'Kurt' claims to be a sales rep. He also claims to be English in spite of his heavy Italian accent. Kurt is an habitual liar and a dangerous driver, at the very least. In the south of France... Read all'Kurt' claims to be a sales rep. He also claims to be English in spite of his heavy Italian accent. Kurt is an habitual liar and a dangerous driver, at the very least. In the south of France he meets Léa, age 16. Between his increasingly strange dates with Léa, Kurt engages in a ... Read all'Kurt' claims to be a sales rep. He also claims to be English in spite of his heavy Italian accent. Kurt is an habitual liar and a dangerous driver, at the very least. In the south of France he meets Léa, age 16. Between his increasingly strange dates with Léa, Kurt engages in a number of armed robberies, some successful, some not... The police are perplexed by a seri... Read all
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Featured reviews
SUCCO just doesn't have the intensity and the tension that those movies have. But it has its moments. The minimaliste direction and the outstanding performance of Stefano Cassetti make it an enjoyable ride after all. But again, it just can't compete with HARRY.
The little acting there is comes mainly from Isild le Besco as the needy schoolgirl Succo takes by storm. The interview at the police office is a marvel of bland obstinacy with a little fear of the future blended in. Le Besco apart, there is little to recommend this film.
During his crimes Succo stopped to rather tenderly romance a naive, 16-year-old French virgin named "Lea" (Isild Le Besco). But she was neither really an unwitting accomplice in his crimes like the real-life Carol Fugate (Starkweather's teenage paramour) or a sexy "moll" along the lines of the real-life Nichole Baker (played by Roseanne Arquette in "The Executioner's Song") or the character played by Ludivine Sagnier in the "Mesrine" movies. The unconventionally beautiful French actress Isild LeBesco does two things really well--one is act and the other is get naked, and she doesn't get nearly enough chance to do either here. Ludivine Sagnier has less screen time technically in the "Mesrine" movies than LeBesco does in this, but she is quite a bit more effective.
The film basically follows Succo as he commits his incredibly random crimes, and since Cassetti isn't the most exciting of actors, the film largely lacks a center and becomes quite boring. The police pursuit when it finally happens is almost an afterthought and the prison scenes at the end, while necessary to tell the full story, only prolong an already rather dull movie. It could have been improved with a stronger central performance, or if LeBesco had had a bigger role or had the kind of screen presence she would eventually develop in her later films (she is STILL by far the best reason to see this). Much of it though you have to blame on the filmmakers who perhaps stick TOO MUCH to the real-life inspiration at the expense of of making a very dramatically compelling movie.
For me some parts of the film were interesting. Obviously the interplay between this insane man and the people he was with, including the girlfriend in France for the most part. Also some of the police chases were somewhat incredible to behold, and had a very real feel to them, unlike normal Hollywood fluff. The direction and acting were particularly good, giving the film an almost fly-on-the-wall feel. Ultimately though the whole film was massively let down for me by two serious failings. Firstly, the execution of either the editing or the story. The story itself jumps around horrendously in time, and broke continuity for me. Although I could pick up the continuity of what happened I can't help but think there were better ways to fill these huge gaps. Secondly, there was very little insight given into what drove Roberto to do the things he did. For example pretending he was a terrorist and spy. Of course he was insane, but I was expecting some attempt at trying to explain his background (other than the fact he murdered his parents). There was also what appeared to be a plot line with the French policeman and Roberto which carried right to the end, but again was never really explained as to why this was significant. 2/5
Did you know
- GoofsThe movie is set in the late-1980s, but when the policemen are looking for clues in a victim's house we see Andrea Bocelli's CD "Romanza" which was published in 1997.
Details
Box office
- Gross worldwide
- $94,407
- Runtime
- 2h 4m(124 min)
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1