La vengeance de Monte Cristo

The Count of Monte Cristo was a film my girlfriend recommended to me, and to be honest, I wasn't looking forward to it. Seeing that it was a recent film and was not well known by my friends or colleagues, I was skeptical. After the first 10 minutes, I was hooked. I've never read the book, but I can see why it is such an important piece of literature. The story was riveting and had me at full attention all the way through. This movie was a bit more "Hollywood" then I usually like, but it moved at a fast pace so that even a simpleton would enjoy. After seeing this film I am adding this to my books I need to read before I die. Anyone who's looking for a good evening movie, this is it. The film isn't amazing directed, but the story is so strong it keeps you on the edge of your seat.

Rating = B+

• VideoGameHollywood.com

It's 1815. Edmond Dantès (Jim Caviezel) tries to save his captain and seeks help on the isle of Elba. The imprisoned Napoleon Bonaparte exchanges his help with a letter secret delivery. The captain dies nevertheless. Dantès returns and gets promoted to captain. He proposes to Mercedès Iguanada (Dagmara Dominczyk). Dantès' competitive jealous best friend Fernand Mondego (Guy Pearce) gets him arrested. Chief magistrate J.F. Villefort (James Frain) covers up his father's part in Napoleon's escape plan by sending Dantès to prison. Armand Dorleac (Michael Wincott) is the sadistic warden of the island prison of Château d'If. Dantès befriends prisoner Abbé Faria (Richard Harris) who educates the illiterate Dantès. Faria was in Napoleon's army who refuses to reveal the location of Count Spada's fortune. When Napoleon escapes, Villefort schemes with Mondego to keep Dantès in prison and lie to Mercedès about his execution. Faria is killed in a cave-in. Dantès escapes. He spares Jacopo (Luis Guzmán)'s life who pledges his eternal loyalty to him. They set off to find the hidden treasure and seek revenge on all who have wronged him. He schemes to bankrupt Mondego and befriend Albert (Henry Cavill) the son of Mondego and Mercedès.

It's a traditional literary adventure ripped from the golden age of Hollywood. Some may dismiss its earnest swashbuckling ways. It is melodramatic goodness. It is just so well made with a solid cast. They may not be A-list at the time but they're A-list in talent. Jim Caviezel and Guy Pearce are terrific. They have an amazing final sword fight that is both emotional and compelling. Richard Harris comes in like a call back to another era. James Frain is a great villain and it's fun to see a young Henry Cavill.

I hired this one on a whim, remembering that i had seen the trailer and had been vaguely intrigued. I have to admit, having gone in with little expectation, i was flawed! This was one of the better movies that i have seen in a long time. Jim Caviezel's performance is slightly whiny to begin with, but in the context of the whole story, the reason therefore is appreciated and makes his transition and growth as a character that much more riveting to watch. I absolutely loved him as Edmund Dantes then the dynamic Count of Monte Cristo and cannot have imagined a better choice. He was definitely not bad on the eyes either. Every scene had him looking more dashing and more handsome than the one before.

Guy Pierce surprised me with a performance that was totally believable. His dry humour only made him more appealing, very well acted.

The entire epic, though long, never gives you the impression that you have been sitting still for ages. It moves along swiftly and always had me gripped, from the action, suspense, and even to the humour that was evident from time to time. The love story surprised me most of all. Instead of taking on a highly sexual slant, as all these new films do, it was understated, the female lead doing an admirable job of portraying the wounded lover, who has always longed for her Edmund. I loved the innocence that she managed to bring to the role, a really terrific actress and a really beautiful one as well.

Wonderfully scripted, exceptionally carried out! This has to be the best adaptation yet!

An emphatic 10!

"The Count of Monte Cristo" by Dumas is one of my favorite books, it keeps you on your toes the whole time, guessing what will happen next. The movie doesn't accomplish this as well. While the book is subtle with the Count's revenge, the movie screams for all to hear. "The Count of Monte Cristo, formerly Edmund Dantes is going to get revenge on his friends!!!" They left out 3 main characters, and DRASTICALLY changed the ending, they had to, the end involves those 3 characters they left out. But I did like the movie and if you enjoy it too I encourage you to read the book!

One of the most famous revenge stories, The Count of Monte Cristo is here turned into a dashing, old-fashioned swashbuckler. The plot is riddled with unconvincing coincidences and occurences (as indeed was the book), but other than that this is a well-made, enjoyable film, with some literate dialogue and believable action sequences. It is the fact that the action is believable that makes the film memorable, because in too many 2002 releases the action was so overblown and unrealistic (not to mention physically impossible) that the credibility of such films was destroyed.

Edmond Dantes (Caviezel) is a honest young sailor working out of 19th Century Marseilles. His best friend Fernan (Pearce) secretly craves the hand of Dantes's fiancee Mercedes (Dominczyk), so he informs to the authorities that Dantes is a conspirator plotting to aid in Napoleon's escape from Elba. Dantes is sent to a terrible, inescapable island prison, while Fernan takes Mercedes to be his wife. After many years of hardship, Dantes makes an audacious escape and, having acquired a fortune by solving a cryptic treasure map, slowly plots his revenge under the new identity of the "Count of Monte Cristo".

Caviezel was a relative newcomer when he did this film, but he really catches the eye as the innocent man driven to despair by his terrible and unjustified punishment. Pearce is good too, perfecting his arrogant sneer as the deplorable Fernan. The prison scenes are well shot, with the hopelessness and horror of the place captured in considerably believable detail. It's quite surprising that The Count of Monte Cristo was a relative disappointment at the box office, since its dramatic storyline, and the themes of revenge, betrayal and loss, are usually guaranteed crowd-pullers. This film deserves to be seen by more people, and the more people that see it the more its reputation will surely grow.