The Dangerous Lives of Altar Boys

The Dangerous Lives of Alter Boys is kind of like a cross between The Virgin Suicides and Stand By Me. Set in the 70's (featuring many cool 70's haircuts) in small town Georgia, the story focuses on Francis, a 14-year-old dreamer and troublemaker. He and his pals, Tim, Wade, and Joey cope with life under the oppressive rule of one-legged nun Sister Assumpta (Jodie Foster) at the Puritan Christian high school they're unfortunate enough to attend.

One of their methods of escape is the 'The Atomic Trinity' comic book. Each of them have their own character with superpowers (such as The Muscle, Captain Asskicker and Skeleton Boy), battling against the tyrannical regime of Nunzilla/Pegleg (a gross caricature of Sister Assumpta). These fantasy stories make up the terrific animated sequences of the film. The cool thing is that they are not so totally removed from the reality of Francis, Tim, Wade and Joey.

The boys soon find their way into a lot of trouble though. After stealing the school's nun statue mascot the quartet plan to steal a cougar from the zoo and put in Sister Assumpta's office. A mad plan yes, but their determination and invention behind it is very clever.

Some scenes of the film are very emotional, so if you have soft spot you'll find it tough to get through the scene where Tim finds a dying dog by the side of the road or Francis reading a poem at the funeral.

Francis' relationship with Margie (the very cute Jenna Malone) also takes many curious and unique turns. The scene with the ghost watching them sleep was pleasingly weird.

Taken from the one and only book (posthumously) by Chris Fuhrman (a book I must get as soon as I see), The Dangerous Lives of Alter Boys is attractively shot, wonderfully acted and definitely worth getting.

The DVD is in 1.85:1 widescreen (strangely non-anamorphic, though the region 2 version is) with Dolby 5.1 sound and a mild bunch of extras.

THE DANGEROUS LIVES OF ALTAR BOYS, based on the only novel of the late author Chris Fuhrman, gives a great portrayal of the ups and downs of adolescence. Despite veering wildly away from the novel, the film does a great job of transposing moments of boredom-inspired adolescent lunacy with aching transcendence (the scene in which Francis, the protagonist, akwardly talks to his dream girl Margie for the first time made MY heart flutter, and I haven't been 14 for a while!)Still, I wished that the scriptwriters had stuck closer to the book in some respects, especially detailing Francis' home life, which would have given greater insight into WHY he uses his drawing as an escape(and he has a heavy-duty reason to escape). For the guy who wondered in his review about Tim and Francis' home lives, let's just say that Francis' parents are WAY more disfunctional in the book than in the movie. Even with the parents' virtual absence from the movie, there are still great moments that were more or less transferred from book to screen: the scene in Margie's bedroom(although a bit more explicit in the book);Tim and Francis' finding the dying dog by the highway and Tim's subsequent soliloquy; the fateful journey into the wildlife preserve. Painful, beautiful, and true. See this one.

I came across this indie gem one day at my local Blockbuster. I looked at it and it seemed like it would be an o.k. way to kill two hours. There was really nothing else in the videostore, so I decided to rent it. Boy, am I glad I did. I really appreciated the movie and related to it, after all I do go to a Catholic High School. 'The Dangerous Lives of Altar Boys' is actually a great coming-of-age tale set in the Catholic school setting of the 1970s. Just by reading the title I thought it was about pedophile Catholic priests or something, but it's really about two friends who are the altar boys at their church/school and their adventures as they discover what's life is all about... or their interpretation of it.

The two boys in 'The Dangerous Lives of Altar Boys' are Francis Doyle (Emile Hirsch - The Girl Next Door, The Emperor's Club) and Michael Sullivan (Kieran Culkin - Igby Goes Down, Home Alone). They are two fifteen year old rebels that have a passion for comics and writing and illustrating their own. They despise their tough-as-nails and strict one-legged Catholic nun school teacher, Sister Assumpta (played by Two Time Academy Award Winner Jodie Foster - The Accused, The Silence of the Lambs). The two boys make themselves their own creative superheroes in their comic and have Sister Assumpta be the evil motorcycle peddling nun from hell that the two superheroes battle, along with the boys' other two friends who provide superheroes for their comic too. The film switches from real-life to the creative comic book setting during conflicts in the story, and I think that it's done very stylish and neat. The two boys rebel against their teacher and misbehave in front of her constantly, especially Michael (Culkin) who drives her absolutely nuts. The boys rebel by doing other things that the nun doesn't know about like, drink, smoke pot and steal and damage church property. The film contains some funny moments, and as the story unfolds Francis (Hirsch) becomes interested in the girl who lives next door to him Margie (Jena Malone - Saved!, Cold Mountain), a cool, nice, beautiful and independent girl with a deep and dark secret that challenges Francis. I won't give it away though.

There are many great aspects to this film. Most notably is the acting. Emile Hirsch is nothing short of incredible as the genuine misfit Francis and Jena Malone is equally as good as the sweet yet complex Margie. Jodie Foster is hysterical and always a pleasure to watch as the uptight Catholic school nun and 'Law & Order: Criminal Intent's' Vincent D'Onofrio has a somewhat small role as an interesting Catholic school priest who smokes like a chimney. The stand-out of the film however is Kieran Culkin. He is definitely the most talented performer in his family, and he gives an astounding performance as Michael Sullivan that puts him on the top of the list of the best child actors working in Hollywood currently. Culkin gave an equally amazing performance in Burr Steer's neurotic and darkly hilarious film debut 'Igby Goes Down' which was released the same year as 'The Dangerous Lives of Altar Boys'. Peter Care does a fabulous job with this, his feature film debut, and the valley's Todd MacFarlane (creator of Spawn) provides the comic book illustration for the animated scenes.

All in all this is a great coming-of-age movie, with a lot of heart and intelligence. It has some flaws like dragging a little towards the beginning, being a little unclear towards the end and having some freaky and unnecessary ghost sequence towards the middle of the film. I'd recommend this to anyone who attends Catholic High School because it is a great movie but it's also something you could relate to. Next time you are at the videostore and can't find anything to watch, maybe pick up 'The Dangerous Lives of Altar Boys'. Chances are you won't regret it. Grade: B+

MADE MY TOP 300 LIST AT #245

Group of Catholic schoolboys in the mid-1970s are obsessed with comic books, girls, and wreaking havoc on their most hated teacher, Sister Assumpta (Jodie Foster, in a nun's habit, somewhat uneasily cast but still quite good). A surprisingly rich, rewarding film about adolescence puts other, more popular films in this genre to shame. The scruffy, nostalgic era is captured nicely, and the young players really shine. Spiked with wonderful animated sequences, the film failed to catch on with its target audience yet is otherwise intelligently crafted and often very moving. Foster also served as co-producer. *** from ****

`The Dangerous Lives of Altar Boys' is NOT, as you might expect, a film about predatory priests, but rather a slice-of-life tale about four malcontent Catholic schoolboys who spend most of their free time devising preposterously elaborate and life-threatening practical jokes to play on the faculty members of their school.

As a coming-of-age drama, the film is fairly conventional in its plotting - i.e. young boys, in their rebellion against the uncomprehending adult world, experiment with drugs, first love, sex and general rule breaking - although there is a tricky and touchy incest-related subplot that is handled with a certain amount of delicacy and sensitivity. The highlight of the movie is the outstanding performances delivered by youngsters Emile Hirsch, Kieran Culkin and Jena Malone, whom you might remember as the young Jodie Foster in `Contact.' In fact, Foster herself appears in this film (in addition to co-producing it) as the uptight nun, Sister Assumpta. Unfortunately, her character is probably the least well developed one in the film, a fact that seems more obvious than it otherwise might if an actress of Foster's caliber were not playing the part.

The film also displays a nice feeling for its early-70's setting and does a good job capturing the way young people actually speak and communicate (the cast members have their nonverbal expressions and gestures down beautifully as well). Working from the novel by Chris Fuhrman, screenwriters Jeff Stockwell and Michael Petroni, along with director Peter Care, interrupt the live action at regular intervals to provide animated sequences that are ostensibly derived from the anarchic superhero comic book on which the gifted boys are collaborating. We know that these sequences are intended to provide a kind of fantasy alternate universe for these troubled kids who seem to find no meaning in the restricted world of religion and rules in which they find themselves, but the fact is that these sections of the film, not very creative in themselves, merely serve to thrust us out of the story at crucial moments.

`The Dangerous Lives of Altar Boys' is an odd and somewhat misleading title for this film, since most of the `danger' these boys face is, primarily, a product of their own stupidity and not of their religious upbringing. Indeed, the religious figures in the film are mainly cranky and/or ineffectual, not really dangerous. `The Dangerous Lives of Altar Boys' is an uneven film, but the superb performances by its youthful cast members make it ultimately worth seeing.