Snakeskin

I was not surprised when i saw the rating because i always viewed Snakeskin as a film that you have to watch multiple times in order to understand. The first time i watched it, i really liked how the story built up the characters in the first half of the movie, while the second half left me with a lot of question marks. Although, when i watched it for the third time, i really grasped the symbolism and profound thoughts presented in the third act.

Snakeskin starts off as a fun action film, but then it turns into a thriller with very suspenseful scenes in claustrophobical environments. I also liked how the director chose to have all the minor characters shown in previous scenes, reappear later on to show that everyone is heading in the same direction. The music is really well chosen, the landscapes shown in both day and night scenes are really beautiful, and the actors, especially Oliver Driver, give the film an even higher level. I definitely recommend watching it, but as i previously said, you need to watch it multiple times in order to understand it.

Gillian Ashurst's films are generally characterised by fetishistic use of kitchy character images from sci-fi, the wild west and 1950s pin-ups. It's anchoring, but can come across as objectifying and seems to contribute to a lack of plot.

Snakeskin does not entirely diverge from the kitchy character theme but definitely has a tight plot with good momentum. The main characters are believably drawn, although they're not particularly likeable.

The acting in Snakeskin varies. Oliver Driver is brilliant in a challenging role as a skinhead. Melanie Lynskey tends to overact somewhat, and Dean O'Gorman at his best, although this is not saying much. The "comic relief" characters, the local ice-cream van drug vendors, are both annoying and extraneous to the plot.

There are some very well executed sequences and ideas, for example the grief caused to a family by a fatal car crash, the CGI section when one of the characters is tripping on LSD and a tender moment shared between a skinhead and women's underwear. These snipets in themselves give an idea as to the diverse tone of this film.

Snakeskin is an interesting development for Ashurst as a filmmaker, and worth a watch, although more in the sense of 'fun' than 'challenging'.

New Zealand movies have a knack for being slightly 'quirky' and this film is no exception. The characters are somewhat enigmatic, the scenes are at times surreal, and the plot is suitably 'dark'. Unfortunately, "Snakeskin" is unable to live up to its premise, and the viewing experience is somewhat unfulfilling. However, this is not to say that the film is without its good points: Firstly, the cinematography is absolutely breathtaking and showcases the beauty of Southern New Zealand; secondly, the camera work is extremely effective (especially in the first half) thus adding an element of intrigue; and thirdly, the acting is slick and well-polished (in particular Melanie Lynskey and Oliver Driver).

Despite its good intentions, "Snakeskin" does not run as smoothly as it ought too. The first half of the film runs like a typical road movie, and this is reinforced by the use of humour and brisk action (car chases etc). The second half of the film takes a dramatic change however, and veers into thriller territory. The scenes become darker, more complex, and more serious. I found this shift in genres quite distracting, and it made the film increasingly difficult to comprehend. Obviously, the snake motif plays a central part in the film, but this is undermined by the 'twilight zone' treatment it receives in the latter stages. Ultimately, I think the film would have been more effective if it stuck to a simpler story-making formula.

I went to Snakeskin not expecting much, perhaps something along the lines of "Stickmen" a NZ version of a successful overseas production, with a focus on Kiwiana and gimmicky NZ references. Too a large degree I was not disappointed. Oliver Driver plays yet another weirdo (although this time a skin head speed freak) which he does well, however, his appearances are becoming a little too familiar. While the acting and actors are excusable the writing is not, the first half of the film is nothing particularly new but works, but, by the second half the writing is completely incoherent. At one point towards the end it seems as if too many characters have been introduced and writer/director Ashurst just gets rid of them, they walk off, get shot etc. etc.... More noticeable than their demise is the increasingly strange (dare I say quirky) mishmash of ideas thrown in to try to hold the script together as it winds down towards the end which is neither a surprise nor original. (In fact for all you B-grade film viewers, very "Tales from the crypt" type thing). The whole film is very New Zealand on the surface and should be praised for being true to "NZ", those of you who liked "Stickmen" will like this film, but for me it does not compare with "Goodbye pork pie". Go and see it if only for the landscape.

As the film opens there is a song playing, the lyrics are something along the lines of "there's a dust cloud out there, and its bigger than Texas.." I have searched high and low for what this song is and who sings it on the internet but to no avail. If anyone has the slightest idea about it I would really appreciate it if you let me know. It plays just before Melanie Lynsky starts narrating and listing her heroes, various movie characters including Thelma and Louise. I think the lyrics in the song represent her desire for the adventure she has always lived for which is about to finally happen to her, though she doesn't yet know it. What is before her is elusive and hidden, behind a giant dust cloud. Lol even if you just liked the song as well I'd love to know i'm not alone and the song actually does exist!