Ghostlight

I loved this film, it's portrayal of Martha Graham (by Richard Move) was both reverent and camp. I was fascinated by the cinematography, and the recreation of what appeared to be very old footage was amazing. The dance sequences are dazzling. Christopher Herrmann's brilliant direction allows us a very intimate look at Martha the legend. His personal relationship with Martha offers a glimpse into Martha's off stage personna that is drawn from the heart and written with poignancy and humor. This film also offers a glimpse back into the 70's with wonderful character actors recreating the gliterati of those years. Despite some uneven moments, this first film from Mr. Herrmann and Ms. Fearon will make a wonderful addition to your DVD collection. It is sure to become a cult classic.

Wasn't quite sure what GHOSTLIGHT was all about when I went to see it at the Tribeca Film Festival last year and was totally blown away by the picture. Really enjoyed watching Richard Move's portrayal of Martha Graham -- and think Martha would, too. Lots of emotional moments, tears and a surprising number of belly laughs! Was very impressed with photography and photographic direction. Some "documentary" footage was so realistic that a number of viewers walked away assuming that it actually was. Am looking forward to the soundtrack CD -- the original score is absolutely beautiful. All in all, a very moving and satisfying movie experience.

I saw "Ghostlight" at the Mill Valley Film Festival last year. It was one of the most innovative, provocative and inspiring art films I've seen in a long time.

Richard Move was a brilliant casting idea from Director, Christopher Herrmann. His performance of Martha was uncanny and I immediately bought into the fact that a man was playing her and suspended my disbelief.

I thought the recreated archival film of Martha Graham was brilliant, on the level of Woody Allen's Zelig.

The film was both funny, poignant and educational. I thought Ann Magunson's Character really brought focus to the film and she's never looked hotter. Her character, a filmmaker, follows Martha and captures what may be the diva's last ballet.

Isaac Mizrahi and Mark Morris were wonderful as well. I could have done without the Deborah Harry cameo, it seem a little tacked on. The acting in some of the smaller roles, especially some of the dancers in "Martha's" company were a bit amateurish but I felt the same about Altman's "The Company" so I guess this can be expected when dancers are asked to act. Eric Kastel, who plays James, Martha's company manager and rock, got much better as the film when on. He was weak in the beginning and he took me out of the film a few times.

By the end of the "Ghostlight" I was quite moved by the message of the sacrifice that a true genius makes for his or her art.

The cinematography was stunning, using a mixture of B&W film for the flashbacks of Martha's marriage and breakup with Eric Hawkins and the lush 35mm color film for the stage performance scenes. The film has several layers to it and each one has it's own look and feel.

Not sure I should comment on other reviews but that guy SonnyKUSA who said that the film was made in conjunction with the Martha Graham Estate should get his facts straight. I noticed the film had a disclaimer at the end of the credits that says, "This film is in no way connected to the Martha Graham Entities" he also says the film was shot on video, huh???

Has anyone noticed that the user rating on ghostlight is 5 stars and almost everyone who made comments and voted gave it 9 or 10 stars? Doesn't that seem strange? It must be an IMDb error. IMDb will you correct this?

This film accurately portrays Graham's life as seen by the people who knew her best. It is a first-person biography done by people who worked with her. It is also very entertaining. So, it is a must-see for anyone interested in entertainment/art history, especially for those who missed seeing Graham work while she was still alive. Don't miss it! The performance of the lead roll has been reviewed as "Camp". This could be considered a valid criticism until you begin to consider who else might have done the subject matter better justice. Madonna was mentioned as the star but the match of her persona to Martha is a bit off-key. Who better to play her than a person who has studied her and made a career of impersonating her. Hats off to Christopher Herrmann for making this work!

To be honest, I was peripherally involved with this production early on. My initial reaction to the notion of a dance legend played in drag, a sumptuous life filmed on a shoestring, a crazy-quilt chronology that inexplicably shifts time and tempo, and more dance per frame than any film since The Red Shoes, was no way! This is never gonna work! Well, guess what kids? It does! And beautifully! Seeing it on the big screen with a tough, discerning New York audience dispelled all doubts. The laughs were hearty, the dance editing and music were powerful and my overall experience ran the gamut from genuine surprise to extreme satisfaction with the rich characterizations and compelling storytelling. Congratulations to all. Looking back on my initial negative prejudgement, I've never been so happy to be so wrong.