A man on the run takes another man's passport, only to find himself stuck with the identity of a street hustler.A man on the run takes another man's passport, only to find himself stuck with the identity of a street hustler.A man on the run takes another man's passport, only to find himself stuck with the identity of a street hustler.
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Considering that Double Take is marketed like a spinoff of the old TV show "In Living Color", I was very surprised when I found a real action/adventure joint along the lines of Bad Boys here. It actually has a very well written plot to it.
A little whodunit with some action and some comedy to keep it fun. They even had an Old School dance sequence thrown in (believe it or not)that had me going, "Oh snap! I haven't seen THAT since middle school!"
Both Eddie Griffin and (the 7UP dude) prove that they can both actually act. That was the LAST thing I was expecting - and that's a GOOD thing!
Go see it.
A little whodunit with some action and some comedy to keep it fun. They even had an Old School dance sequence thrown in (believe it or not)that had me going, "Oh snap! I haven't seen THAT since middle school!"
Both Eddie Griffin and (the 7UP dude) prove that they can both actually act. That was the LAST thing I was expecting - and that's a GOOD thing!
Go see it.
All right, I'll admit the movie itself lacked in certain places (such as extensive lag time in key areas), but I was on the floor crying with the great quips each lead character used. There is no doubt Griffin and Jones are wonderful comedic actors...Jones' performance in Replacements is proof positive of his talent. The problem most people have, though, is they can't see his ability clearly because of career moves he has taken. In Double Take, though, both Jones and Griffin shine in two different comedic styles, both jaw dropping funny and incredibly illustrated. I rented this movie solely to see Jones, and now I have a newfound respect for Griffin's ability, as well.
An all around great movie. It was clever in the way Orlando Jones and Eddie Griffith switched characters and the jokes were all solid. There was a lot of depth to the characters that you usually don't get from comedies. A must see. Avoid Undercover Brother! See this instead.
Me and my wife went to see this movie after seeing the hilarious previews for about a month before it came out... and we were not disappointed! It turned out to be a bit of 'Rush Hour', 'Bad Boys' and yeah maybe even 'Blue Streak' and any other buddy/buddy movie you may care to mention all rolled into one. True, it wasn't better than any of those three, but man Griffin and Orlando are certainly a double act to look out for in the future. Hilarious situations complemented by high profile action and a neat (if sometimes confusing) plot help to buoy the movie along at a frantic pace. But it's the performances which are the real jewel in the crown and Griffin (last seen, if I remember correctly, in 'Deuce Bigelow') and Jones (wasn't he in Armageddon?) are REAL good together, so much so that I kept telling my wife Misty that they MUST have acted together before on TV or something because they really act well off each other. The funny scenes are numerous, with the stand out ones being the malt liquor scene on the train and the running gag about that guy's cross eyes. Mark my words, though... Griffin and Jones are most certainly two names to look out for. Go see and judge for yourselves!
I wasn't expecting a whole lot from this movie. The trailers that I'd remembered seeing were pretty funny, but I'd assumed that those were the best parts of Double Take. Anyway, I watched it nonetheless and didn't think it was half bad. There were several parts not included in the trailer that were laugh-out-loud funny. Some might be offended by the fact that Griffen's character is (in the filmic sense) a "coon." Although nowhere near as good a comedy as Blazing Saddles, it is comparable in certain aspects. Double Take could be considered racist, but like Blazing Saddles, it uses racial stereotypes to emphasize the stupidity of their existence. Here, instead of black vs. white, we see upper-class African-Americans ashamed of the Sambo stereotype, and thus not associating with other African-Americans with lower social status. I'm not sure if this message was intentional in Double Take, but it was there nonetheless. Orlando Jones had a pretty good performance and Griffen was a convincing character (some might say he was over-the-top, but again I'd say this was essential). One problem was that the movie quite suddenly switched gears from a comedy to a somewhat serious action/suspense flick. I felt the heavy emphasis upon the latter took away from its comic moral message and made the movie shallower. So, it had potential. They could have recruited a few more writers to add in funnier jokes. All in all, a 6 out of 10.
Did you know
- TriviaMei Melançon's debut.
- GoofsThe car that Tiffany and Chase are driving in Texas is obviously on a trailer, as the gearshift is seen in the 'Park' position.
- Quotes
Daryl Chase: How you supposed to run a successful business, you ain't got no Schlitz Malt Liquor! You ain't representin'! You ain't keepin' it real!
- Crazy creditsAt the end of the movie, after the credits roll and fade out ..the hotel clerk from the Hotel El Emu says, "Thank y'all. Thank y'all for coming and y'all drive home safe. Bye.".
- ConnectionsReferenced in Siskel & Ebert & the Movies: The Pledge/The Amati Girls/Snatch/Panic (2001)
- SoundtracksPut It On Me (Remix)
Written by Irv Gotti (as Irving Lorenzo), Caddillac Tah (as Tiheem Crocker), Paul Walcott, Ja Rule (as Jeffrey Atkin)
Performed by Ja Rule (featuring Lil' Mo & Vita)
Courtesy of Def Jam Records
Under license from Universal Music Enterprises
- How long is Double Take?Powered by Alexa
Details
- Release date
- Country of origin
- Languages
- Also known as
- Double Take
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $24,000,000 (estimated)
- Gross US & Canada
- $29,831,583
- Opening weekend US & Canada
- $11,736,236
- Jan 15, 2001
- Gross worldwide
- $31,603,059
- Runtime
- 1h 28m(88 min)
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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