Takahashi moves into a new apartment after a divorce and soon finds herself between an obsessive stalker who listens to her through the wall and an odd father whose son is obsessed with pros... Read allTakahashi moves into a new apartment after a divorce and soon finds herself between an obsessive stalker who listens to her through the wall and an odd father whose son is obsessed with prosthetic body parts. Even worse she starts having surreal violent dreams while strange thing... Read allTakahashi moves into a new apartment after a divorce and soon finds herself between an obsessive stalker who listens to her through the wall and an odd father whose son is obsessed with prosthetic body parts. Even worse she starts having surreal violent dreams while strange things keeps happening in her apartment.
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It follows Rieko, a perfumer who moves into an apartment her ex-boyfriend swore was a steal. Surprise-it's a sensory hellhole. Her new home comes with a masterclass in WTF-ery in the form of the neighbors. On one side, there's this reclusive father-son duo who are permanently welded to their unit, constantly humming "Auld Lang Syne" in a way that's both funny, unsettling and off-key loop. The son has a thing for medical mannequins and, uh, let's just say his dad's prosthetic arm is involved in ways you do not want to know.
Then there's the other neighbor, a sound-obsessed stalker who's basically Gene Hackman in "The Conversation" if he completely lost his grip. He has reduced Rieko's life to a terrifying soundscape he can obsess over. He's wired their shared wall into a network of stethoscopes to listen to her every move, creating this messed-up psychic connection and sometime uses glasses pressed to the walls as listening station. The film masterfully uses intercuts between his voyeuristic reality and Rieko's blood-soaked nightmares, with a particularly disorienting shower scene that is a real standout.
The whole place is a nightmare of isolation, the sink feels ominous, the room just oozes dread. And of course, it wouldn't be a Sato joint without a prominently featured, vaguely threatening refrigerator.
Overall, It's a wild, wacky, and wicked ride that's built not on jump scares. Sato just chucks everything at the wall: cross-dressing, prosthetic fetishes, surreal trauma - it's a dark, quirky, and uniquely Sato experience that sticks with you like a weird sensation anxiety of being heard or tapped.
Even as it is spoken in Japanese you will easily get the picture. When a woman moves in to an apartment she doesn't get the picture that it is full of strange people. Her neighbour is listening through the walls with special devices what she is doing and he develops an intense empathy with everything she does and feels. His devices becoming more complex as he is having more and more the same feelings she does. But there are other weirdos in the apartment. Taking the elevator she come across a scientist father and son. They also interact with her. The son has an unhealthy fetish for his father's prosthetic arm, and an obsession over medical mannequins and artificial body parts. But not only people are strange, even in her apartment things are strange. Her food dispenser seems to have a life of its own. Her dreams do become strange and eventually even become bloodier.
A weird story that you will be locked on the screen. Don't worry, when strange things happen mostly it's unspoken. There's also one scene where she's making love and yes, it's blurred but there's enough nudity in it and intestines and red stuff to make it a hunt worthy. Also because it was directed by Hisayasu Sato, maker of the cilt classic Naked Blood (1996).
Gore 1,5/5 Nudity 2/5 Effects 3/5 story 3/5 Comedy 0/5
Details
- Release date
- Country of origin
- Language
- Also known as
- Night of Body's Model
- See more company credits at IMDbPro
- Runtime
- 1h 30m(90 min)
- Color