A London based criminal sets out to eliminate his rivals and any witnesses that get in the way.A London based criminal sets out to eliminate his rivals and any witnesses that get in the way.A London based criminal sets out to eliminate his rivals and any witnesses that get in the way.
David Sonnenthal
- Bubbles Healy
- (as David Sonnethal)
Olegar Fedoro
- Mobster Koloshnakov
- (as Olegario Fedoro)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
In London, the powerful gangster Christian (Gary Olsen) decides to eliminate the competition, killing all the rival gangs. In a park, after a slaughter, a black woman survives and becomes the main witness against Christian. The police force keeps her under protection, but a squealer informs Christian every step taken by the detectives in charge of protecting the witness. "24 Hours in London" has a screenplay with so many holes that looks like a Swiss cheese. Indeed, it is a cheesy movie, with situation so ridiculous that becomes funny. The problem is that it is not a comedy. There are many inconsistent plot points and the situations are amazingly absurd. I noted there are many votes, most of them from England, giving ten stars to this film and misleading readers like me. I believe these users were hired by the production to promote this flick, since all of them coincidentally have only one short review in IMDb eulogizing "24 Hours in London". Otherwise, they are from the same asylum. My vote is four.
Title (Brazil): "Testemunha Chave" ("Key Witness")
Title (Brazil): "Testemunha Chave" ("Key Witness")
I was at my local blockbuster and was turned on to this movie. Also I heard that it was Tarantinoesque. Me being a big Tarantino fan, was excited to see it. Let's put it this way, I put it in and wasted two hours of my life. The writing in this film is for lack of a better word, appalling. I wrote better stuff when I was a freshman in high school. The script was full of cliché and all around bad dialog. Another beef I had with it was the action. It was like they watched an 8 year old play with action figures and based the action in the movie on this. The plot is stupid as well, there is a twist at the end (which I will not disclose) that made me feel embarrassed for the writer. I also couldn't get a feel for what time they were in, it seemed simi future based on the police garb, but then the cars and everything else seemed modern...Weird. In retrospect, had they thought everything out a little more and took the thousands of clichés out of the script, this movie has potential for good, but just turned out a stinky crap fest. See it if you must, but don't say I didn't warn you.
I can't believe how many positive comments have been listed for this film. There was nothing original in the entire movie. The dialouge was awful. The acting was horrible and the action was so unbelievable that it took away from it's enjoyment (i.e. 2 people take on entire police force and police miss with every bullet). I wasn't sure who the main character was throughout the film and I still couldn't tell you now. The characters are all paper thin and can be summed up each in less then one line. Don't rent this or buy this. We need to send the message that we're tired of second rate lock stock imitations.
I was forced to endure this film a while ago, and can honestly say that it is one of the worst films I have ever seen.
The plot (such as it was) was completely derivative, nicking ideas from just about every gangster film since "Brighton Rock."
The characters make cardboard seem fully rounded, mostly being off-cuts from the Quentin Tarantino "chirpy-arrogant-violent-criminal-with-no-regard-for-anyone-else" block, while the script was abysmal.
The lack of anything good about this film is particularly disappointing, as it was the last film Gary Olsen made. It's a great shame that his last appearance should be as a barely thought-out criminal weirdo with pseudo-mystical characteristics forced upon him in a vain attempt to make the character seem interesting.
This is a heap of rubbish with no redeeming features whatsoever, and should be avoided at all costs.
The plot (such as it was) was completely derivative, nicking ideas from just about every gangster film since "Brighton Rock."
The characters make cardboard seem fully rounded, mostly being off-cuts from the Quentin Tarantino "chirpy-arrogant-violent-criminal-with-no-regard-for-anyone-else" block, while the script was abysmal.
The lack of anything good about this film is particularly disappointing, as it was the last film Gary Olsen made. It's a great shame that his last appearance should be as a barely thought-out criminal weirdo with pseudo-mystical characteristics forced upon him in a vain attempt to make the character seem interesting.
This is a heap of rubbish with no redeeming features whatsoever, and should be avoided at all costs.
i can't decide what i hate most about this movie, so i'll tell you what i liked. i liked some of the plot ideas; organ thieves, london gangsters, crazy criminals, gore, although none of the ideas were developed at all, they should have taken one of these ideas and went with it. who was the main character of this movie? it was baffling trying to follow the plot. at some point i was hoping it would be funny, but it isn't even remotely funny. it seemed like the dialogue was written by someone with absolutely no imagination. the violence was so out of control it served no purpose-it was more over the top than Rambo. it tries to be like a Pulp Fiction/Lock Stock movie but fails miserably. and what's this rubbish about London? most of the movie is spent in a hotel room. Don't waist your time here, rent Lock Stock again.
Did you know
- ConnectionsReferences Scoubidou (1969)
Details
- Release date
- Country of origin
- Languages
- Also known as
- 24 horas en Londres
- Production companies
- See more company credits at IMDbPro
- Runtime1 hour 30 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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