A London based criminal sets out to eliminate his rivals and any witnesses that get in the way.A London based criminal sets out to eliminate his rivals and any witnesses that get in the way.A London based criminal sets out to eliminate his rivals and any witnesses that get in the way.
David Sonnenthal
- Bubbles Healy
- (as David Sonnethal)
Olegar Fedoro
- Mobster Koloshnakov
- (as Olegario Fedoro)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
4robh
I really don't understand why there are so many excessively positive user comments for this film. The story borrows heavily from lots of other films but never does anything as well as the originals.
As for being funny, I think the viewer would need to be very drunk to find it funny. Sure there are some humourous moments but they are few and far between. I doubt this film was intended to be funny apart from one scene where Christian sends a rival gang to do some of his dirty work, where it turns into farcical slapstick that's completely disjoint from the rest of the film.
Olsen does a surprisingly good job of playing Christian and most of the performances are fine. It's a shame that the script is so poor. It's riddled with clichés and sleep inducing dialog.
As for being funny, I think the viewer would need to be very drunk to find it funny. Sure there are some humourous moments but they are few and far between. I doubt this film was intended to be funny apart from one scene where Christian sends a rival gang to do some of his dirty work, where it turns into farcical slapstick that's completely disjoint from the rest of the film.
Olsen does a surprisingly good job of playing Christian and most of the performances are fine. It's a shame that the script is so poor. It's riddled with clichés and sleep inducing dialog.
In London, the powerful gangster Christian (Gary Olsen) decides to eliminate the competition, killing all the rival gangs. In a park, after a slaughter, a black woman survives and becomes the main witness against Christian. The police force keeps her under protection, but a squealer informs Christian every step taken by the detectives in charge of protecting the witness. "24 Hours in London" has a screenplay with so many holes that looks like a Swiss cheese. Indeed, it is a cheesy movie, with situation so ridiculous that becomes funny. The problem is that it is not a comedy. There are many inconsistent plot points and the situations are amazingly absurd. I noted there are many votes, most of them from England, giving ten stars to this film and misleading readers like me. I believe these users were hired by the production to promote this flick, since all of them coincidentally have only one short review in IMDb eulogizing "24 Hours in London". Otherwise, they are from the same asylum. My vote is four.
Title (Brazil): "Testemunha Chave" ("Key Witness")
Title (Brazil): "Testemunha Chave" ("Key Witness")
When I was staying on holiday in Wales this year, I had the misfortune of being stuck in a house with a VCR player and a video of the cheapo movie 24 Hours In London.
After watching the first ten minutes or so, the acting seemed okay, the plot seemed to have potential, and the cutting on the titles section was first rate.
Then the film plummeted like a goose with no wings. Without giving too much away (The film does enough of that itself with heavily signposted plot elements), 24 Hours In London swings unsteadily between what appears to be an attempt at a cockney gangster flick and outright slapstick comedy.
The latter half of the film is particularly bizarre, with plot holes so large that the entire film seems to be progressing at random.
So why did I bother watching it to the end? Well, I keep asking myself that. Is it because, despite all the shockingly-bad acting, there were a few actors who could actually convey emotion? Is it because the lumbering comedy moments were actually pretty funny, in an oafish way? Or is it that maybe, despite all its glaring errors and hilariously wooden acting, the film's shoestring charm manages to shine through? I honestly couldn't say.
After watching the first ten minutes or so, the acting seemed okay, the plot seemed to have potential, and the cutting on the titles section was first rate.
Then the film plummeted like a goose with no wings. Without giving too much away (The film does enough of that itself with heavily signposted plot elements), 24 Hours In London swings unsteadily between what appears to be an attempt at a cockney gangster flick and outright slapstick comedy.
The latter half of the film is particularly bizarre, with plot holes so large that the entire film seems to be progressing at random.
So why did I bother watching it to the end? Well, I keep asking myself that. Is it because, despite all the shockingly-bad acting, there were a few actors who could actually convey emotion? Is it because the lumbering comedy moments were actually pretty funny, in an oafish way? Or is it that maybe, despite all its glaring errors and hilariously wooden acting, the film's shoestring charm manages to shine through? I honestly couldn't say.
I was forced to endure this film a while ago, and can honestly say that it is one of the worst films I have ever seen.
The plot (such as it was) was completely derivative, nicking ideas from just about every gangster film since "Brighton Rock."
The characters make cardboard seem fully rounded, mostly being off-cuts from the Quentin Tarantino "chirpy-arrogant-violent-criminal-with-no-regard-for-anyone-else" block, while the script was abysmal.
The lack of anything good about this film is particularly disappointing, as it was the last film Gary Olsen made. It's a great shame that his last appearance should be as a barely thought-out criminal weirdo with pseudo-mystical characteristics forced upon him in a vain attempt to make the character seem interesting.
This is a heap of rubbish with no redeeming features whatsoever, and should be avoided at all costs.
The plot (such as it was) was completely derivative, nicking ideas from just about every gangster film since "Brighton Rock."
The characters make cardboard seem fully rounded, mostly being off-cuts from the Quentin Tarantino "chirpy-arrogant-violent-criminal-with-no-regard-for-anyone-else" block, while the script was abysmal.
The lack of anything good about this film is particularly disappointing, as it was the last film Gary Olsen made. It's a great shame that his last appearance should be as a barely thought-out criminal weirdo with pseudo-mystical characteristics forced upon him in a vain attempt to make the character seem interesting.
This is a heap of rubbish with no redeeming features whatsoever, and should be avoided at all costs.
This is a movie I picked up on a whim. The cover had to guys with guns and I thought what the hell it's $5. Before I even opened this movie I knew it would be bad. This movie has a good plot line that is carried out horribly. This is a movie you watch if you wanna see stuff shot, laugh at horrible acting and stupid criminals, and some times forget where you are in the movie.
One thing that really bugged me about this movie was that one of the what you could call main characters name was constantly switched between paul and cameron. They "cover this up in the credits by calling him paul cameron, just somethin that bugged me.
This is a movie to rent or buy for really cheap. It is a sad representation on British cinema but god damn it! I laughed till i cried.
One thing that really bugged me about this movie was that one of the what you could call main characters name was constantly switched between paul and cameron. They "cover this up in the credits by calling him paul cameron, just somethin that bugged me.
This is a movie to rent or buy for really cheap. It is a sad representation on British cinema but god damn it! I laughed till i cried.
Did you know
- ConnectionsReferences Scoubidou (1969)
Details
- Release date
- Country of origin
- Languages
- Also known as
- 24 horas en Londres
- Production companies
- See more company credits at IMDbPro
- Runtime
- 1h 30m(90 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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