Le chant de la fidèle Chunhyang

This Korean film is told through both pansori and live-action. Pansori is a style of Korean singing/drama that consists of a singer and a drummer and very, very long epic stories are sung dramatically. Seeing the robe-clad singer gesticulate and dance about with his fan was pretty interesting and a nice lesson in Korean culture. Plus, once I got used to the style, it was interesting as he narrated large portions of the live-action story and it reminded me quite a bit of Chinese opera. However, and I know this will make me sound rather shallow to some, but after a while the singing wore me down and I really don't look forward to seeing many more films in this style. Maybe this is the Asian equivalent of sitting through one of Wagner's operas (another endurance test for the audience). In both cases, the performances may be four or more hours long!

The story itself is an 18 century legend about two young lovers, the tragedy that befalls one of them and the very uplifting and satisfying conclusion. The son of a governor falls in love with a concubine's daughter. Despite being from totally different social classes, they secretly marry. The young man wants to tell his parents, but needs to wait until he takes his civil service test, as he wants to make a name for himself before publicly acknowledging the marriage. Unfortunately, tragedy strikes when a new governor is appointed. He's exceptionally cruel and unyielding. Exactly what happens next is something you'll have to see for yourself, but I can assure you it is very exciting to watch and worth the wait--as the film improves the further along it goes.

Beautiful cinematography, this is a lovely little legend come to the screen. It's well worth a look, but I strongly doubt that many Westerners out there will quickly embraced this very unusual film. It takes a bit to get used to the style, but it's well worth it.

Introductory lines extracted from its trailer: "It will take you to a place you've never been and wrap you in a life time you've never lived. It is a story of a governor's son favored by birth-right, and a courtesan's daughter, Chunhyang, marked from birth. beautiful, sensual, innocent, brought together by love, bound by loyalty, but torn apart by law. their life became their legacy until their names became legend." A film of epic beauty and eternal devotion of a broken heart that cannot be divided and a heart that cannot be taken where"

There are a number of lines I found particularly worth meditating and deep thoughts. I didn't think this film would be a great film especially judging from its opening introduction where chants with singing were all I heard. Of course then I must remove the mentality of what a movie should be like set by Hollywood. Having done that, Chunhyang as well as the movie, has taught me a great lot of moral values, and wisdom, and not to mention loyalty. The number of people devoted to marriage and love these days are on the declining slope and it is in my opinion that modern thinking is to be blamed. However, these are two very different contexts. Truly, Chunhyang, is a very 2 hour inspiring film, in a different way from Hollywood.

Its musics are as though playing with the strings of my heart. oh my god, so good! Enjoy!

Before video, before film, before printing, before writing -- people told and sang stories.

"Chunhyang" is a wonderful way to experience this oral tradition, listening to the music of language as chanted by a Pansori telling a Korean folk tale. For those of us without facility in the Korean language, the film paints for us the images conjured by the singer. These are beautiful images of a colorful, far-away land in ancient times -- images locked into the race memory of the Korean people familiar with the story, but now on the screen for our benefit as well.

This collision of old and new art forms generates a synergy evident, for example, in the scene in which Chunhyang is beaten for refusing to take to the evil lord's bed. Most of this takes place off-screen -- instead we see shots of the Pansori and of his audience, sitting on the edge of their seats and weeping as he tells of the heroine's defiance. It was one of the most gut-wrenching scenes I've experienced in many years.

I am a Korean linguist and use Korean movies to keep up on the language and have really fallen in love with them over the last few years. My current favorite is JSA, followed closely by Shiri. I just happened to catch Chunhyang on the Sundance channel and it was just not your typical "everybody dies" Korean dramatic movie. Although, what little I know of Korean culture seems to portray life as always having misfortunes,because thats just how life is, this movie was a pleasant surprise. It was kind of like Romeo and Juliet who forgot they were supposed to die. The "panjori" was excellent as well.

Cahiers Du Cinema called this epic an "experimental film", and indeed, it is as experimental as Lars von Triers DANCER IN THE DARK by heavily relying on music and songs. On the other hand, the differences are quite obvious. Here the songs come from the off most of the time (until the camera surprisingly moves to the classic singer on a stage) and do something that usually reduces the quality of a movie: they tell you what's going on in the pictures. But those pictures are of such an elegic beauty (with the typical yellow "Im-tone") that you feel a story is told to you by your grandfather and it unfolds perfectly in front of your eyes. I saw the screening during the MIFED 2000 together with only one (!) other guest and am quite astonished that film fans and buyers might overlook this masterpiece about an exclusive one-on-one love that touches our hearts.