Was the AIDS virus created during an experiment gone awry at the Pentagon top security genetic laboratory? Stefan, an East German medical student whose father was a high-ranking AIDS scienti... Read allWas the AIDS virus created during an experiment gone awry at the Pentagon top security genetic laboratory? Stefan, an East German medical student whose father was a high-ranking AIDS scientist in the former GDR, is determined to find out.Was the AIDS virus created during an experiment gone awry at the Pentagon top security genetic laboratory? Stefan, an East German medical student whose father was a high-ranking AIDS scientist in the former GDR, is determined to find out.
Lino Antonio
- Boy with cross
- (as Lino Antonio Lezama-Aguilar)
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I saw this film at the Sarasota film festival in Florida. The synopsis I read sounded intriguing, but the film did not live up to my expectations. The emphisis on the gay sexual lifestyle of the main characters took away from the possibly fantastic storyline; the character's experiences were interwoven with an opera and an ongoing investigation, but the movie almost goes for shock value in a way. I can't say I enjoyed it at all, except for the actual cinematography was pretty great. Overall, a 4/10.
Jochen Hick wrote and directed this little thriller of a suspense film based on the concept that the AIDS virus was a sheep virus mutated by the government to rid the world of gays and was apparently tested on convicts in the years before the outbreak of the hideous disease. Were it not for the poignancy of the concept of the film, this would fall into the category of the many films about the ruination of the world by a rampant non-prejudicial infective organism.
Stefan (Tom Wlaschiha) journeys from Berlin to San Francisco to investigate his father's scientific suppositions about the induced sheep virus and its effects of the convicts in whom it was infused. He meets with some disdain and resistance to a dead theory, but also encounters some folks who know of the theory and support his investigation. Simultaneously with his visit a series of serial murders takes place, each victim killed in a similar manner and each murder apparently accompanied by strains of music from Puccini's opera 'Turandot' which just happens to be opening at the San Francisco Opera. A police investigator Louise Tolliver (Irit Levi) and her companion cop (Kalene Parker) follow the murders while Stefan makes the rounds of the sex clubs and bars in San Francisco trying to locate men who may have been guinea pigs for his father's theory. He encounters a strange lad Jeffrey (Jim Thalman) with whom he has a cat and mouse attraction and a prominent Doctor Burroughs (Richard Conti) who seems oddly involved in the cast of suspects. How this all come to an end is the play of the film, a story as much about the search for self identity between Stefan and Jeffery as it is a case for investigation of murders.
While Tom Wlaschiha, Jim Thalman and Richard Conti do well with their roles (they are the only three who have any prior acting experience in the film!), the quality of the film sags considerably by the less than acceptable minimally talented Irit Levy and Kaylene Parker: when on screen the credibility of the story drops below zero. There are some small cameos by other actors that brighten the screen for the moments they inhabit, but in all the film is drowned by the incessant replay of 'Nessun dorma' as sung by Mario del Monaco from a recording o the opera - and that seems to be the reason for making the film! Good idea for a film and some good characterizations by the actors, but there is no resolution of the initial premise that started the whole thing. Grady Harp, February 06
Stefan (Tom Wlaschiha) journeys from Berlin to San Francisco to investigate his father's scientific suppositions about the induced sheep virus and its effects of the convicts in whom it was infused. He meets with some disdain and resistance to a dead theory, but also encounters some folks who know of the theory and support his investigation. Simultaneously with his visit a series of serial murders takes place, each victim killed in a similar manner and each murder apparently accompanied by strains of music from Puccini's opera 'Turandot' which just happens to be opening at the San Francisco Opera. A police investigator Louise Tolliver (Irit Levi) and her companion cop (Kalene Parker) follow the murders while Stefan makes the rounds of the sex clubs and bars in San Francisco trying to locate men who may have been guinea pigs for his father's theory. He encounters a strange lad Jeffrey (Jim Thalman) with whom he has a cat and mouse attraction and a prominent Doctor Burroughs (Richard Conti) who seems oddly involved in the cast of suspects. How this all come to an end is the play of the film, a story as much about the search for self identity between Stefan and Jeffery as it is a case for investigation of murders.
While Tom Wlaschiha, Jim Thalman and Richard Conti do well with their roles (they are the only three who have any prior acting experience in the film!), the quality of the film sags considerably by the less than acceptable minimally talented Irit Levy and Kaylene Parker: when on screen the credibility of the story drops below zero. There are some small cameos by other actors that brighten the screen for the moments they inhabit, but in all the film is drowned by the incessant replay of 'Nessun dorma' as sung by Mario del Monaco from a recording o the opera - and that seems to be the reason for making the film! Good idea for a film and some good characterizations by the actors, but there is no resolution of the initial premise that started the whole thing. Grady Harp, February 06
This must be perhaps one of the worst gay films ever made. A contrived plot based on a popular conspiracy can't keep this one afloat. And Irit Levi's acting deserves a Razzie for her static, cardboard as a Domino's Pizza delivery. She's the one who rose above the rest! As far as the sound editing, it's like they filmed it in a long narrow tunnel... made of tin......I thought maybe it was a stylistic effect- for the people on the right drugs. And what's up with that freak in the sex club scene? What is up with this whole film?
The plot is simply too convoluted to describe with any effectiveness (I figure, hey...if the writer didn't care enough to create a good script, why should I have to care about writing a good synopsis)? It seems as though this film were intentionally trying to fill some kind of affirmative-action quota fantasy; the lead detective characters are of course a tough, elderly Jewish lesbian and a strong black woman. Add in an evil corporation, government conspiracy, anti-Christian bigotry and well, you got yourself a steamy pile of celluloid that no one has ever heard about, let alone watched. Oddly, the lead character, Tom Wlaschiha, is known more for his side-character in "The Game of Thrones"...I would never have possibly imagined him carrying a lead role in any movie (and this is proof why he shouldn't). Just...no.
One has to wonder if at any point in the production of this film a
script existed that made any sense. Was the rough cut 3 hours
long and was it trimmed into the incoherent mess that survives?
Why would anyone finance this mess? I will say that Tom
Wlaschiha is a good looking young man and he does what he can
with the dialogue and dramatic (?) situations he is given. But
characters come and go for no apparent reason, continuity is
non-existent, and the acting, cinematography, and direction are (to
put it politely) amateurish. Not One Sleeps is an unfortunate
choice of title as it will probably prove untrue should anyone
actually attempt to actually watch this film.
script existed that made any sense. Was the rough cut 3 hours
long and was it trimmed into the incoherent mess that survives?
Why would anyone finance this mess? I will say that Tom
Wlaschiha is a good looking young man and he does what he can
with the dialogue and dramatic (?) situations he is given. But
characters come and go for no apparent reason, continuity is
non-existent, and the acting, cinematography, and direction are (to
put it politely) amateurish. Not One Sleeps is an unfortunate
choice of title as it will probably prove untrue should anyone
actually attempt to actually watch this film.
Did you know
- TriviaAn English-language film that was German financed.
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