A clothing designer fights to keep her Jewish-Italian family together when her brother decides to have a child with a woman he barely knows.A clothing designer fights to keep her Jewish-Italian family together when her brother decides to have a child with a woman he barely knows.A clothing designer fights to keep her Jewish-Italian family together when her brother decides to have a child with a woman he barely knows.
William Francis McGuire
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I just watched this movie (12 years after its release) because I am focusing on Harvey Keitel and his performances throughout his career. I believe it is his best.
I agree that Brad Rowe's character was underdeveloped; I couldn't understand his motivation (or lack of) for any of his life-choices. Regardless... the movie was about dysfunction, and I can't believe none of the other reviewers commented on that. I hit me square in the face.
Yes, the main character assigned the title "dysfunction" in this movie has emotional issues. That is clear. But, what kind of father rants and raves when his grown son doesn't act according to his own plans for that son? What kind of father promises love and devotion, then takes it away, then gives it back again, then takes it away again, then gives it back again?
What kind of father yells and calls his grown son names, flies across the country and shows up unannounced to visit his son and "inspect" his future daughter-in-law under the pretension of wanting to "get to know her"... without letting his wife know he has gone until he returns at the end of the day? What kind of father (or family) belittles a potential new addition to their family before meeting her, then makes judgments and issues condemnations of that person because she doesn't behave according to their own expectations?
A dysfunctional, tyrannical, paranoid, self-absorbed father (and family)... that is who!
There is no better way to make a person feel like an outsider than to whisper negative and snide comments about them behind their back. I don't blame Rachael Blanchard's character for flinching when her potential mother-in-law reaches out to touch her; she's not sure she's in "safe" territory.
And, her adult fiancé is unable defend his position against his family's pressures and emotional manipulation. He's absolutely ineffective. I was sad about her poor decision to leave her child with such a family.
This movie is not about "how to be a father"... it is about how NOT to be father! That no one else picks up on this is what's wrong with society today.
Again... Harvey Keitels performance was his best. He made me hate his character, and glad I am not part of a family like his!
I agree that Brad Rowe's character was underdeveloped; I couldn't understand his motivation (or lack of) for any of his life-choices. Regardless... the movie was about dysfunction, and I can't believe none of the other reviewers commented on that. I hit me square in the face.
Yes, the main character assigned the title "dysfunction" in this movie has emotional issues. That is clear. But, what kind of father rants and raves when his grown son doesn't act according to his own plans for that son? What kind of father promises love and devotion, then takes it away, then gives it back again, then takes it away again, then gives it back again?
What kind of father yells and calls his grown son names, flies across the country and shows up unannounced to visit his son and "inspect" his future daughter-in-law under the pretension of wanting to "get to know her"... without letting his wife know he has gone until he returns at the end of the day? What kind of father (or family) belittles a potential new addition to their family before meeting her, then makes judgments and issues condemnations of that person because she doesn't behave according to their own expectations?
A dysfunctional, tyrannical, paranoid, self-absorbed father (and family)... that is who!
There is no better way to make a person feel like an outsider than to whisper negative and snide comments about them behind their back. I don't blame Rachael Blanchard's character for flinching when her potential mother-in-law reaches out to touch her; she's not sure she's in "safe" territory.
And, her adult fiancé is unable defend his position against his family's pressures and emotional manipulation. He's absolutely ineffective. I was sad about her poor decision to leave her child with such a family.
This movie is not about "how to be a father"... it is about how NOT to be father! That no one else picks up on this is what's wrong with society today.
Again... Harvey Keitels performance was his best. He made me hate his character, and glad I am not part of a family like his!
Brad didn't want to join the family clothing business. He ended up struggling as a movie writer in California. So desperate he had to sell his blood, he found an angel named Kelly at the blood bank.
After numerous failed relationships which included sex (and one pregnancy which ended in an abortion), Brad fell for Kelly, and Kelly too found herself pregnant. Brad's father Tony insisted Kelly have an abortion ... or else! I won't say what happens after that. I will just say Brad and Kelly agonize over the decision they have to make, and they go through the ups and downs of a typical relationship. Things are not always good, just like in real life. And maybe things aren't as bad for Brad and his family as it appears at first.
I am pro-choice on the abortion issue, but a movie like this makes me think about what that really means. I don't like to see the act taking place without some serious health threat or at least rape, or maybe a seriously deformed fetus. None of these applied to Kelly's situation. It was disturbing to see Tony take such a casual attitude toward this act--especially since he crossed himself later in the movie. Apaarently he was Catholic. He must have married a Jewish woman, since the family was shown celebrating Easter and Passover. I would say Tony wasn't that good a Catholic.
Rahcel Blanchard would be my main reason for watching this, since I liked her so much in the TV series 'Clueless'. Kelly was so sweet despite her hard life, and while she did lose her temper from time to time, she handled herself well. Harvey Keitel did well as Tony also.
I've seen better movies, but this wasn't too bad.
After numerous failed relationships which included sex (and one pregnancy which ended in an abortion), Brad fell for Kelly, and Kelly too found herself pregnant. Brad's father Tony insisted Kelly have an abortion ... or else! I won't say what happens after that. I will just say Brad and Kelly agonize over the decision they have to make, and they go through the ups and downs of a typical relationship. Things are not always good, just like in real life. And maybe things aren't as bad for Brad and his family as it appears at first.
I am pro-choice on the abortion issue, but a movie like this makes me think about what that really means. I don't like to see the act taking place without some serious health threat or at least rape, or maybe a seriously deformed fetus. None of these applied to Kelly's situation. It was disturbing to see Tony take such a casual attitude toward this act--especially since he crossed himself later in the movie. Apaarently he was Catholic. He must have married a Jewish woman, since the family was shown celebrating Easter and Passover. I would say Tony wasn't that good a Catholic.
Rahcel Blanchard would be my main reason for watching this, since I liked her so much in the TV series 'Clueless'. Kelly was so sweet despite her hard life, and while she did lose her temper from time to time, she handled herself well. Harvey Keitel did well as Tony also.
I've seen better movies, but this wasn't too bad.
One thing alone makes this almost work, and that's the performance of Rachel Blanchard. With minimal lines or character development, she does an
amazing job of making her character almost three dimensional. Without her
ability, this film could have across as a character assassination of "loose"
women and new age dingbats. As it is, this is not a terrible film but it needed more work in my opinion. The back of the disc says Renfo is "stalked" by a
"psychotic" young woman so Keitel (like in his "cleaner" roles in "Pulp Fiction" or that Bridget Fonda thing?) has to intervene to save his son. Apparently the
publicist or media people either never watched it or had no idea how to market it! The box makes it seem like "Swimfan" or something! Instead it's Lifetime V for men too close to their dads, but Blanchard, who should get better work, holds this together enough to make it watchable. 6/10
amazing job of making her character almost three dimensional. Without her
ability, this film could have across as a character assassination of "loose"
women and new age dingbats. As it is, this is not a terrible film but it needed more work in my opinion. The back of the disc says Renfo is "stalked" by a
"psychotic" young woman so Keitel (like in his "cleaner" roles in "Pulp Fiction" or that Bridget Fonda thing?) has to intervene to save his son. Apparently the
publicist or media people either never watched it or had no idea how to market it! The box makes it seem like "Swimfan" or something! Instead it's Lifetime V for men too close to their dads, but Blanchard, who should get better work, holds this together enough to make it watchable. 6/10
This movie starts slowly but becomes quite engaging. It tackles the difficult question facing many expecting, but unwed couples -- abortion or not. Brad Rowe is excellent as the somewhat free-spirited son of a "traditional" family. Rachel Blanchard is outstanding as the "new age hippie chick" from a very broken home. Harvey Keitel is good as the frustrated father who sees his son in trouble, but can't do anything to help him -- because the son doesn't want his help. As the movie goes on the character development is quite good and I found myself genuinely interested in all of them. The movie is well-written and well-acted. I recommend it.
I have no idea whatsoever why but I actually liked the film- not at all how it's described on the box. Brad Rowe plays the son of Harvey Keitel, an Italian-American success story and mom Mary Kay Place, a typical Jewish mother. The lead girl in the film I had seen on recent episodes of "Seventh Heaven". But this movie explores areas of life that just aren't explored in too many films, if any. That is the need for a man to become a father. All the time in films it is explored the need for women to become mothers, but the men are treated as if fatherhood is not for them. Myself, I personally have no wish to ever become a dad, but that's not to say there aren't women who have no desire to ever become a mother. But this was certainly an interesting film with an interesting concept. Well done.
Did you know
- TriviaReunites Harvey Keitel and Richard Romanus, who had previously both stared as relative unknowns in Martin Scorsese's Mean Streets in 1973.
- GoofsAfter displaying chest hair in several scenes, Brad Rowe is suddenly smooth-chested in the scene where he's put to bed drunk by Dash Mihok. In later scenes, the chest hair is back again.
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