Sledgehammer

This movie is an anomaly to me. It has some good gore but by god are some scenes slow as all hell. There's one scene in which a character is opening a door and it takes well over 10 seconds to reach and turn the doorknob. It would be another fun and charming sov movie put out by Intervision if it weren't for the dragging of scenes and cringy overacting.

This is a mediocre horror movie. It's very cheap, has acceptable (Sandy Brooke, Ted Prior, Linda McGill) to downright bad (George Eastman, Steven Wright, Tim Aguilar) acting, standard direction, poor screenplay, and okay photography.

It is about a woman and her lover who is killed by her young son(looks about seven years old, kinda young to be insane). Ten years later a group of vacationing teens (they look like their in their 30's, serious!) show up looking to have a weekend full of sex, booze, and fun. Their fun turns to sheer terror as their weekend is interrupted by the raving maniac's spirit.

It was directed by David Prior (KILLER WORKOUT, LOST PLATOON, MARDI GRAS FOR THE DEVIL) who does an okay job with the camera (for being a video movie) and creates a real film feel but when the action starts, he results to too many slo mo shots. Sandy Brooke is the most capable actress in this film, she gives real feeling to her character. Too bad she was in this movie.

It was shot on video before "BLOOD CULT" though and is wwwaaayyy better than W.A.V.E. Exploitation/Horror videos (At least SORORITY SLAUGHTER 1 & 2). Since IMD doesn't have a cast list I will supply one.

CAST

JONIE....LINDA MCGILL

CHUCK....TED PRIOR

JOHN.....JOHN EASTMAN

MARY.....JANINE SCHEER

JIMMY....TIM AGUILAR

CAROL....SANDY BROOKE

JOEY.....STEPHEN WRIGHT

LOVER....MICHAEL SHANAHAN

MOTHER...MARY MENDEZ

THE BOY (young)....JUSTIN GREER

THE BOY (older/spirit)....DOUG MATLEY

THE DRIVER....RAY LAWRENCE

All in all an entertaining if not throughly enjoyable genre piece stricken by poverty ($40,000 U.S. dollars).

5/10 (based on shot on video horror features)

This is a homemade 80's slasher film that appears to have cost about 14 bucks to make and looks like it was shot on a VHS camcorder (I'm not kidding). It was shown at a theater in L.A. recently as part of a homemade horror video festival and I still can't get it out of my mind. The film begins with an abused child being locked in a closet while his mother has a drunken fling with a character referred to in the credits as the "Lover". Before the affair can commence a giant masked maniac armed with a sledgehammer beats them to a bloody pulp. A title card (old ass 80's camcorder text) tells us it's 10 years later and we are introduced to seven potential victims as they go for a weekend retreat in the home of the previous murders where they are systematically stalked and killed by the same sledge wielding madman. OK, I know it all sounds very derivative and there are much better, more professional cheap ass slashers out there, but this movie is "special" in a lot of ways. First off, the low production value and it's cheap, home video quality cinematography actually enhance the film a lot. That combined with a simple, yet effective, bass heavy synthesizer score, an amateur cast made up of muscle bound jocks and big hair bimbos, and a freakishly tall killer who wears a clear plastic mask and is genuinely creepy looking make this movie transcend into a weird kinda art piece. It's like if Pinter made a slasher movie at a friends house one weekend for beer money on his home video camera. There is also an unexplained paranormal bit where the killer can physically change back into the small child from the beginning so I assume the kid is the killer and he's a shape shifter. Huh!? This effect is handled with an old fashioned dissolve. There is a completely inappropriate food fight that is extended for so long it becomes almost disturbing on a sociological level. The killer is SO big he barely clears the hallway's ceiling as he chases a victim and he holds his sledgehammer in one hand the way most normal people hold a regular hammer. Freaky. This whole films visual style is unnerving and escalates it into something much more than what was probably intended. David Lynch meets The Slumber Party Massacre. If you can get a bootleg dub somewhere, get high and drunk with as many friends you can find and toss it on the old VCR. The 80's never seemed stranger.

First of all, I want to make clear this caveat- it takes a lot of effort to conceive of, write, and execute a film, not to mention actually get it into video stores in the earliest days of VHS. This alone is worthy of respect.

With that out of the way, as a representative of the art form, this is easily one of the worst movies ever made, from every conceivable standpoint. The characters are not even one-dimensional, what can generously be called a plot has galaxy-sized holes in it, the killer has powers which are hilariously inconsistent scene-to-scene, some shots linger well past the point of absurdity, scenes are needlessly drawn out and some, inexplicably, are in slow motion, with several ending in weird freeze-frames, and a key moment where the killer's motivation is revealed (I think) is so muffled that it is indecipherable.

This is a very hard movie to get through, and it clocks in at well under 90 minutes.

Watch this with a group of friends in the style one would watch The Room or Rocky Horror, the latter of which looks like Citizen Kane in comparison.

I'm going to be honest, this might be one of the worst slashers i've ever seen, but at least it's entertaining. Let's list off the bad things about this film: The acting, the ridiculous plot, the dialogue, the special effects, the camera work. So what is there to like about this film? Well, it's probably pretty fun to make fun of with your friends. 80s slashers are known for being cheesy but this truly goes above and beyond. The parts that are supposed to be funny aren't funny, the serious parts are laughable, the acting is cringey, the special effects are truly horrendous, and the editing. THE EDITING. There are far too many slow motion parts that i'm assuming are supposed to be emotional but they aren't. And they go on. And on... and on.... the slow motion segues literally last for 1-2 minutes at a time, it is nind boggling. In summary I would recommend watching this movie only if you are drunk at a party and want something truly awful to laugh at.