Segunda piel

I found myself feeling very annoyed with Alberto throughout the movie. From the very beginning you could see he was trying to find himself even after he had been married with a child already. But even after he knew he didn't truly, deep down within himself love Elena, he was still so selfish as he didn't want to let her go and be free to find someone that could love her the way she deserved to be loved. He wanted his bread buttered both sides because he did the same thing with Diego. Although, in this case Diego wouldn't take no for an answer and was extremely persistent, Alberto would still string him along and give him false hope just so that he wouldn't have to be alone with himself to actually make decisions about his life and who he truly is, what it is he actually wants and then be able to free the people around him that he has been holding down for so long. I loved the ending where he dies because it was like a huge, but tragic weight has been lifted off both Elena and Diego's shoulders because now they weren't hurting anyone by wanting to be with a man that doesn't know what he, himself wants. I know it sounds harsh that I enjoyed him dying off but his character was just awful and he was messing with people's emotions, which isn't acceptable anywhere or with anyone. I found it quite surprising to see how well Elena and Diego got along with each other even before he died. It may have been as civil as it was because the person she was being cheated on with was the same set as her husband which was probably a lot to take in and so it seems she needed the confrontation and the face to face to actually make her thoughts and feelings a reality, that this was actually happening to her. But even then, they still did not lash out at each other or even exchange harsh words. To me, this goes to show the kind of people, or rather, the kind of character they have played. Which would be kind, compassionate and understanding and that is why they put up with him until his last day.

The kaleidescope of images that make up the beautiful opening credits (which is probably the best opening I've seen in a long time) truly sets the tone for this film. And in this film ,just like a kaleidescope, the parts that make it up seem simple enough. You have the pretty wife, the cute kid, and the husband with a secret. You have the lover on the side, a handsome doctor. But this handsome Doctor Diego, played wonderfully by Javier Bardem, is having an affair with Alberto, the husband in the not so perfect marriage. But , just like the kaleidescope ,this is where the simplicity ends. We've all seen the films of people finding out, and coming to terms with their sexuality.That's what makes this film unique. It's not another "I'm discovering I'M Gay" picture. This movie doesn't follow that typical plot. The kaleidescope effect comes into play. You have to deal with a range of emotions that for me, at first, made me completely loath Alberto . The wife suspects, the wife finds out, yet Alberto's lies are too deeply woven in his psyche . And although Diego knows there's not something quite right, but because he's in love, he looks past them. He wants to believe he's not a fool.Alberto incessantly lies to both his wife, and his lover.The man is completely arrogant and self absorbed on every level. He is indifferent to his wife and Diego.Though his wife knows, he makes promises to her he can't keep. And he strings Diego along with more lies and distance, with complete disregard for the mans love for him.. I was completely hateful in regards to Alberto, but the more I thought about it..the more he came across to me as a man so desperately and selfishly in love with two people , and what each had to offer, that he actually couldn't fathom losing either one of them. The range of emotions, from love, betrayal , trust , and understanding are just a few of the emotions that come into play. I love how this movie isn't about being gay, but how one person can effect the lives of others with the tangled web of deception , that eventually effects and destroys exactly what one was trying to hold onto in the first place.I know many are disappointed with the conclusion of the story. But for me, I found the journey far more important to what was the obvious and inevitable outcome.Ohh..and the man on man sex scene...SMOKING HOT!

A must see for Spanish film fans, Segunda Piel brings together some of the most interesting contemporary actors. The plot is however quite disappointing. Slick photography in a wanna-be-almodovar setting: interior design with striking silimarities to Carne Tremula and t.v. commercials that unluckily do not reach the level of subtility of the Spanish Oscar winning director.

For all it's shortcomings, "Seguna Piel" is entertaining in a Lifetime movie kind of way, with some of the most overwrought background music you'll hear in this kind of film.

As someone else here noted, the character of the husband is underwritten to the point where you can't imagine why his wife or male lover waste their time on him. This isn't helped by the more vibrant performances of Javier Bardem as the gay lover and the actress who plays the wife. The husband comes off like a shallow, self-centered, spoiled child. Only at the end does he reveal himself as the conflicted, angry, self-hating man that he is, but it's too much info too late at that point.

Yes the sex scenes - one in particular near the beginning - are steamy, but the drama itself is pure soap.

A classic triangle movie with a married couple and a male lover in-between, only this time it's not the wife but the husband who's cheating with another man. Hot sexual male scenes makes this film a must by gay viewers when Spanish cinema is currently leading this matter. Though, it is a bit TV plot based on a true story, and it has rarely been seen on cinema, doesn't necessarily mean that it cannot be done. In fact, the quality that makes this particular movie a good piece of art and so worth watch it, is that it's portrayed as an archetype of a modern life situation that happen to occur more often than one could suspect. The husband's unwillingness and incapableness to find his true nature, constantly lying to his wife and his lover, has driven those last characters to despair in understanding and helping the man they love but who they don't know. The wife, never suspected that her lack of involvement in their relationship could endanger her marriage at the point of seeing her husband seeking for an affair. As for the gay lover, the fact that his present companion has afraid to be seen in public with him, like two lovers rather than two friends, hurts him badly because he accepts his own nature. The intriguing excuses of Alberto, the husband, makes them reacting towards him trying to solve the puzzle that he consists, when the easy way out of the situation is right near them (like when the wife cannot enjoy being with another man when she has the opportunity or the lover won't accept his female colleague to help getting over him). Three persons portrayed in their interior (the opening credits with the x-rays is one of the most beautiful openings I've seen lately) with their emotions thickening as the film passes. The players of this movie are excellent, particularly Ariadna Gil, the wife. What disappointed me were the last fifteen minutes in which seems that the writer and director of this movie were replaced by others who didn't know what was done before, leaving the ending so pathetic and inconclusive. Still, it is good to watch it.