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5.2/10
1.4K
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A student moves into a run-down building in New York City. His bizarre neighbors make a concoction in their apartment they call wine, but when he takes some of it, he turns into a deformed, ... Read allA student moves into a run-down building in New York City. His bizarre neighbors make a concoction in their apartment they call wine, but when he takes some of it, he turns into a deformed, murderous monster.A student moves into a run-down building in New York City. His bizarre neighbors make a concoction in their apartment they call wine, but when he takes some of it, he turns into a deformed, murderous monster.
Craig Sabin
- Alex
- (as Robert C. Sabin)
Jamie Johnson
- Tracy
- (as Jamie Zozzaro)
Allen Lewis Rickman
- Horace
- (as Alan Rickman)
Ivy Rosovsky
- Rene
- (as Ivy J. Rosovsky)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
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My review was written in May 1988 after a midnight screening in Greenwich Village.
"Slime City" is a minor horror title with spoof elements, shot in Brooklyn on a $50,000 budget. Currently unspooling midnights in Greenwich Village, it is destined for fringe audiences.
Title promises more than is delivered, in a tale of an apartment building whose denizens aren't what they seem. Student Robert C. Sabin moves in and after dining with a poet neighbor starts dripping slime from his forehead, his face starting to look like a pizza via makeup effects. Goopy look is only temporary but returns and Sabin turns into a murderous monster.
An occultist named Zachary was the cause of the problem, having turned the inhabitants of the building into monsters who possess their victims' bodies. Pastel-colored concoctions stored in the basement do the trick.
Pic climaxes in a repulsive, extended scene of grotesque makeup effects where heroine Mary Huner awkwardly hacks Sabin into little pieces but he just won't die. The fact that when his entrails spill out they look just like a breakfast of sausage and eggs appears to be tongue-in cheek.
Lighting and sound recording are amateurish but the film plays acceptably, with tolerable acting. A harsh jump-cut (scene deleted) during a dinner scenes with the heroine's paretns is jarring and ineffectual.
Sabin is a bland antihero, but Huner shows promise in her dual role as heroine and contrasting vamp in black Nicole, who seduces the hero.
"Slime City" is a minor horror title with spoof elements, shot in Brooklyn on a $50,000 budget. Currently unspooling midnights in Greenwich Village, it is destined for fringe audiences.
Title promises more than is delivered, in a tale of an apartment building whose denizens aren't what they seem. Student Robert C. Sabin moves in and after dining with a poet neighbor starts dripping slime from his forehead, his face starting to look like a pizza via makeup effects. Goopy look is only temporary but returns and Sabin turns into a murderous monster.
An occultist named Zachary was the cause of the problem, having turned the inhabitants of the building into monsters who possess their victims' bodies. Pastel-colored concoctions stored in the basement do the trick.
Pic climaxes in a repulsive, extended scene of grotesque makeup effects where heroine Mary Huner awkwardly hacks Sabin into little pieces but he just won't die. The fact that when his entrails spill out they look just like a breakfast of sausage and eggs appears to be tongue-in cheek.
Lighting and sound recording are amateurish but the film plays acceptably, with tolerable acting. A harsh jump-cut (scene deleted) during a dinner scenes with the heroine's paretns is jarring and ineffectual.
Sabin is a bland antihero, but Huner shows promise in her dual role as heroine and contrasting vamp in black Nicole, who seduces the hero.
A young art student Alex moves into some dirty New York apartment where the gallery of weirdos live.Alex receives mysterious Himilayan Yogurt from his friend-an aspiring poet Roman.Unfortunately consuming green goo has deadly consequences as Alex turns into slime-covered mutant with an urge to kill..."Slime City" is the debut feature of independent filmmaker-turned author Gregory Lamberson.The film is cheaply made,but there is enough crazy gore and slime to satisfy fans of such insane classics like "Basket Case","From Beyond" or "Street Trash".The last fifteen minutes of "Slime City" are wonderfully gory and grotesque.So if you are in the mood for some slimy goodness check out this low-budget piece of gory insanity.
College student/video store employee Alex (Robert C. Sabin) gets an apartment with the hopes the privacy will allow him to get it on with his virgin girlfriend Lori (Mary Huner). Things change, however, when his neighbor Nicole (also Huner), a goth temptress, seduces him and makes him drink this green elixir. Soon Alex starts sweating orange slime and the only thing that can return him to normal is human blood. Turns out everyone in the tenement are occult followers of a guy named Zachary and Alex's body is going to be the host for his return.
This is really cheap and makes something like BASKET CASE (1982) look slick by comparison. But like Henenlotter's film, there is a certain charm in the capturing of sleazy era 1980s NYC. The highlight of the film is definitely the effects work by Scott Coulter and some of it (especially the end meltdown) is totally gross. Director Gregory Lamberson, unfortunately, lets the effects down with his really flat direction and the film would have benefited from some STREET TRASH level inventiveness (that film's director, Jim Muro, worked on this as a steadicam operator). Sabin is an odd choice for a lead, mostly because he has a lisp that makes him sound like Sylvester the cat when he gets mad. Huner really surprised me as I had no idea she played both lead female roles until the end credits. Lamberson recently completed the sequel SLIME CITY MASSACRE, which brings Sabin back.
This is really cheap and makes something like BASKET CASE (1982) look slick by comparison. But like Henenlotter's film, there is a certain charm in the capturing of sleazy era 1980s NYC. The highlight of the film is definitely the effects work by Scott Coulter and some of it (especially the end meltdown) is totally gross. Director Gregory Lamberson, unfortunately, lets the effects down with his really flat direction and the film would have benefited from some STREET TRASH level inventiveness (that film's director, Jim Muro, worked on this as a steadicam operator). Sabin is an odd choice for a lead, mostly because he has a lisp that makes him sound like Sylvester the cat when he gets mad. Huner really surprised me as I had no idea she played both lead female roles until the end credits. Lamberson recently completed the sequel SLIME CITY MASSACRE, which brings Sabin back.
I agree the numerous comparisons with "Street Trash" are very justified, but personally I think "Slime City" is a far more interesting and 'better' film because the characters in this film are at least sympathetic and the overall elaboration is definitely more appealing than "Street Trash", which is in my humble opinion a hideous and nearly unwatchable production. At least "Slime City" benefices from a much more pleasant & cheerful atmosphere, greatly inspiring music and the light-headed direction by Greg Lamberson! This is a terribly poor and laughably inept film, of course, but it certainly doesn't fail to entertain fans of cheap 'n cheesy 80's smut. The camera-work and editing are rudimentary and very amateurish, but the gore effects are incredibly grotesque and the storyline is too demented for words. The promising young painter Alex moves into an old apartment building, unaware that the other tenants are reincarnated disciples of a Satan-worshiping alchemist who committed suicide in the building's basement. Through eating bright-colored pudding, drinking vaporous wine and enjoying sexual contact with the luscious neighbor, Alex mutates into a sticky monster who kills homeless guys, prostitutes and ghetto hoodlums. His only hope for rescue lies in the hands of his virgin girlfriend Nicole, but she loves Alex too much to ever hurt him. "Slime City" surpasses the average 'so-bad-it's-good' 80's horror film; it's a genuine trash and crap FEAST! We're talking characters (like the hilarious prostitute) that patiently wait around for monstrous Alex to kill them, obtrusive spiritual media that pop up unasked and out of nowhere, incompetent police detectives that couldn't even prevent a crime if it happened right under their noses and body parts that continue to function after being separated from the torso. The climax is particularly outrageous (in a gooey way) and over-the-top hilarious. The acting performances are abominable, but you wouldn't expect it any other way, the whole thing is simply too insane to feature any tension and the vintage 80's soundtrack is too fabulous for words. If you like Troma films, Frank Hennenlotter's Indie-flicks and other no-budget crap from the 80's, "Slime City" is the ideal purchase for you. It would be a crime against good taste to rate this movie any more than 5 out of 10, but this is one of those times you shouldn't exclusively focus on the rating.
I watched this movie a few weeks ago. Like most people on here I think it deserves about a 5 out of 10. The first kill is definitely not expected, suddenly he just starts melting and kills a homeless man, which instantly made me want to see the rest of it. He killed the homeless man with some blunt weapon and was just beating his skull in, pretty awesome. I was impressed with the acting of the main characters best friend the most. The story was original, I've never seen anything like it before. The final scene was interesting to say the least and unfortunately the special effects weren't as good as the first kill but needless to say this is a cult classic that you should give a chance.
Did you know
- Alternate versionsCollector's Edition trimmed some scenes to improve the pacing.
- ConnectionsFeatured in Making Slime (1998)
- How long is Slime City?Powered by Alexa
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Box office
- Budget
- $50,000 (estimated)
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