Hollywood liste rouge

It's interesting reading the comments for this movie here. Some are rather bizarre; an actor with a non-speaking part complains that he wasn't directed well and someone manages to watch this whole movie and still believes fervently in the blacklist. So I'll add my own thoughts to the mix.

The first part of the movie, which deals with the effects of the blacklist on a few people, is a little dull. The subject has been tackled much better often over the years. The performances are good but it's all rather lacklustre. There are also these rather jarring little hops in time that are meant to add punch but just seem slightly off.

The second part, involving the filming of Salt of the Earth, is more interesting, because it's something new and it is pretty shocking what lengths the government went to to stop this little movie. It could have been done better, and still feels a little lacklustre, but it's an interesting side story of the blacklist. The movie would have been better off just rushing through the early part and devoting the movie entirely to Salt of the Earth.

Perhaps the movie can be understood through it's title, "One of the Hollywood Ten." What a lame title. It's like they couldn't bother to come up with a real title and just figured they'd name it something that would let people know the subject matter. Personally, I think I would have been more inclined to call it "8000 Feet of Freedom," (something said in the movie) although there's probably a better title out there.

I would like to see a documentary on the same subject to see what really happened (while I know from googling around that a fair amount of what is in the film happened in real life, I don't know if it happened so melodramatically; perhaps it did).

Salt of the Earth, by the way, is an interesting movie. A little stilted in places, but affecting, with a feminist slant that proves there was more progressive intelligence in the country than you ever could have guessed from Hollywood offerings.

I recently saw One of the Hollywood Ten at a screener. I think Jeff Goldblum does an exceedingly good job as Herbert Biberman as were some of the supporting players, especially the Spanish actors. I did have a problem with the overall style of the film which played more like a set of moving images rather than a "movie". Photographed quite beautifully by Nigel Walters but ultimately rather loosely and sloppily directed (almost amateurishly) with a number of obvious Brits putting on American accents, namely the usually brilliant John Sessions! This may win awards in the Icelandic Film Festival but Oscar will look the other way.

This is a superb film about Blacklisting of Hollywoods writers/directors and actors. Jeff Goldblum is fantastic as Director Herbert Biebelmen who made the acclaimed film "Salt Of The City". This is a very powerful film superbly Directed by veteran Welsh film maker Karl Francis. It also features a great supporting cast. Possible Oscar noms for this film.

Movie buffs and DeNiro fans will recall "Guilty By Suspicion". A story of how the HUAC witch hunts of the 1950s ripped apart the lives of many of Hollywood's writing and directing talent. Newcomer Karl Francis's movie treads along similar lines, focusing in on blacklisted director Herbert Biberman's attempt to make "Salt of the Earth" with a cast of unknowns and a blacklisted crew. Without spoiling this movie for the unacquainted I will end this synopsis here......however.... This is a European film, partially backed by the Welsh Arts Council. With all the talent and longing for local film production in the UK, why would the Arts Council plough money into an old pair of panty-linen like this? An American story shot entirely in Spain with a cast mainly of unknown actors. Jeff Goldblum does well, as ever, as Biberman....but so what? Most of the dialogue is so thin and hackneyed you could smell the dampness. I would suggest that the BBC or the Arts Council of Great Britain in future put their money where they'll find an audience and possibly a return on their investment, which I am sorry to say will not be happening with this boring mis-directed edsel.

"One of the Hollywood Ten" attempts to tell two fascinating stories: one about writer/director Herbert Biberman and the other about the filming of "Salt of the Earth." This film could not have had a very big budget, and the direction is not very good, so how anyone expected to accomplish these massive feats is anyone's guess.

I am at a disadvantage: I can't possibly write anything that can compare to the comments about this film posted on IMDb, and I haven't seen Salt of the Earth. I did, however, grow up amidst the Red Scare. We in Catholic schools were warned by the nuns that the commies were coming. They would hold guns to our heads, ask us our religion, and when we answered "Catholic" (like we were all going to be real anxious to do that), we'd be shot. Communism was going to destroy the world, there were Communists under every bed, and everybody was insane on the subject. I have read and seen a good deal on HUAC, the McCarthy hearings, and Red Channels. Am I an expert? No.

I will reference a couple of the IMDb postings. One states that Gale Sondergaard was NOT a major actress and that Biberman was a minor writer. I'm unsure of the implication the poster was trying to make, but I venture to say that if Biberman and Sondergaard (who were married for 40 years, until Biberman's death in 1971) had been allowed to work for the next 20 years or so, who knows what might have happened to their careers? This insanity ruined lives.

Another poster made a comparison to tactics used by today's government. Well, I'll second that emotion. As he states, freedom of speech is not to be taken lightly. No, it isn't. And if anyone believes there isn't a move afoot to squelch it today, they're wrong.

Others mentioned inaccuracies. I'll bring up one. According to writer Patricia Bosworth, whose father, attorney Bartley Crum, defended the Hollywood Ten, the "Hollywood Ten" were not friends, and in fact, many of them did not know one another. Crum advised them all to tell the truth at the hearings -- that when asked if they were now or had been a member of the Communist party, to disarm the committee by answering truthfully. This was shot down by whomever their adviser was because asking about anyone's political leadings is unconstitutional, and the Ten wanted to fight the hearings on constitutional grounds. In the film, one got the impression they were all friends. Crum, by the way, labeled a subversive, was haunted by the FBI until he finally got rid of them by killing himself in 1959. Also, I know this is off topic a bit, but the FBI's largest file was on Frank Sinatra, who was believed to have been sent by the communists to influence the youth of America. Great group.

As far as this film, the stories were interesting, the direction was detached, and overall, it's not great. Jeff Goldblum is marvelous as Biberman, and there are some other excellent performances as well. I think the most important thing were the points made on the chirons at the end, one of which is that Salt of the Earth is the only film ever to be blacklisted. I am so grateful that it was; otherwise, we would all be communists today. Right.