Seule contre la Mafia

Damiano Damini, the director of "La Moglie Piu Bella", two years earlier,in 1968, had made a movie about "la Mafia" titled "Il Giorno Della Civetta" starring Franco Nero, Claudia Cardinale and Lee J. Cobb. It was a stark tale, showing the helplessness of the law enforcers in front of the resignedly accepted power of the Mafia. In 1970 he had another project about the Organization, the story, loosely based in real facts, of the first Italian woman that refused the reparation by marriage of her lost honor. Instead she had the courage to denounce the violence that she suffered, at the local police station. It was very important to choose someone special for acting the leading role. Damiano Damiani chose the teenager Ornella Muti (14 years old), without previous experiences in front of the camera, to play the humbled girl, Francesca Cimarosa, who, at first, is very shy and submissive but gradually becomes a strong character person, fighting for her dignity even against her own parents that are frightened because of intimidation of the Mafia. It was said by Ornella Muti in several interviews, that she was making company to her older sister Claudia Rivelli, who was herself in search of a role in pictures when, suddenly, by pure chance, was saw by Damiani and that was all. Overnight, the teenager that was dreaming about being an actress, was in front of the camera, in an exigent leading role, making her cinematic debut under the implacable and experienced hand of Damiani. In my opinion it was a superb choice. Ornella was beautiful, shy, reserved, intense, brave and she was capable of projecting these qualities to the screen, reaching this way, the heart and the interest of the audience. An authentic natural talent, not always appreciated during the long career of the diva, always eclipsed by the sheer beauty and sexiness of her physique. Alesio Orano, future first husband of Ornella Muti in real life, plays the part of the nephew of the "local capo". At that time, he was a heartthrob, handsome, long dark hair and blue eyes. He is the dream love of the young heroine but also he possesses a streak of cruelty and he is absolutely perfect in his role. Gaetano Cimarrosa is excellent, acting as the intimidated father and Pierluigi Aprá is very efficient as the local "carabinieri", a helpless but honest police officer. It was said that this film is about feminism, but I consider it a story that has to do with the basic human dignity and choosing to live without fear in a society whose ethical values are profoundly twisted by the existence of the shady and stealth hand of the organized crime.

Starting from the surprisingly excellent "I am not scared" (strongly recommended), I started to become interested in Damiano Damani's movies and I was stunned to discover what a great and socially committed director he was! This movie surely ranks among his best. It deals with the condition of women in the regions of mafia, where mentality is so narrow and ignorant to become almost hilarious when not dramatic. The character played by the beautiful and very young Ornella Muti is a real marvel. In her village she is one of its kind: she is intelligent, sensible, has a strong temper, sense of justice and anti-conformist views. In other words she cannot easily merge in the social context she is growing in. The plot develops slowly and little by little one is sucked into the story thanks to a group of very good actors, a nice score by Morricone and mainly Damiani's masterful screenplay. The end is very touching, as the tears in the sensitive young girl represent the tragic but necessary result of a chain of events that it was impossible to stop. This movie, together with "L'istruttoria e' chiusa: dimentichi"; "Pizza Connection"; "Confessions of a Police Captain" and "Un uomo in ginocchio" should constantly pass through the Italian national TV schedules, as the lesson(s) is still far from being learnt.

Most other comments are right on the spot.

Excellent movie, good acting and marvellous music.

There are a few things i'd like to add. Sometimes, this film slows down a bit, but never long enough to It's not a genre movie at all, but if you would want to tag it, I'd give it a thriller label.

The main trouble with films like this is that it so hard to 'like' them. Not that this one is pure depressing, but you'll get to see a desperate world on the bottom of the mafia and the place where it has its roots. And it isn't like the godfather.

My final verdict is an 8 out of 10. There is nothing wrong with this movie, but it hasn't the 100% perfection for a higher score. Still, very gripping and plain good.

Alessio Orano is the main character here, too good-looking not to be likeable, but soon you learn to hate him, and the film is permeated by feelings of disgust and hatred on one hand and admiration on the other, although you can't forgive him his maltreatment of Ornella Muti, the wife he has chosen to be the most beautiful of all, but she has a mind of her own. It is based on a true story, it all happened in 1965, and the film has been made on location in the western outskirts of Palermo, mainly the village of Partinico. When she objects against his mafia methods, he tries to force her to submission by violating her, which only increases her resistance, and she finally goes to the police, thus turning the whole village and society against herself. It's a towering conflict developing with monumental relentlessness, there are not many casualties but the force of the general movement especially among the women is the more dynamic for not leading to murder but only to some lynching made the more upsetting for striking innocence. It's a great Sicilian drama, the mentality of this proud and stubborn people easily going into passions gets under your skin and becomes palpable by the barren landscapes under a relentlessly scorching sun. Ennio Morricone's very efficient music adds to the impact of this very dynamic film, with a "wedding dinner" you will not be likely to forget. Who wins in the end? Ornella Muti's tears is no answer, just a lead to a never-ending process, as the problem of the oppression of women never can be solved.

Damiano Damiani is perhaps the Italian filmmaker most inspired by American cinema. He links political commitment to excellent thriller style. "La moglie piu' bella" is still shocking for me, knowing it is inspired by the true story of Franca Viola in 1965. The atmosphere is disquieting thanks to the the film-making and Ennio Morricone's music. This is also the first film of Ornella Muti, who was 14 years old at the time and pretended to be ill not to go to school for two months - the time of recording. It reminds me "La ragazza con la pistola" (The girl with the gun) by Mario Monicelli with Monica Vitti, although this one is much more ironic and aims at ridiculing certain Sicilians customs to better fight them.