you liked "Black Cat, White Cat" by Emir Kusturica (or the wedding scene in Underground) you will like this film.

I am grateful to the commentators who suggested comparisons to Robert Altman's "Wedding" and the Indian "Monsoon Wedding"-- the comparison that came to mind for me was "Sweet Home Alabama." But I definitely find it the greatest depiction of contemporary Russian culture, especially as it shows provincial, rather than big-city life. I titled my comments "Laughter through Tears," as that is a phrase associated with one of Russia's greatest writers, Nikolai Gogol, who inaugurated the absurd and grotesque in Russian literature. I know Pavel Lunguin as the director of "Taxi Blues," and find his development as a filmmaker in the 10 years between the two films very compelling. Longuin, to my mind, is one of the few filmmakers who has found his own authentic Russian voice in contemporary cinema.