The Prime Gig

As someone who used to work in a telemarketing gig in Las Vegas (two months of my life I would rather forget about), I can tell you that the first half hour of "The Prime Gig" is the most realistic look at telemarketing ever filmed. The look, the feel, the characters and the situations all ring incredibly true.

One of those characters is Penny (Vince Vaughn), the best salesman in this small time operation. He is the typical big fish in the little pool, but the title promises that he will soon achieve the big time. Of course, he does move on to a "prime gig," and this is where the realism of the movie breaks down. But becoming less realistic doesn't mean the movie becomes less engaging. As much as I enjoyed the first 30 minutes, the last hour is pretty powerful itself.

Two things sustain this movie and make well worth watching:

First, the acting. Besides Vaughn the cast includes Ed Harris, Julia Ormond, Wallace Shawn and George Wendt. All are excellent.

Secondly, at the heart of this movie is a morality tale. Director Gregory Mosher has peered into the depths of the American telemarketing industry. He has looked at the small time operations and the prime gigs.

And what he has found is disturbing. He has found a greed that does not care who it hurts. A greed that will rob an elderly woman of her life savings without a second thought. A greed that will rip off employees as easily as customers. The ending of this movie may be predictable, but it is still very powerful.

So while others on this site have bashed this movie, pay them no attention. You will love "The Prime Gig." Trust me! Hey, would I lie to you? Just give me your trust, and I won't let you down!

I had no idea what to expect from this movie. It just happened to be on cable and Vince was in it, so I watched.

I liked the portrayal of each character in this film. Greed, desperation, betrayal...I found myself disgusted with some of the characters, mainly Julia Ormond and Ed Harris. I can't stand Julia Ormond so to watch her as a conniving shrew was quite satisfying. If you can't stomach the dark underbelly of human behavior,and watching how bad someone can screw over another person, than this film's not for you. At the end I found myself bummed out - but that's not necessarily so bad. You need to be in the right mood to watch this. It's low-key, though not boring and definitely not a 'feel good' film. I can understand how some people didn't like it, but I think Vince Vaughn fans will be happy enough (I'm one myself).

I saw this in the indie channel & it kept my attention all the way, except for the phony love scenes (why does Hollywood always have to make sex look so artificial - doesn't anybody do it out there)? The acting is really terrific, especially Ed Harris & Vince Vaughan. Julia Ormond is OK in a part that looks written for Julianne Moore. The beginning is the best, the middle a bit too set-up, like imitation Mamet, the ending is hopeless. But definitely worth seeing for the acting.

Knowing the subject matter of this film - shilling fraudulent "whatever's" in a boiler room - I assumed it would follow closely in the footsteps of David Mamet's incomparable "Glengarry Glen Ross" (as was the case in the over-hyped and disappointing "Boiler Room"). Almost immediately, however, it becomes apparent that such is not the case. While "GGR" gave us stark images of the salemen's desperation in the context of their work, "Gig" delves completely into the life of Pendleton (Penny) Wise, played by Vince Vaughn. It is in showing the emptiness of his entire existence - and not just his work life - that one can see how susceptible he is to the machinations of the almost mythical Kelly Grant (Ed Harris), and his partner Caitlin Carlson (Julia Ormond). From his shabby apartment to his touching relationship with childhood friend Joel (Rory Cochrane) - who is, in spite of or because of his physical handicap, an even bigger loser than Wise and all of Wise's foundering sales cronies - you know he is destined for littler and worser (hey, if Shakespeare can use it, so can I) things. Wise is, as Grant puts it, "a big fish in a little pond." His ego won't let him believe it, but ultimately experience is a hard teacher. For those who just like Harris' style, you won't be disappointed. And Ormond does manage to sum up far more emotion than she did in the pathetic "Sabrina." But it is Vaughn, as stoic as Sheriff and as cynical as Trent Walker, who draws you into his character and keeps you from guessing too far ahead. The movie is worth watching just for the last five minutes or so, from the time Grant claims, "I'm not a closer" to the rolling credits. You'll think about this one for quite a while after viewing. And that's a good thing.

Telemarketeers...just the sound of it makes some of us cringe because not everyone likes those telemarketers to 'harass' us over the phone over something they want to promote on.

And when moral questions are being raised about what is right and wrong, it has become a grey area. This is where Penny Wise (Vince Vaughn) has to deal with his own conscience.

Scamming people through the phone is what Penny is good at for his job as a telemarketer, and when he was being hired to be part of this million-dollar scam, he was rather being hesitant at first. It's where his conscience starts to collide.

Very interesting and quirky look at telemarketers who scam for the sake of money. Vince Vaughn portrayed it that well.

Guess I will never see those telemarketers the same way again.