The Strangeness

Some movies are just … unlucky. These are the films that obviously thrived on a lot of goodwill and a handful of potentially great ideas, but simply didn't have the budgetary means and/or professional cast and crew members at their disposal to make it happen. "The Strangeness" definitely belongs in this category. You really want to like it, but even the most tolerant and undemanding 80's horror fanatics will have to admit the film barely reaches the level of mediocrity due to its atmosphere of cheapness, clumsy stop-motion effects and impenetrably dark cinematography. "The Strangeness" has a fairly original plot and setting (okay, it's similar to "The Boogens" but I sincerely doubt that director David Michael Hillman intentionally ripped off a fellow insignificant 80's B-movie) and the players deliver enthusiast performances even though they're all miscast. An assembly of amateur speleologists go on an expedition to explore the infamous Gold Spike mine. Many years ago, several miners mysteriously died there and the place has abandoned ever since, but there's supposed to be too much gold hidden there to remain closed forever. Shortly after they descended into the mine, the group members one by one encounter the slimy ruler of the Gold Spike mine; a Lovecraftian monster with tentacles and an incredibly cheesy way of moving forward. Throughout most of its running time, "The Strangeness" is a boring and incompetent mess that is difficult to follow due to the complete lack of lighting. The characters are uninteresting and the mine remains a mystery because the only lighting effects come from the helmets of the speleologists. There's very little action or horror to experience in the first hour, but director Hillman cleverly grasps the viewers' attention by showing bits and pieces of the monster at regular intervals. As soon as you catch the first glimpse of the monster's tentacle, you're doomed to keep watching till the very end. The creature is realized with stop-motion effects, which I usually adore and worship, but here in this case they look extremely weak and pitiable. The person responsible for the special effects should have paid more attention to the work of Ray Harryhousen. The death sequences largely occur off-screen and there's very little suspense throughout the whole movie. A horror flick with a setting like this should benefice from claustrophobic atmosphere and unidentifiable sound effects, but "The Strangeness" lacks all this. The biggest trump of the film is unquestionably the beautiful appearance of blond actress Terri Berland. She resembles a speleologist as much as I resemble Mother Theresa, but she surely looks good in her tight white top and beige pants.

This extremely low-budget monster flick centers around a group of mine surveyors exploring an abandoned gold mine in order to see if its worth reopening. They get trapped after a cave in and find they are at the mercy of a strange, slimy creature which seems bent on knocking them off one at a time. The word that most came to mind as I watched this movie was 'desperate'. The script and acting is terrible, the stop-motion monster effects were unintentionally funny, and since the bulk of the movie takes place underground lighting the sets convincingly looked like a logistical nightmare. All that being said however for some reason I felt this movie failed not from lack of effort, but maybe from either a lack of budget, experience and/or lack of creative inspiration. The whole thing came off like it was either a college project or a first film made by amateurs, I have a certain amount of affection for films like that even when they completely miss the mark. I guess what I'm saying is I give it an B for effort and a D- for actual results, not insultingly bad as some low-budget monster movies I've seen but still not worth seeing unless you have a LOT of free time on your hands. I'm voting it a 5.

A group of 7 gold prospectors head into a mine that was recently opened back up after an earthquake. Of course, they don't pay attention to local legend that something is down there and killing people. This low budget ($25,000) horror flick has a slight cult following and I'm not exactly sure why (unless it is because it is so obscure). I'll admit the last half hour is pretty entertaining, but the hour getting there is pure torture. Lots of walking and talking and our titular strangeness doesn't appear until 45 minutes in. Even in the extras co-writer Chris Huntley admits it commits the unforgivable sin of being boring. I would forgive them if they were strict amateurs, but this group graduated from USC so I would hope they know an exploitation film should be exploitive. Anyway, like I said, the last half hour is cool as three survivors battle the stop motion monster and there is a cool John Carpenter-like score. I wanted to see more of the monster, but it is literally on screen for 45 seconds.

Even if the movie isn't the best, Code Red DVD has given this great attention. You have interviews and an audio commentary by director Melanie Anne Phillips, producer/actor Mark Sawicki and co-writer Huntley. The tales about how the film was made are pretty fascinating and inspiring (like a cave set being built in a backyard). Even more interesting are Sawicki and Huntley's USC student shorts, which are actually all better than the feature production. Huntley was a pretty talented artist and it is a shame he didn't go on to anything else. Sawicki has worked steadily in Hollywood as a visual effects and camera guy. The film's VHS is kind of legendary for how dark it was and I'm sure this is much better. However, you still get scenes where the only image are five helmet lights bouncing around in the blackness. Safe to say, the original MY BLOODY VALENTINE is still "horror film set in a mine" champ.

THE STRANGENESS is about an abandoned mine, it's valuable contents, and the hideous whatsit that lives there.

After an earthquake, and a pair of mysterious disappearances, a group of six surveyors / geologists and their guide head for the mine. For the snotty, greedy head of the team, gold is more attractive than science. Unsurprisingly, horror and death ensue.

The story is straightforward, and plays like the second cousin of BEAST FROM HAUNTED CAVE. The characters are fairly familiar, 1980's monster fodder. The monster itself, apart from a few noises and glimpses, takes forever to show up! Until then, semi-drama, clunky "humor", and general ding-a-ling dialogue pad things out.

About the creature: It's a stop-motion, H.P. Lovecraft-type nightmare, complete with squiggly tentacles and an oozing, vertical mouth! Is it worth the wait? Sort of. There's an awful lot of extra-thick cheeeze to wade through before we get a -brief- look at this thing.

EXTRA POINTS FOR: Some of the gooey death scenes.

Worth a watch...

The Strangeness (1985)

* 1/2 (out of 4)

A group of people hear various legends about a certain cave they are about to enter. They decide to go ahead with their journey and it doesn't take long for them to get trapped in the cave with a giant monster who wants to kill them.

If you're read Stephen Thrower's NIGHTMARE USA book then you'll recognize this title and the various stories that went along with it. This film was shot for $25,000.00, which was an incredibly low amount for the 1950s let along when this movie was made. One should keep that in mind when they're watching THE STRANGENESS because the film doesn't have too much in it. It's one of those films that you can tell didn't have much money to spend and obviously there's not too much to see.

I give the filmmakers a lot of credit for trying to pull the film off but sadly it didn't work. I thought the story was actually something that could have worked, although parts of it did remind me of THE BOOGINS. The cave location should have been put to much better use but sadly the cinematography is just so dark that many times it's hard to see what is going on. Another problem is that the budget didn't allow for a monster so we get a really awful looking bit of stop-motion that is more laughable than anything else.

Trying to pass off a stop-motion monster just didn't work and it's too bad that there wasn't some sort of physical monster here. The performances range from bad to decent but there's not one that would hard or damage the film. You don't have many other special effects in terms of the violence or gore. The majority of the running time has the characters walking and talking and then walking and talking some more. There's no question that the film just doesn't have much happening because they couldn't afford it.

THE STRANGENESS certainly isn't going to win any major awards over its final product but considering what the filmmakers had to work with, buying them a beer if you ever meet them would be a nice gesture.