After 13 years in prison, the mad scientist from Re-Animator (1985) gets a new chance to experiment with the arrival of a young prison doctor, who secretly hopes to learn to reanimate dead p... Read allAfter 13 years in prison, the mad scientist from Re-Animator (1985) gets a new chance to experiment with the arrival of a young prison doctor, who secretly hopes to learn to reanimate dead people. Good intentions turn to horror.After 13 years in prison, the mad scientist from Re-Animator (1985) gets a new chance to experiment with the arrival of a young prison doctor, who secretly hopes to learn to reanimate dead people. Good intentions turn to horror.
- Awards
- 1 win & 4 nominations total
Featured reviews
After causing the Miskatonic University Massacre,Dr.Herbert West has been serving a prison sentence for the past 14 years.Far from overcoming his scientific obsession with bringing dead organisms back to life,he has had no choice but to continue his experiments on the only specimens he can find in his cell:rats.When Howard,a new young doctor,comes to work as the prison MD and requests his assistance,Dr.West discovers that the young protege has something he left behind 14 years ago..."Beyond Re-Animator" is an enjoyable horror flick that offers plenty of gore.It's nice to see Jeffrey Combs again as Herbert West.The acting is okay and and there is a lot of zombies running around plus a nice dose of black humour(a bitten-off re-animated penis which has a rather hilarious fight with a re-animated rat).This film is surely not as good as "Re-Animator",but if you want to be entertained give it a look.7 out of 10.
I think they had the right idea. The basic concept for me had potential. This special element representing 'the soul', energy that could be used to revive someone back to normal once re-animated. Having to kill one source to bring back another has a nice twist to it.
The opening and closing of the film was cool (with the intro of West and him walking away into the mist). I could deal with the new protege, Howard, or whatever his name is, though I would have rather he used his native accent to give the film some more flavour. (but having Dan Cain back would have been so much better)
My first biggest problem with the film comes from what they do with the basic concept. To me, they never fully realized it. I kept waiting for everything to go to the next level... especially when the riot broke out, I was hoping they'd take the massacre at the end of the first movie and just let loose. That never happened. Instead, they opted for a couple truly idiotic moments and what at the end of the day felt like a stale re-mix of elements from the first and second. I didn't want to see reflective moments from the first, though that might have been fine in a better movie... nor of Bride. I wanted something taken to a new level, much like Bride did after the original.
They had the concept. They had the setting. And I believe that Brian Yuzna can still direct a decent movie had he a good script and cast to work with. More and more, I wish they could have convinced Stuart Gordon to come back and take his rightful place as director of Beyond Re-Animator. I loved Dagon, very much showing he's still got it (not to mention the fact I love Re-Animator and enjoy From Beyond), and I could only imagine what he could have done with Beyond Re-Animator.
I think the script is the biggest fault of the film. Performances or the direction of those performances is next. The only truly golden character in the film is obviously Herbert West, with Jeffry Combs doing a wonderful job given the material he has to work with. I would rather they focused more on West than the silly little romance between Howard and that reporter (with an annoying voice recorded, which I believe must be because of bad dubbing to hide a thick accent. And if it wasn't dubbing, please dear god go back in time and cast someone else). The reporter subplots would have been better written out than to have to sit through them again. The only part I could get behind with that whole mess was at the end, when Howard had lost it and he was going back and forth calling out Emily (his sister) and Laura, the reporter, mixing the two up in his head, and just before that cradling her head in his hands. From that point on, the film was back on target... exactly as it should of been all along. Too bad there was only a couple minutes left in the film.
Don't get me started about the final Rat shadow sequence.
All I have to say in regards to the Warden was that he was no Dr Hill.
Overall, I was left with a bitter taste in my mouth. A disappointment. At the back of my mind, there was a hope that it'd be at least on the level of Bride. Not great, but a decent Re-Animator fix. The final result is anything but.
The opening and closing of the film was cool (with the intro of West and him walking away into the mist). I could deal with the new protege, Howard, or whatever his name is, though I would have rather he used his native accent to give the film some more flavour. (but having Dan Cain back would have been so much better)
My first biggest problem with the film comes from what they do with the basic concept. To me, they never fully realized it. I kept waiting for everything to go to the next level... especially when the riot broke out, I was hoping they'd take the massacre at the end of the first movie and just let loose. That never happened. Instead, they opted for a couple truly idiotic moments and what at the end of the day felt like a stale re-mix of elements from the first and second. I didn't want to see reflective moments from the first, though that might have been fine in a better movie... nor of Bride. I wanted something taken to a new level, much like Bride did after the original.
They had the concept. They had the setting. And I believe that Brian Yuzna can still direct a decent movie had he a good script and cast to work with. More and more, I wish they could have convinced Stuart Gordon to come back and take his rightful place as director of Beyond Re-Animator. I loved Dagon, very much showing he's still got it (not to mention the fact I love Re-Animator and enjoy From Beyond), and I could only imagine what he could have done with Beyond Re-Animator.
I think the script is the biggest fault of the film. Performances or the direction of those performances is next. The only truly golden character in the film is obviously Herbert West, with Jeffry Combs doing a wonderful job given the material he has to work with. I would rather they focused more on West than the silly little romance between Howard and that reporter (with an annoying voice recorded, which I believe must be because of bad dubbing to hide a thick accent. And if it wasn't dubbing, please dear god go back in time and cast someone else). The reporter subplots would have been better written out than to have to sit through them again. The only part I could get behind with that whole mess was at the end, when Howard had lost it and he was going back and forth calling out Emily (his sister) and Laura, the reporter, mixing the two up in his head, and just before that cradling her head in his hands. From that point on, the film was back on target... exactly as it should of been all along. Too bad there was only a couple minutes left in the film.
Don't get me started about the final Rat shadow sequence.
All I have to say in regards to the Warden was that he was no Dr Hill.
Overall, I was left with a bitter taste in my mouth. A disappointment. At the back of my mind, there was a hope that it'd be at least on the level of Bride. Not great, but a decent Re-Animator fix. The final result is anything but.
Better than it had to be. I'm not gonna lie - I liked it more than Bride. It's more cohesive. It's zany without the over the top acting like Bride had. I like that after all these years - it stays true to the original. It still has that 80's spirit. This is a treat for fans who needed one more fix of that Re-Animator goodness!
Any movie that includes a character named after the Great Lovecraft himself is bound to attract the attention of quite a few enthusiasts, even though in this case said character is dull and mostly thinly constructed, yet this is a sequel to the epic of Doctor West and his uncanny obsession, as such it was bound to create a certain momentum.
Which it does, up to a certain time. The opening scene is quite unexpected if not remarkably brilliant and although the movie seems to lag off during its middle sections, encompassing a completely unnecessary and mostly painful romance, it gains strength as it marches towards a complete onslaught of mangled bodies re-animated, a sinister warden now possessed with the spirit of a nasty rodent, an exploding junkie and a forest of not quite-dead bodies merrily twitching away.
Obviously, there is no plot worth mentioning, and only West's zeal to proceed through the insanity and protect his work manages to cause some impact in terms of psychologically rendering a character above a simple stereotype.
As it has already been mentioned, in this movie insanity reigns supreme, until it seems clear the director was more interesting to enjoying the pandemonium than anything else.
***Spoiler***
A perfect example of this is the rat-fighting-penis scene, perhaps one of the most hilarious and strangely concocted images to have surfaced the big screen ***Spoiler****
Also, a few scenes are reminiscent of some horror cult icons, which further stress that Beyond Re-Animator, like the whole series, is a product to and for the genre that fostered it, without trying to reward any viewer not in sync with the dictates of horror from the gory kind.
***Spoiler***
I found it most satisfying that West makes it through it all simply to walk away at the end of the movie, clearly all other characters were somewhat perfunctory and it would seem too much anti-climax to dispatch the good doctor or not grant him his liberty ***Spoiler***
Overall, a very amusing piece of horror that is not the work of a genius but is far from being completely without worth.
Which it does, up to a certain time. The opening scene is quite unexpected if not remarkably brilliant and although the movie seems to lag off during its middle sections, encompassing a completely unnecessary and mostly painful romance, it gains strength as it marches towards a complete onslaught of mangled bodies re-animated, a sinister warden now possessed with the spirit of a nasty rodent, an exploding junkie and a forest of not quite-dead bodies merrily twitching away.
Obviously, there is no plot worth mentioning, and only West's zeal to proceed through the insanity and protect his work manages to cause some impact in terms of psychologically rendering a character above a simple stereotype.
As it has already been mentioned, in this movie insanity reigns supreme, until it seems clear the director was more interesting to enjoying the pandemonium than anything else.
***Spoiler***
A perfect example of this is the rat-fighting-penis scene, perhaps one of the most hilarious and strangely concocted images to have surfaced the big screen ***Spoiler****
Also, a few scenes are reminiscent of some horror cult icons, which further stress that Beyond Re-Animator, like the whole series, is a product to and for the genre that fostered it, without trying to reward any viewer not in sync with the dictates of horror from the gory kind.
***Spoiler***
I found it most satisfying that West makes it through it all simply to walk away at the end of the movie, clearly all other characters were somewhat perfunctory and it would seem too much anti-climax to dispatch the good doctor or not grant him his liberty ***Spoiler***
Overall, a very amusing piece of horror that is not the work of a genius but is far from being completely without worth.
It's been well over a decade since we last saw Herbert West and now he's finally back. It seems his past has finally caught up with him as he is now currently serving a jail sentence for the gory mayhem his re-animated corpses have caused. The arrival of a new young doctor, who wants to help West, results in West being back in business. The best thing about this film is Jeffrey Combs. He slips back into the role of Herbert West effortlessly. The gore effects courtesy of Screaming Mad George are also a highlight. While not as good as the original, it's about even with Bride Of Re-Animator. I hope there'll be further instalments.
Oh and continue watching during the end credits.
Oh and continue watching during the end credits.
Did you know
- TriviaThe only installment of the Re-Animator series not filmed in the United States. It was entirely shot in Spain.
- GoofsWhen Emily searches the house for the strange noise right before being surprised by her brother, she crosses the living room. A cameraman is visible in the large wall mirror for the entire tracking shot.
- Quotes
Howard Phillips: God damn you!
Herbert West: Religion has nothing to do with this.
- Crazy creditsThe end credits are accompanied by a fight between a rat and the warden's severed penis.
- Alternate versionsUS premiere of the film, other than isolated festival screenings, was on Sci-Fi channel, which heavily trimmed gore and sex. Several scenes were cut out entirely.
- ConnectionsFeatured in The Kill Count: Beyond Re-Animator (2003) Kill Count (2019)
- SoundtracksRe-Animator Theme
Composed by Richard Band
Published by Re-Animator Music
Main Title Music by Reyn Ouwehand
Details
Box office
- Budget
- $3,000,000 (estimated)
- Gross worldwide
- $302,586
- Runtime1 hour 36 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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