Witchcraft

WITCHCRAFT opens centuries ago, with a man and a pregnant woman being burned at the stake. This is intercut with modern day scenes of a woman named Grace (Anat Topol) giving birth. Grace is seeing visions of the ancient couple's toasty torment, as they look increasingly like baked ziti.

Let's just say that it's a difficult delivery.

Later, Grace's husband, John (Gary Sloan), convinces her that they should move into his mother's big, spooky house. Strange occurrences start right away, with Grace experiencing dizzy spells, blackouts, and nightmares. There's also a creepy butler, and a mysterious, unused part of the house. Then, a visiting priest is reduced to something akin to a sausage left too long in the microwave! Could black magic be afoot?

Conspiratorial gloom settles in, resulting in further death and awfulness. Isn't this what all new moms hope for?

WITCHCRAFT certainly has that 1980's, supernatural movie charm going on. Though the cheeeze-level runs from medium to high, it's actually better that much of the straight-to-video sludge of the era. At least Ms. Topol is convincing in her harried role.

EXTRA POINTS FOR: #1- The sound effects during one dinner scene, making it seem as though everyone is crunching clam shells with their teeth! #2- Mom (Mary Shelley), who is so quietly malevolent! #3- The satanic "shock" finale!...

My review was written in January 1989 after watching the film on Academy video cassette.

"Witchcraft" is an underwhelming supernatural horror piece, released direct-to-video (with video post-production and credits).

Unrelated to another new (Italian-backed) scream pic named "Witchcraft" and toplining Linda Blair, this film adds a dash of "Rosemary's Baby" to the hoary formula of a new mother's fears and the oppressive move to a gothic mansion.

Pretty Anat Topol-Barzilai is the new mother of a bouncing baby boy who haplessly finds herself moved in with a decidedly evil-seeming mother-in-law (Mary Shelley is the actress' gothic stage name) in an ancient house. She starts seeing visions, particularly in mirrors, and wisely fears for her newborn's safety. Following a burn-at-the-stake prolog, it's finally revealed that Shelley and Anat's huband Gary Sloan are reincarnated witches and they're definitely after the kid.

Pert Deborah Scott adds some life as the heroine's best pal, but pic is mainly a string of genre cliches executed by helmer Robert Spera with very little imagination. Pace slows to a crawl in the second half.

Topol-Barzilai is pleasant to look at, with her ample figure kept under wraps here even in scenes (such as human sacrifice climax) when a bit bolder approach is in order. Shelley, despite her apt name, fails at achieving a transition from menacing to out-and-out evil.

How many Witchcraft films were there? 13? 14? I don't know, but this, the first, is not like the others.

It is a repackaged Rosemary's Baby. and doesn't have the sex scenes of the later films in the Witchcraft series.

This film has all the elements you would expect in a Gothic horror film: a creaky old house, mood music, a scary butler, strange dreams, and lots of screaming and blood. And, we need to mention the creepiest of them all, the Mother-in-Law.

It may have been low budget, but it still was interesting and worth the time spent.

"Witchcraft" is a relatively unknown underground horror flick. Though the film has been received extremely bad reviews, it managed to spawn a total of twelve sequels (to date, at least).

The plot of the film is similar to the earlier "Rosemary's Baby". Grace Churchill has given birth to her first child, when her husband temporarily moves them in with his mother. While staying in her mother-in-laws creepy, old mansion, Grace begins experiencing bizarre incidents that lead her to believe her new family isn't what they seem.

Honestly, I'm not sure why this movie got such bad reviews from people. The only real problem I found with it was the editing style - which gives the film the look of an episode of "Murder, She Wrote". The sets of the film are quite creepy. The acting (by a primarily newcomer cast) is good. The music (though performed on a synthesizer) fits the tone of the film.

All in all, "Witchcraft" isn't an Oscar winning film, but it's a interesting way to pass 90 minutes.

I have this movie on both VHS and DVD. They come with excellent artwork featuring a young attractive woman lay on an altar, a skull beneath her, and the film's title "Witchcraft" within a pentagram above her. A common case of great artwork but poor movie. Grace gives birth to a baby boy (that looks at least six months old in size), her and creepy but rich husband John move into his mother's large house. It is soon apparent that John has a very strange relationship with his mother, a 300 year old painting in which they appear together before being burnt for witchcraft is a major clue. For poor Grace in addition to marrying into an odd family the house also has a creepy mute butler (like large old houses so often do!). This is a cheap looking movie, I found the acting to be quite wooden, it's slow and predictable. There is some gore including a decapitation but the effects certainly are not very special. There is no nudity but incredibly this went on to spawn at least 15 sequels, these did feature a lot of naked female flesh. Witchcraft borrows from "Rosemary's Baby" to an extent. In the UK this is rated 18 but it now feels relatively tame and I am sure that a re-submission to the BBFC would result in a 15 certificate. Not many positives to speak of though Deborah Scott/Spera as Grace's friend Linda does look pretty hot in her tight mini skirts!