Devdas

Background: This film is based on Sarat Chandra Chattopadhyaya's novel 'Devdas'. Sanjay Leela Bhansali has perfectly altered some parts of novel to suit the film.The movie continuously keeps on drooping till it ends.Its a perfect anticlimax kind of movie.

Brief Story: Initial part of first half of the film shows immense bonding between childhood playmates Devdas(Shahrukh Khan) and Paro(Aishwarya Rai) and the reactions of all other characters to there relationship.Later part of the first half shows how circumstances result in the separation of these 2 lovers. Second Half shows the impact of separation which drives Devdas to stunning courtesan Chandramukhi(Madhuri Dixit).Devdas drains himself into excessive drinking in an attempt to get Paro out of his mind and also to prevent Chandramukhi from entering into his mind.Ultimately Devdas drinks himself to death, loosing both women.(One whom he could never stop loving and One whom he could never love).

Salient Features of the movie : 1)Combining three biggest stars and extracting there acting to maximum possible extent by unbelievably talented filmmaker Sanjay Leela Bhansali. 2)The film perfectly depicts its timeline(Pre Independence Era)through its strikingly attractive and huge sets,through richness of costumes etc. 3)Another striking feature is the dialogues.One hardly finds these kind of precise and sentimental dialogues in present day Bollywood films.

If you really want to know what a tragedy is ,then Devdas is best the example!! Just go for it !!

What can I say, Devdas is a spectacular classic on par with Gone With the Wind and Cecil B. DeMille. At first I was pleased that there was an English version, and I would not have to read subtitles BUT - IT'S CUT!!! The final song is missing, and parts of most of the other songs are snipped. Whole scenes are missing!!!! Luckily I watched the Hindi version first. It is far superior in that it is complete, plus it looks better. I did need the English version to iron out some of the plot - although a couple of the scenes that I needed translated had been cut. In future, if they are not going to English version the whole movie, subtitles are better. Dola Re is the best song/dance number ever!!!!!!!!!!

Right from the opening credit sequence it is apparent that this is not your typical Bollywood movie. There are no iffy dance sequences with multiple costume changes. During those dance sequences the location does not change inexplicably - thus no bemused Swiss folk staring at the actors in bemusement in the background. Devdas' dance sequences are sexy without being sleazy. They are lavish but not gaudy.

The women do not ape western fashion (badly I may add) with pleated miniskirts and glittery tops. The men, thank God, do not wear tight PVC muscle tops and leather trousers (it may be all the rage in India for all I know, but its a big nono everywhere else). The fashion in Devdas, historically inaccurate as it probably is, is nevertheless stunning.

The obligatory fight sequence where our hero beats the crap out of a dozen armed 'bad-guys with moustaches' without breaking into a sweat is notably absent. No goofy comedy sidekick either.

All in all, its difficult for me to categorise this film as a 'Bollywood movie' at all - it's just too damn good.

It does have flaws, the main one being that you do not get a clear idea of how much time has elapsed between events in the movie. However, I look forward to Sanjay Leela Bhansali's next film.

I have to admit that as great as Devdas is, I can't watch it too often as it is far too depressing but it is ultimately the most spectacular movie I have seen in a long time. Aside from its theme, the film making process was awesome including the costumes, the cinematography, the direction, camera angles. Imagine the number of hours the extras worked their *beep* off to dance in sync. Even the soundtrack was perfectly tuned to help set the mood of the movie and hearing Paro (Aiswarya Rai's character) sing for her love lost for Devdas (Shahrukh Khan) on her wedding day was enough to make you burst into tears.

The actors chosen were perfect for their roles as they portrayed it with such heart wrenching gut, you could almost feel their sorrow along with them. I was particularly surprised how Aishwarya Rai pulled off her biggest acting role to-date, thereby quashing any doubts on her previous beauty queen title. Shahrukh Khan once again proves why he is the reigning king of Bollywood playing a heartbroken alcoholic pining for the love of his life who's been married off to another man. Madhuri Dixit was equally wonderful as the beautiful courtesan who played her role with such empathy that I couldn't help but feel sorry for her and wished Devdas would eventually reciprocate her feelings for him. Jackie Shroff has never disappointed and was excellent in his supporting role as Devdas 'brothel' companion. All in all, the cast ensemble of this movie is one of the best in cinema history.

This movie is also a perfect (and spectacular) introduction to first timers of Bollywood movies into the lives and culture of Indian/Asian people in general. How, in this modern and civilised world, old traditions and values still hold dear in certain communities and whilst it is not the most favourable of beliefs, it is the age old cultural practices that makes one culture unique to the other.

Yes, no movie is perfect but Devdas almost does it so watch it with an open mind. Being Asian myself, I dare be bold and say this is better than 'Gone With The Wind'.

I was lucky enough to see this in the theater in the United States when it first came out. I had seen a few Shahrukh Khan films on tape (thanks to a friend), and when I noticed "Devdas" in the online movie listings, I decided to go have a look at what would be my first Hindi film in a theater. I was the only Anglo in a packed house and I aroused as much curiosity as I felt.

I was completely blown away by Devdas, from the first moment of the opening credits to the last bitter tear on Paro's cheek. Every shot, every frame of this film is like an artist's canvas. Aishwarya Rai is breathtakingly gorgeous, Madhuri Dixit's quiet beauty increases with each scene, and Shahrukh has never looked so good. All the supporting actors are incredible, particularly Jackie Shroff as Chuni-babu and Kiron Kher as Paro's mother.

The sets and the costumes are fabulously opulent...almost too fabulous, in fact, and at times threaten to overwhelm the story. But I was far too enthralled in the theater to do anything but gasp in open-mouthed wonder, and enjoy.

The story of Devdas, a famous Indian novel written in the 1920's by Saratchandra Chattopadhyay, has been made into film numerous times by Bollywood. It is about the spoiled son of a wealthy man, who is loved by Paro, his lower caste neighbor and childhood playmate. Devdas is a weak, aimless sort who is blown about by destiny, never taking action until it is too late. He is unable to recognize his love for Paro until she has been married off to an older man and is lost to him forever. He then turns to the bottle, and to the prostitute Chandramukhi, for comfort and forgetfulness.

This story will probably be hard for westerners to relate to...there is no corresponding literature of the west that I can think of...perhaps Romeo & Juliet is closest. Bhansali's version differs in many respects from previous versions, and from the book, in that Devdas is a more forceful presence who declares his love for Paro, only to be kept apart by scheming family members. In the novel, however, it is Devdas' own flawed character that keep the lovers apart. He is simply too weak and indecisive to know what he wants until it is taken away forever.

Having seen the earlier Dilip Kumar/Bimal Roy version, and read the novel, I can say that Shahrukh Khan truly made the character his own and breathed a new life into Devdas, making him more lovable, and more a victim of fate than of his own tragic weakness. In the novel, and in the earlier Bimal Roy film, Devdas has almost no personality at all...he moves through the story like a mere shadow, and we only see his character reflected in the love of the two women who worship him.

Much attention has been given to Aishwarya Rai for her performance, which I agree was outstanding. She is almost inhumanly beautiful in this film. When I saw this in the theater I was in half love with her myself.

But it was Chandramukhi who haunted me after the film was over. Madhuri Dixit deserves much, much more attention than she has received for her wonderful performance, which has been relegated to a "supporting" role, when actually her role is every bit equal in importance to that of Paro. Chandramukhi is the only character in the film who is completely unselfish in her love...her love is the purest of the three, because she loves with no expectation of being loved in return. While Devdas and Paro are busy destroying each other's chances for happiness, Chandramukhi's love is always uplifting and positive.

Besides the award-winning performances (Devdas swept all the Bollywood popular awards in 2003) and the fabulous sets and costumes, Dedas has one of the best music scores I've ever heard, and dance numbers to match. I wished the opening number, Mere Piyar (performed by Rai), could have gone on forever, and toward the end Dola Re Dola (performed by Dixit and Rai) is a treat. Some viewers felt that the up-beat drinking song Chalak Chalak (performed by Khan, Shroff and Dixit) was out of place in such a dramatic story, but it is my favorite number in the movie.

There are so many things to recommend this film, I could go on, but I will just call it a masterpiece of Indian cinema and leave it at that.