Hiver 42: Au nom des enfants

I consider this film to be the best one with Haley J. Osment. I must admit that first I watched it only because HJO was starring in it (and because the film was shot in my country, ie Poland). Not only does Haley play wonderfully, but also the film itself is very good, mixing the times of WWII with the fragile construction of children's psyche. The film was made in Poland, so it was very nice to see Haley playing in Polish landscapes. I must say I am very surprised that the film was not yet released in the US. In Poland it was shown in cinemas in 2001. In January 2003 the film was released on DVD. A few weeks ago (November 2003) the movie was on TV so it had really wide audience. I don't understand why such a good movie was not released in the US !! If you want, you can write to me: (make sure it's o2, and not 02).

Haley has brought another movie to life, but this time he is not the only young actor to give a truly moving performance. Liam Hess really takes on Tolo's emotions and brings them out expertly to give a very convincing performance. One of England's hidden talents. The casting worked well with talent from Canada, USA, England, & Poland all coming together to create a movie that was a delight to watch. Look out for Haley's father/coach who also takes a small role in the movie. I liked the movie's originality, beautiful setting and realism. A classic, and one that you will not quickly forget.

I caught this unknown film on Polish television last night and was blown away. The following day as I write this I'm still haunted about some of the scenes towards the end.

With an excellent blend of Polish and international actors and actresses, this tale of the loss of childhood innocence during WW2 is as powerful and memorable as Schindler's List or the Pianist, and is certainly not for young children.

While Osmont's performance is great, it is Liam Hess as the young Tola who steals the film, a true innocent who longs to understand what it was like to be Jesus, an amazing characterisation by such a young boy.

There are moments of lovely humour in the film as you'd expect watching the innocent/stupid/naive things kids do, but the last thirty minutes are quite shocking and emotionally draining.

Congratulations to writer/director Yurek Bogayevicz and all involved, for a powerful piece of filmmaking.

This film is about a Jewish boy being sent to live with a catholic family during the Holocaust.

Normally, a film about a boy suffering in the Holocaust should be a sure tear jerker that touches people right to the core. An example is the Oscar winning "Life Is Beautiful", which to me is still the best film of all time.

However, "Edges of the Lord" is a rare example of a failed Holocaust film. It documents the mischiefs of a group of children that is only weakly related to the Holocaust, that they who could have been anyone in any place. The story is not engaging, and lacks emotional portrayal either, as it keeps going on and on about rather unusual acts between the children. Seriously, how could a teenage girl invite a young boy into a room for an hour and then want the other boys to stone her? Or a young boy running naked in the rain? The plot is weak to start with, and spirals out of control into unforgivable chaos that is beyond redemption.

The deadliest weak point though, is the accent. It is understandable that the director wants to make the film "authentic", but if so, why not make the film in Polish or in German? It would have been even more authentic, and easy on the ears. The resultant fake Polish accent in "Edges of the Lord" is a strange chimera that is very unpleasant on the ears.

The only strong point I can think of is the strong acting by Liam Hess. "Edges of the Lord" is still a big disappointment.

"Edges of the lord" is a low-budget World War II drama about an intelligent young Jewish boy, geniusly portrayed by Haley Joel Osment, who is seperated from his parents in the very beginning of the film by the Nazis, invading Poland. The boy is sent, kicking and screaming, to relatives living in a captured village far from the larger communities. There he integrates with the family under hard prohibition from revealing that he is a Jew. He bonds especially with the youngest son of his host family, the imaginative and charismatic Tolo, who is played to excellence by newcomer Liam Hess, and his older brother Vladek (Richard Banel). As the plot moves forward we see the Nazi oppression of the Polish farmers and one of many faces of war: betrail and looting of prisoners of war, even by the Polish locals. Osment's character is, for the first time, demanded to go to church, read Christian psalms and hide his Jewish origin. The local priest, played by Willem Dafoe, offers him an alternative by schooling him separately and letting him perform the Christian traditions as a sole appearance. The story is full of moral choices and dilemmas that gets you thinking about, although not very sympathetic, for the characters' situations in life. This movie has shown me nothing more than what I have already seen. Many outstanding performers are fighting the edgeless script and make the film worth seeing. Perhaps expectations were set to high, but I would only be able to give this interesting flop a 7 for really good acting and an interesting theme.