Le vieux qui lisait des romans d'amour

A leisurely and beautifully filmed movie which concerns an old man (Dreyfus) living in a remote backwater of the Amazon River. Late in life he has learned to read, and he has taken to reading love stories, savouring each word as if it were a morsel of a feast.

The narrative concerns the hunt for a jaguar which has apparently acquired a taste for human flesh. During this adventure we share the old man's reflections, reveries and regrets, fragments of a past life. In the unfolding of the story he is able to make reparation for at least one of his regrets.

The film could be criticised for being slow and uneven at times. I have not read the novel, but I'm sure that it was multi-layered and textured, with underlying themes of missed opportunities, loss of innocence, the environment and the egregious impact of civilisation. The movie only hints at these things and sometimes were are left a little puzzled. But the eloquence is in the mood, which is perfectly captured.

Highly recommended.

Well maybe it can be said that this movie is sometime slow but not so much. The performances are very good , specially Hugo Weaving and Richard Dreyfuss are excellent and the movie have a poetic sense and fine dialog . The art designer is Gil Parrondo, who have won 2 academy awards with "Patton" and "Nicholas and Alexandra".This is an adaptation of a novel , a complex one. The screenplay is beautiful and the movie really flows, it's not contrived . This is not a cliché film or a conventional movie and does not disappoint . I really like this movie and I think it's one of the best Dreyfuss's performances ever, creating a subtle, intelligent , simple and wise old man.

For those who never read the book, this movie is enjoyable and thought-provoking on a human and environmental level. Even though there are "love stories" involved, there is also murder and a leopard hunt. I was very pleased with this version of Luis Supulveda's thoughtful, beautifully written story. Richard Dreyfuss really brought his character's personality to life. The Mayor was just as awful as expected, and enough of the story was brought forward to make it cohesive while maintaining poignancy and point. Thoroughly enjoyable.

The scenes are gritty, beautiful. It has humor in the right places. You may feel horror, sadness, and contentment.

This film won the Adelaide International Film Festival's Audience Choice Award, and for good reason.

This is beautiful story-telling; it's subtle, beautifully paced and visually magnificent. And if whoever wrote comment number one couldn't find subtext then he must have been watching a different film.

I'm hoping against hope for an Australian release in the near future.

An under-seen and under-rated gem of a movie, I had the great pleasure of seeing The Old Man Who Read Love Stories when I was but a young boy and it's a film that stuck with me for many years thanks to subtle power, striking imagery and a performance from Richard Dreyfuss that surely must be the most fully formed of his career. I had an even greater pleasure recently where I was able to attend a screening of The Old Man and a Q and A with its legendary Australian director Rolf de Heer that reaffirmed to me what a classic film this is.

The making and release of The Old Man was one fraught with many different challenges both in a crew sense and also a release sense. Sitting on the shelf unjustly for more than 3 years The Old Man once available to the public was a film that divided the critics and audiences alike but for those willing to be swept up in the tale of journeyman Antonio Bolivar it was an absolute joy to be a part of. The Old Man is in no way a typical point A to point B movie and the structure of the films flashbacks (going hand in hand with our lead's fractured life and memories) are in no way done in the usual movie-making fashion. These elements of originality and decision making by director De Heer are just some of the reasons though that make the film just a diamond in the rough.

The Old Man Who Read Love Stories - post As mentioned in the opening paragraph Richard Dreyfuss has never been better than he is here. In a role that was originally intended for Sir Ian McKellan and down the line Morgan Freeman and Sir Ben Kingsley, Dreyfuss is captivating and heartbreaking as our wounded soul. It's a character that is filled to the brim with hidden mysteries that slowly begin to unravel as the movie progresses and although the town folk he deals with (including the "slimy toad" mayor played by the ever creepy Timothy Spall and the roguish dentist played by Hugo Weaving) treat him perhaps as a man that knows little, he is in fact a man that has loved, lost and lived like the best of them. The journey Antonio takes to track a vengeful jaguar is a journey that is not only a physical trek but an emotional trek and one where the film's softly spoken power comes from as Antonio internally deals with his past triumphs and past losses.

Filmed beautifully, scored thoughtfully and acted wonderfully by its cast, The Old Man is a film that is worthy to be tracked down and to be taken away by. With the right marketing and proper treatment one gets the feeling that the film would have been a major player at awards seasons the world over but sometimes a film is more than physical awards and plaudits and the Old Man's true gift is the one it gives to us the watchers and admirers.

5 dentist related bets out of 5