Julie Johnson

JULIE JOHNSON is a quiet little film that deals with the frustrations facing a New Jersey housewife and mother who married and birthed before she graduated high school and finds herself in a rigid relationship, longing for knowledge to change things. She considers herself stupid, sneaks Science magazines to read when her overbearing husband isn't around, and finally gathers the courage (while staring at the stars one night) to change her plight. She takes a computer course, passes her GED and with the constant support of her dearest girlfriend gathers the courage to get out of the stifling marriage with her husband and study to improve her lot in life. Along the way she discovers other secrets about herself, buried in the facade of a life she has led. She changes, relates to the world in a different way, and refuses to settle for returning to 'the old life' when her husband returns promising her change. Her relationship with her girlfriend proceeds to intimate levels, but in the end this friendship cannot last, as her girlfriend doesn't have the same goals.

The story is simple, but in the hands of the writers Wendy Hammond and Bob Gosse and with Gosse's fine direction, the entire cast gives us an ensemble of disparate characters in whom we can all believe. Lili Taylor plays the lead with extraordinary skill and as her girlfriend Courtney Love gives a bravura performance. The remainder of the cast (Spalding Gray, Noah Emmerich, Gideon Jacobs, Mischa Barton, et al) is likewise strong. But it is Taylor's film and she offers one of her most poignant performances of her career. A thoughtful, sensitive, engrossing film.

I loved this movie! I have to admit, I have been in love with Lilli Taylor since "Household Saints". I love all the movies I have seen her in. But this one really was awesome! I am a big fan of Spalding Gray's work also and miss him being here with us. Seeing him on film brought back all the old feelings of awe I have always felt listening to him. The picture of Courtney Love and Lilli Taylor on the cover is what caught my attention and I have to say, they did wonderfully together in this movie. People seem to either love or hate Courtney but when it comes to her movie roles, I find it hard to point out a bad one. People who are fans of these wonderful Actors will love this movie, promise!

The play was incredible. The movie wasn't as good, but still it was good.

The director/producers should have stayed closer to the original play, and its writing. There were times when Ms. Hammond's voice belted out--and the audience was captivated. Other times, one could tell that the director's weak writing was diluting the strength of the production.

Give the audience some credit. If the production is well done, they can follow intelligent writing. The writing did not need to be compromised to go to a movie format.

Lili Taylor stars in this anything-is-possible story about a Hoboken housewife and mother of two in her late-thirties who has very little education but is actually a closet physics nut; she kicks her husband out of the house when he makes fun of her ambition, eventually becoming a computer scientist. Unreleased theatrical drama made the film festival rounds in 2002 but never picked up a distributor; when it was finally released on DVD by gay-based Here!, it was misleadingly marketed as a lesbian-themed chick-flick. Written by Bob Gosse (who also directed) and Wendy Hammond (from her play), the film has similar attributes to "Good Will Hunting", yet our protagonist is an original, appealing character. 'Ordinary' at first glance, this lady is a little naïve but also complicated, determined and hopeful. Taylor is exceptionally confident in this role and pulls off some tricky dramatic moments with grace. As her neighbor and best friend, Courtney Love is also very natural and appealing, and Spalding Gray does nice, low-key work as a teacher. The narrative tends to stumble when the writers overreach for an effect (such as a confusing early scene wherein Julie's angry son cusses out mom's friend). There is light lesbian affection between Taylor and Love, but this is handled unobtrusively in the story, without cynicism or sensationalism; more importantly, what the intimacy resolves (and what it soon leads to) is heartbreaking without being melodramatic. **1/2 from ****