Europe; the plague years. A wigmaker, locked in his shop, observes the events and writes about them in his journal. Mostly, we see shrouded bodies, and a young girl who lives in the tavern a... Read allEurope; the plague years. A wigmaker, locked in his shop, observes the events and writes about them in his journal. Mostly, we see shrouded bodies, and a young girl who lives in the tavern across the way that gets progressively sicker. When she dies, the wigmaker goes to the mass... Read allEurope; the plague years. A wigmaker, locked in his shop, observes the events and writes about them in his journal. Mostly, we see shrouded bodies, and a young girl who lives in the tavern across the way that gets progressively sicker. When she dies, the wigmaker goes to the mass grave where she's buried and cuts off her luxurious red hair; he makes himself a wig from... Read all
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- Nominated for 1 Oscar
- 17 wins & 3 nominations total
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"The Periwig-Maker" shows that this kind of animation can be used for much more serious purposes. The film threw me. I knew from the publicity that it was about the plague; but given the precedent of Wallace and Gromit, I expected a sweet, ultimately upbeat, family-values kind of narrative. Isolated, distrustful man opens his home and his heart to a young girl in need and learns that love triumphs over all obstacles--we've seen this kind of thing before, and that's what I went into this film expecting to see again.
I'm not making any revelations when I say that this movie is DARK. The final voiceover tries to put a positive spin on things by expressing hope for future generations. But still, it's dark. It's heavy. It's about guilt and atonement. It's an art-house film, not "family entertainment." And I'm extremely impressed that the filmmakers managed to accomplish that using this kind of animation. "The Periwig-Maker" is a pioneering film, and I'm eager to see what filmmakers do with this medium in the future.
8/10
"The Periwig-Maker" briefly adapts Daniel Defoe's book "A Journal of the Plague Year" into the running inner monologue (perfectly voiced by Kenneth Branagh) of a shut-in wig designer in London during the plague epidemic.
The story quietly examines, through his unwitting involvement with a courageous little girl, the withdrawn shopkeeper's dilemma of self-preservation versus self-sacrifice. When faced with the threat of our own death, how compassionate are we?
The created "set" of this piece is flawless and the attention to detail is remarkable. Above all else, though, the most hypnotic element is Chris Heyne's dark and heartrending score.
From the first sweeping shot, "The Periwig-Maker" establishes its tone and pulls us into the poignant world of a man who has much to learn about empathy and what makes life worth living.
A dark yet beautiful film.
My Short Grade: B-
Where i saw it: Atom Films
THE PERIWIG-MAKER is an amazing film to watch--it's animation style is beautiful and captivating even if the subject matter of the film is grim and unpleasant. It was nominated for an Oscar for Best Animated Short Film but lost to the sentimental film, FATHER AND DAUGHTER. However, I would have voted for THE PERIWIG-MAKER simply because of its breathtaking animation as well as giving us a historical perspective on the plague. Hmmm....now that I think about it, considering how down-beat this short was as well as how REJECTED (the other nominee that year) were, I can see why the Academy voted as they did. I certainly don't agree with them, but can understand their logic.
Did you know
- Quotes
Periwig-maker: So in the plague it came to such violence that the people sat still looking at one another, and seemed quite abandoned to despair. But the near-view of death would soon reconcile men, one to another, so that another plague year would reconcile all differences. A close conversing with death would scum off the gall from our tempers, remove the animosities among us, and bring us to see with different eyes than those with which we looked on things before.
- Crazy creditsAnd it is a wonder what will be the fashion after the plague is done as to periwigs, for nobody will dare to buy any haire for fear of the infection - that it had been cut off of the heads of people dead of the plague. Samuel Pepys, 3.9.1665
- ConnectionsEdited into Short6 (2001)
Details
- Runtime15 minutes
- Color
- Sound mix