Shiner

Billy "Shiner" Simpson (Michael Caine) is building up to his big boxing promoting night, the headline of which is his own son, Eddie "Golden Boy" Simpson (Matthew Marsden). But family troubles begin to weigh heavy, a police investigation closes in on him and a rival American promoter is breathing down his neck. It's going to get messy.

Surprisingly for a Michael Caine British gangster movie, Shiner is a little under known. A shame because it's really rather good. Caine himself felt that by 2000 the cinema loving public had had enough of British films of this type, hence why it did poorly at the box office and quickly disappeared into the retail chain of things.

It's basically a reworking of King Lear, in London and with Caine on super form. Billy Simpson is a grade "A" noir protagonist, the world he inhabits is ultimately too much for him, there's treachery and dishonesty – violence and disappointments, all around him, but still he ploughs on as if he will eventually become the king of the castle. Yet this is the noirville area of London, of grubby bars and grey landscapes, the hall playing host to Billy's big night is a place of stale cheese sandwiches and blocked toilets.

On either side of Billy are his two henchman played by Frank Harper and Andy Serkis, two sides of the same coin they are, though they menace in different ways. Billy's two daughters played by Claire Rushbrook and Frances Barber, also two sides of the same coin, but conversely they have different love for their father. Martin Landau is the smooth American promoter with a dame on his arm and a grudge for Billy, and Gary Lewis and Kenneth Cranham fill out important roles as characters caught in Billy's soon to be maelstrom.

Caine did say that he considers Shiner to be part of a trilogy that comprises Get Carter and Mona Lisa. Shiner isn't close to being as good as those two movies, especially the sublime Get Carter, but it holds its head up high in such company and fans of those movies should seek it out. 8/10

Billy, an ambitious boxing-promoter organizes a world-title bout somewhere in England, and bets everything he has on his son, who he puts up to fight. But exactly on the greatest day of his life, the police start to investigate the death of a fighter who was killed in an unlicensed bout. They suspect Billy may have something to do with it.

Shiner is all in all a good movie, but not a great one. Michael Caine, as always, is excellent as Billy, a man who is almost destroyed by his ambition. Martin Landau is pretty good as well, playing a rivaling American promoter. Although Landau receives top-billing, he is in the movie for only a handful of scenes. Gary Lewis is very good as well, playing the personal trainer of the young boxer. Director Irvin guides the cast with a strong hand and a sense of style, it's just a shame the script isn't more polished. The story simply has too many loose ends, and drastically breaks style about halfway. The first half of the movie is a detailed and often very funny observation of the boxing world, where the second part is a sort of Get Carter revenge-flick. A bit inconsistent, but a good film nevertheless, with a knock-out performance by Michael Caine.

`Shiner' was OK. It was a very uneven movie and suffered from an uninspired script. Michael Caine was good in his role and did the best he could with a weak script. The story was simple enough but was stretched out too thin. The ending with the surprise villain was too deus ex machinaish for me. Frank Harper was good as Stoney and Martin Landau played his part well. Some of the accents were a bit hard to understand but that added to the appeal for me, more of an atmosphere thing. An OK movie if you like Cockney gangster flics. It was violent and had lots of cursing but that's typical for these movies. "The Long Good Friday" and "Lock, Stock and Two Smoking Barrels" are two better representations of the genre.

Not much of a boxing movie, so if your interest is in the sport you are sure to be disappointed. Character development is spotty, especially with Michael Caine's children. Caine's two henchmen come across well, and Michael Caine gives an impressive and believable performance. Martin Landau is mostly wasted in the background. What is intriguing is Caine's rapidly escalating paranoia regarding his ill advised decision to risk everything on his son's big fight. When things derail, Caine blames everyone but himself for the disaster. Unpleasant consequences follow for anyone he suspects of sabotaging his dream. Eventually the wheels come off and we learn if Caine's suspicions were imagined or correct. - MERK

A powerhouse performance from Sir Maurice is ultimatly let down as the film begins to fall apart in the second half. A very promising set up is wasted as the plot gets more convoluted and handicaped by a very weak finish, you will literally cry out "Is that it then" when the reason for the whole catalogue of events becomes clear. It's a shame really as there are some very good performances in this movie. Both Frank Harper and Andy Serkis as Caine's henchmen are excellant and Claire Rushbrook shines (no pun intended) as his daughter. Violence and fights galore, in fact even Caine's daughters, Rushbrook and the very menancing looking Frances Barber have a lively dust up in the Kitchen. it's all to easy to believe Barber as Caine's daughters as she duffs up Rushbrook, grabs her by the hair and menacingly looks down at her screaming abuse, this is not a pleasant family! But at the end they can't save you leaving the film feeling it's a wasted opportunity, still probably worth seeing if you want to see Caine at his most powerful.