Le club des coeurs brisés

Quick evaluation: this movie does reflect my experiences of the past 25 years. As a nearing-50 gay man, I can relate to nearly all the principal characters, both personally and as they relate to my friends and acquaintances. Yes, at various times in my life I've been the cute, promiscuous one; the lonely one; the gym bunny (no drugs, though); the (self-perceived) ugly one. . .all those have helped me to become a better, more self-actualized person. Seems there are too many self-loathing queens commenting negatively on this film here. . .maybe they can't see themselves in the characters, but if they were to be honest, they'd realize that they do indeed exist in one or more of these characters.

I enjoyed the film, laughed a little, cried a little. As I said, "been there, done that."

How un-promising does a gay male Sex In The City sound? This one took me quite by surprise. It's a frequently very funny romantic comedy, that only occasionally dips into cliche. Why America remade Queer As Folk when they already had this is beyond me. Is "Queer as folk" ever an expression over there? Anyway, this includes Frasier's Dad and Superman amongst its gay baseball team, so it's good in my book.

This film gives gay men a meaning beyond stereotypes and the roles usually seen in gay movies. The theme is universal: friends stand by you to assure you that you are OK as you are.

Some of the dialog is hilarious, and the characters ring true even though many of these people are played by straight actors. There is an amusing glossary of gay terms given on the screen from time to time so that straight audiences will understand the lingo of the gay subculture.

The touching elements in the film include the loneliness of what one character describes as "10s looking for 11s." The recognition that a person can be gay and average is the only antedote for this loneliness.

We follow a group of young gay men, under the matronly supervision of John Mahoney, connecting and disconnecting as they try to find themselves in a world that doesn't seem to care who they are. It's a story of human beings. The fact that they are gay is incidental -- and this is a major step forward in gays being depicted in movies.

The day I was finally able to admit to myself that I was a gay man I rented this movie. That first viewing changed my life. It helped me envision a life a hoped was ahead of me. During my first year of being out I watched this movie so many times and still watch it about once a year.

The first time I saw it I thought it was one of the best movies I had ever seen. Time has dimmed my view of it but it still a must see for any newly out (newbie) gay man.

The script is well written. Some of the direction is a little off but it was a low budget film. It is also fun to see all these mainstream actors like Dean Cain, Timothy Olymphant and Andrew Keegan playing gay.

That statement is part of what makes this is a terrific film about love, friendship and betrayal -- betrayal of friends, the people you are supposed to care most about and ultimately yourself. This is also a film about facades, lying and truth telling.

From the opening montage of `Gay or Not Gay' in a supermarket this is a film with many laughs and people that you want to care about.

A true ensemble cast, ostensibly headed by Timothy Olyphant as Dennis, is only part of what makes this a fine piece of cinematic work.

Dean Cain (Cole) as the pretty-boy actor at one point says about his obvious good looks: ‘It's my way in ... and then I have to prove if I have the #@%* to back it up.' Mr. Cain proves that he does have the ability to back it up.

Matt McGrath (Howie) as a man searching for love and doesn't realize he has it within his grasp, has a Mathew Broderick look that is very engaging.

The always-interesting John Mahoney is outstanding as the coach of the `Broken Hearts Club' baseball team that wears the uniform of his restaurant and bar where the perennially losing team goes after their pathetic attempts at playing baseball.

Colour becomes a character as embodied by Robert Arce as `Purple Guy.' He speaks only once in the film -- but it is worth listening to.

There are many outstanding actors -- many currently in television series -- John Mahoney (Fraser), Zach Braff (Scrubs), Chris Payne and Ben Weber who have both done time on `Sex in the City.' But it was particularly nice to see Jennifer Coolidge who will always be Stiffler's Mom in the `American Pie' films. Andrew Keegan as Kevin the `newbie' is exceptional -- learning about himself and life in West Hollywood whether he wants to or not.

This is very much writer/director Greg Berlanti's film -- these must be people he knows and so writes about. At one point one of the characters says 'they should make a movie about us.' Well, Mr. Berlanti did and it is quite an accomplishment because even though the characters are gay the lives they lead, the questions they ask, the problems they face and the joys they experience are universal.