IMDb RATING
7.0/10
1.6K
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A young music journalist's dark memories are awakened when he goes to interview a female rock singer, and both are forced to confront troubling secrets from their pasts.A young music journalist's dark memories are awakened when he goes to interview a female rock singer, and both are forced to confront troubling secrets from their pasts.A young music journalist's dark memories are awakened when he goes to interview a female rock singer, and both are forced to confront troubling secrets from their pasts.
- Nominated for 1 Primetime Emmy
- 1 win & 6 nominations total
Aria Alpert Adjani
- Violet
- (as Aria Alpert)
Justin DePrume
- Young Dan
- (as Justin De Prume)
Brittany Renee Finamore
- Young Sherry
- (as Brittany Finamore)
Jesse Gelaznik
- Magazine Intern
- (as Jessie Gelaznick)
- …
Francis T. Hickman Jr.
- Cape Canaveral Police Officer #2
- (as Frank Hickman)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
A compelling film. This film really touched my heart. While the film is certainly far from perfect, I thought it dealt wonderfully with the subject matter and showed such a sensitivity towards not only victims of violence but also towards how scars incurred in childhood can mar us forever.
Gabriel Mann was awesome in this. He gave the role such a conscience and it was nice to see him used fully as an actor as opposed to his rather less than full role in 'High Art' (which I happen to love nonetheless). But whereas High Art was Radha Mitchell and Ally Sheedy's film, this film really, for me, belonged to Mann. Kim Dickens did a great job also, but Mann still takes top billing in my book. My hat off to Allison Anders - it's nice to know that there are filmmakers out there that are not so concerned with commercialism as they are with substance and exploration. The fact that it says that the film is semi-autobiographical just makes me applaud her more. If you're into character studies and the way the past effects ones life, this is a movie worth seeing.
Gabriel Mann was awesome in this. He gave the role such a conscience and it was nice to see him used fully as an actor as opposed to his rather less than full role in 'High Art' (which I happen to love nonetheless). But whereas High Art was Radha Mitchell and Ally Sheedy's film, this film really, for me, belonged to Mann. Kim Dickens did a great job also, but Mann still takes top billing in my book. My hat off to Allison Anders - it's nice to know that there are filmmakers out there that are not so concerned with commercialism as they are with substance and exploration. The fact that it says that the film is semi-autobiographical just makes me applaud her more. If you're into character studies and the way the past effects ones life, this is a movie worth seeing.
I've seen. Slow and painful this story gets into the psyche of the victims unlike most other stories treating the same subject. The stories and writing style of Joyce Carol Oates came to mind through the intentionally slow, methodical pacing revealing each layer of the painful retelling of the victims' stories.
Arquette gives a brilliant performance as does Cheedle and Stoltz. Gabrielle Mann comes off a little too 'waah, waah, Mr. Sensitive author' but there's an honesty that rings true in his performance and works nicely with the others.
I think the only way this movie could improve is to perform it on stage. It has an intimacy that could resonate much more effectively then on the screen. All in all, I highly recommend it.
Arquette gives a brilliant performance as does Cheedle and Stoltz. Gabrielle Mann comes off a little too 'waah, waah, Mr. Sensitive author' but there's an honesty that rings true in his performance and works nicely with the others.
I think the only way this movie could improve is to perform it on stage. It has an intimacy that could resonate much more effectively then on the screen. All in all, I highly recommend it.
This got and Emmy and Independent Spirit nomination for Don Cheadle, and an Indy nomination for Kim Dickens, who plays Sherrie, a rock singer in Cocoa Beach, Florida who was raped. Cheadle is her manager and former lover.
Sherrie doesn't know why her life is messed up, and why she can't move out of a life of promiscuity and drunkenness, because she has repressed the rape. Owen (Gabriel Mann) knows about the rape, and is doing a story on the girl behind the song she wrote. He is doing it because he was involved in Sherrie's rape. He has demons of his own to exorcise.
This was a powerful story of how a teen rape can cause permanent damage, not only to the person raped, but to everyone in her life from that day forward. The dysfunctional relationships that one experiences through life can be traced back to that rape.
The ending was a little to pat, but that's movies.
Sherrie doesn't know why her life is messed up, and why she can't move out of a life of promiscuity and drunkenness, because she has repressed the rape. Owen (Gabriel Mann) knows about the rape, and is doing a story on the girl behind the song she wrote. He is doing it because he was involved in Sherrie's rape. He has demons of his own to exorcise.
This was a powerful story of how a teen rape can cause permanent damage, not only to the person raped, but to everyone in her life from that day forward. The dysfunctional relationships that one experiences through life can be traced back to that rape.
The ending was a little to pat, but that's movies.
One of the favorites at the Sedona Film festival. Hoping this important film gets a broad distribution. Outstanding performances, well written, everything comes together in a powerful yet disturbingly emotional manner. Cheadle's kitchen scene was phenomenal. Must see!
I was lucky enough to see this film at the Sundance film festival, where we gave Allison Anders a 5 minute standing ovation for what she's done with this film. The story is deceptively simple- a rock and roll chick who is pretty messed up for reasons that become clear when she hooks up with a young journalist- but it's the feelings that pierce and soar in this film. But it's not just a woman's story, the young man is also searching for (dare I say it) redemption. Filled with wonderful performances (why isn't Kim Dickens a star yet?) and even better cameos (Don Cheadle, Eric Stolz) this is a film that needs to be seen. One of the first, only, films that deals with sexual abuse and trauma and healing in a way that is both riveting and repulsive. And it has a great sound track! Go and see it!
Did you know
- TriviaThe film is based on Allison Anders' personal experience when she was raped at the age of 12 and then brutally manhandled by a stepfather until she ran away from home at the age of 17. The rape scene in the film was actually filmed in exactly the same house where Anders was raped as a child.
- SoundtracksTheme from Things Behind the Sun
Performed by Sonic Youth
Written by Kim Gordon, Lee Ranaldo, Thurston Moore, Steve Shelley,
Jim O'Rourke
Published by Sonik Tooth
Administered by Zomba Songs, Inc/Field Code Music (BMI)
Courtesy of DGC Records
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By what name was Things Behind the Sun (2001) officially released in Canada in English?
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