Le club des coeurs brisés

Greg Berlanti's film is worthy of a lot of praise in a society where gay men tend to only fulfill certain stereotypes. A character, Howie mentions how he would like to see gay men being represented as something other than the woman's best friend, the hustler, the aids victim or the sex addict and this film does tend to try hard to avoid these stereotypes. The script is brilliantly written and sparkles when it is at its peak. At its worst, it may be a little bit cliche ridden but hey..it also has originality ( I have taken "Meanwhile" and now its commonplace down ere!) and is not afraid to portray gay men as just a group of lads who are falling in and out of relationships, liek any other group of young men. However certain characters do tend to bring the pace down a little and it does sometimes seem to have the sentiment that gay men have got it so bad compared to everyone else in the world. Timothy Olyphant stands out here in an able cast, made up primarily of TV actors. My only grumble was the inclusion of the lesbian couple who seemed to only be there to represent the ladies and also to give Howie a meatier role. 4/5

Quick evaluation: this movie does reflect my experiences of the past 25 years. As a nearing-50 gay man, I can relate to nearly all the principal characters, both personally and as they relate to my friends and acquaintances. Yes, at various times in my life I've been the cute, promiscuous one; the lonely one; the gym bunny (no drugs, though); the (self-perceived) ugly one. . .all those have helped me to become a better, more self-actualized person. Seems there are too many self-loathing queens commenting negatively on this film here. . .maybe they can't see themselves in the characters, but if they were to be honest, they'd realize that they do indeed exist in one or more of these characters.

I enjoyed the film, laughed a little, cried a little. As I said, "been there, done that."

We watched this film when it first was released. On second viewing, thanks to the IFC channel, "The Broken Hearts Club" looks a bit dated since more daring films and television series have come out of the closet recently. It must have been a courageous undertaking by its director, Greg Berlanti, in 2000, at a time that gays were not as prominent as now. The director shows a positive side of the gay life that is not seen often, in that all the characters have values and integrity, something not often seen in mainstream films.

The film is an excuse to bring together a group of young men trying to cope with their lives in that environment. There are different stories that mesh well together. At the center of it all is Dennis, a photographer that seems to have his feet well planted on the ground and knows what he wants. The friends are united by Jack, the restaurant owner, who has taken most of the guys under his wing, at his bistro and as a coach them in the softball team.

We watch the different situations and how the guys react to whatever comes their way. The acting is good, in general. Timothy Olyphant makes an impression as the serious Dennis. Zach Braff, a film director, himself is good as Benji. Dean Cain is the fickle Cole, who loves a variety of lovers, rather than quality mates. John Mahoney appears as Jack, the older influence on the group in an impressive performance.

What director Greg Berlanti succeeded was in presenting young men that appear not to be clichés as in other films of this type. The film is pleasant without breaking new ground.

This film gives gay men a meaning beyond stereotypes and the roles usually seen in gay movies. The theme is universal: friends stand by you to assure you that you are OK as you are.

Some of the dialog is hilarious, and the characters ring true even though many of these people are played by straight actors. There is an amusing glossary of gay terms given on the screen from time to time so that straight audiences will understand the lingo of the gay subculture.

The touching elements in the film include the loneliness of what one character describes as "10s looking for 11s." The recognition that a person can be gay and average is the only antedote for this loneliness.

We follow a group of young gay men, under the matronly supervision of John Mahoney, connecting and disconnecting as they try to find themselves in a world that doesn't seem to care who they are. It's a story of human beings. The fact that they are gay is incidental -- and this is a major step forward in gays being depicted in movies.

As a mature (61) gay man, I enjoyed the hell out of this film. At least there was a diversity of stereotypes. I guess it would be boring to show that most gays lead "regular" lives in all kinds of workplaces. The angst was, thankfully, less "Dawson's Creek" and more universal. The experienced straight actors helped it flow along nicely, a cut above the usual sloppy, Indie-style gay movie. The Lesbian subplot should have been expanded--or left out! I recommend this movie to all young lesbians and gays facing a still altogether ignorant homophobic society---but one that has improved since I was their age. Kudos to the people behind the camera too!