Segunda piel

A must see for Spanish film fans, Segunda Piel brings together some of the most interesting contemporary actors. The plot is however quite disappointing. Slick photography in a wanna-be-almodovar setting: interior design with striking silimarities to Carne Tremula and t.v. commercials that unluckily do not reach the level of subtility of the Spanish Oscar winning director.

his Spanish exploration of love and family centers on Alberto (Jordi Molla from Blow and Bad Boys II). A successful family man at an aeronautics firm, he finds himself in a passionate love affair with Diego (Javier Bardem), a confident physician. Diego is comfortable with his homosexuality and is madly in love with Alberto. Alberto, who can't deny his love for Diego, doesn't want to admit that he is gay and struggles with his desires. Alberto's wife Elena (Ariadna Gil) tries to understand the reservedness and lack of sexual interest in her husband. When she finds out, she's not very happy about it, he is her true love and what will she do? A sudden event alters all three lives, leading to compassionate conclusion.

I really like Adriana Gil, known in Spain for taking new, difficult roles, but Javier Bardem carries the show, I've never seen an actor express so much with his face and hands. Truly an amazing actor. Jordi Molla did a good job, but since he always plays a slimeball in American movies, it is hard to move past that character.

This movie is like a pear. I've got a pear right now sitting on my desk, trying to ripen. I'm looking forward to the juicy, grainy pulp that will hopefully develop as it sits there. Often though, it doesn't fully ripen before some parts start to spoil, so you eat it a little underdone. That's how this movie felt. Some good situations pregnant with emotion, but not developed to the extent I would have liked. 6/10

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A classic triangle movie with a married couple and a male lover in-between, only this time it's not the wife but the husband who's cheating with another man. Hot sexual male scenes makes this film a must by gay viewers when Spanish cinema is currently leading this matter. Though, it is a bit TV plot based on a true story, and it has rarely been seen on cinema, doesn't necessarily mean that it cannot be done. In fact, the quality that makes this particular movie a good piece of art and so worth watch it, is that it's portrayed as an archetype of a modern life situation that happen to occur more often than one could suspect. The husband's unwillingness and incapableness to find his true nature, constantly lying to his wife and his lover, has driven those last characters to despair in understanding and helping the man they love but who they don't know. The wife, never suspected that her lack of involvement in their relationship could endanger her marriage at the point of seeing her husband seeking for an affair. As for the gay lover, the fact that his present companion has afraid to be seen in public with him, like two lovers rather than two friends, hurts him badly because he accepts his own nature. The intriguing excuses of Alberto, the husband, makes them reacting towards him trying to solve the puzzle that he consists, when the easy way out of the situation is right near them (like when the wife cannot enjoy being with another man when she has the opportunity or the lover won't accept his female colleague to help getting over him). Three persons portrayed in their interior (the opening credits with the x-rays is one of the most beautiful openings I've seen lately) with their emotions thickening as the film passes. The players of this movie are excellent, particularly Ariadna Gil, the wife. What disappointed me were the last fifteen minutes in which seems that the writer and director of this movie were replaced by others who didn't know what was done before, leaving the ending so pathetic and inconclusive. Still, it is good to watch it.

This film has caused a lot of controversy in its native Spain. It is establishing a trend in Spanish films exploiting gay themes by casting some of the country's most popular male stars as lovers to lure viewers, therefore appealing to voyeurism. This "gayploitation" has been going on for over a decade in Spanish cinema. In fact, it's hard to name an established Spanish actor who hasn't appeared in at least one gay role. However, in most cases, these roles or their sexuality have been secondary. In SEGUNDA PIEL, however, it's full steam ahead as the film centers around these two stars' relationship, and features very graphic sex scenes between the two stars. Whether this film is voyeuristic or not is certainly up to the viewer to decide.

This is a dramatic, very realistic story about the internal strife of a bisexual man, torn between his beautiful wife and child and his desire for romance with a Gay surgeon. Well photographed and directed with excellent music. Excellent beach scenery. Explicit sex scenes are well done. The emotional pain of the 'bisexual' man (more likely a Gay man who married to please his parents and conform to societal pressures) is very graphically and honestly portrayed. The damage that his refusal to deal with his identity crisis causes both his wife and his lover is also honestly shown. Javier Bardem is excellent as the surgeon and Adriana Gil as the wife is stunningly beautiful.