Éclosion

The movie Creepy Crawlers (They Nest) is probably one of the best, if not the best, made-for-TV movies ever made. The acting, story, directing, cinematography, special effects and visual effects are all top notch. It looks as if this film would have come out in theaters. Also for being a made-for-TV movie, it is quite bloody/gory, and has some very intense scenes. A must see film for anyone who likes creature movies, or rather, movies in general.

MPAA RATING: PG-13 for creature violence and peril.

NOTE ABOUT THE MPAA RATING: I was surprised that this movie ended up with a PG-13 rating. It is a rather intense and gory movie with scenes that seem more suitable in an R-rated movie. Consider this a very hard PG-13 rated film that somehow miraculously passed with a PG-13.

Final Grade: 9/10

There is no mistaking the B-movie genre that this film neatly sits. The qualities of which will automatically make it loved by some, loathed by others, and for the majority, just exact a simple shrug of the shoulders.

I liked the film, the acting wasn't terrible, and in places could be classed as quite admirable. The characters themselves weren't original, but then I wasn't expecting any different, and the script didn't make me cringe, but it also remains forgettable.

The elements that did surprise, were the above par special effects and the score.

The bugs were honestly creepy and apart from anything else, a level of common sense was made about their appearance. They looked like bugs, they didn't have horns, they didn't have glowing eyes, they were perfectly normal bugs, uping the realism and therefore increasing the creeps.

The score by Vinny Golia is inventive, and although lacking a main theme, underscored the film to good effect, keeping the audience perfectly in sync with the director's intentions.

What the film did need.... humour. Yes they were jokes here and there, but none really hit the mark, and when you look at the B-movie horror monster genre, the films that become worthy of the term "Cult" usually contain copius amounts of laughs, for example, "Deep Rising" and "Lake Placid". That is by no means saying that if the script was more humourous it would elevate this film to "Cultdom", but it might have given it a helping hand.

A rare species of African cockroaches turn up on an island in the US, infesting the homes and cavities of the local townsfolk. Recovering alcoholic surgeon, convalescing following a forced leave of absence, Thomas Calabro, has to compete with the doubting locals as well as the voracious bugs, when he discovers there may be a serious problem. His tempestuous relationship with a couple of the local hicks (most notably the chronically inebriated character of John Savage) causes some friction in the ensuing battle, leaving him to combat the threat with only the aid of the token town babe.

Reasonably good cast manage to inject some zip into this otherwise stock standard bug movie, with Dean Stockwell providing stoic support as the pragmatic local law enforcement, and John Savage just managing to not over-do it as an ostensibly harmless, yet antagonistic local bum (who somehow happens to control the island's electricity supply). The momentum is sometimes laboured, however when the siege eventually starts, there are sufficient thrills and shocks to please.

Picturesque locations and graphic special effects greatly support the film, which would otherwise be nothing more than just another bug infestation movie – there's nothing particularly original about "Creepy Crawlers", in fact, the method of gestation employed by the protagonists in this film, is very reminiscent of that used by the flesh-eating bugs of Roger Corman's "The Nest", almost some fifteen years its senior. Despite the lack of originality, and the fact that the film looks very much like a TV movie-of-the-week (which it was prior to a theatrical release), there's enough gore and suspense to sustain interest.

Supergenres are genres that are so mature that the story is so predictable that it becomes a wrapper for a story within, or a situation within that is the implicit focus. The enclosing supergenre here is a bug horror movie. Its formulaic as it should be. Ho hum.

The situation within is a town populated dually with simple good folk, all extreme stereotypes denoted in the briefest of shorthands: the warm old woman who here is also the schoolmarm, in charge of the island's kids. The dumb old man who is borderline senile. The tough but honest town cop who by himself keeps the rest of the town in line. And that whole rest of the island? Well, they are 30 year old high school male dropouts, unemployed drunks with no sense whatever.

Normally these guys would be associated with some Southern setting, Confederate flags and perhaps some indication of sexual deviance or inbreeding. But here they are in the rural north, a relocation that underscores the importance of the stereotype apart from place. It makes the fact that they are drunken dopes significant.

In the midst of this is our woman, the whole point of this inner story. I'm interested in this because of all the actresses they could have chosen, the thousands upon thousands who could handle this slight part, they chose a specific type. They chose her because of how she looks — there can be no other reason. She's a redhead. She's a redhead of a specific type.

I'm interested in narrative structure, patterns, templates and bits of the visual grammar we use to covey complex notions by reference. Women in film are the most complex when it comes to this but within women and film, redheads are the simplest case. So I have a serious study of redheads underway, and what they mean if terms of shorthand, and how that shorthand references folding.

I think there are only a few slots for redheaded women. There's the freckled, sometimes almost pigtailed, puffylipped womanchild. There's the sexually powerful, tempestuous woman, sometimes self-destructive. She seems to be modeled on a sort or aristocratic face: significant forehead and eyes — and represented by women who know how to act with their upper face instead of the lower.

And there's a sort of in between, the girl-next-door type who represents possibilities, who carries latent qualities of these extremes and others, but who is happy in the theatrical representation of simply being a representation.

So, our character here is played by Kristen Dalton. Her qualities as an actress are that she has a pronounced chin and a magnificent, aristocratic bearing. She's learned to move with that chin — actually her mouth — as the center of gravity. She isn't a great actress but she does act with her eyes. In other words, she understands a redhead's place in film, and knows how to exploit it. Why do I focus on this one redheaded actress? Because Scorsese saw her (in this, I think) and cast her as Nicholson's girlfriend in his own movie about movies and acting, curiously titled unless you know his intent.

So we will see a lot of Kristen, and we will see her BE red and tell us red.

The key elements of the story here have her as essentially the only woman in a town of dopey rednecks. All are single of course. She holds her own, being the soul of the school, the chief merchant (you literally can't buy anything unless you find her), and the color at the docks, running a forklift.

There's a big city doctor in the story but he's there only to notice her and draw her into the story. She circulates among the dopes. That's the story: her among the dopes.

Ted's Evaluation -- 2 of 3: Has some interesting elements.

This is actually a decent movie which I was rather surprised by. It's not anything groundbreaking, think of it as a SyFy channel movie done well. Everything thing about this is pretty middle of the road, but I didn't find anything to be terrible. It was a fairly easy watch, the type of flick I often find myself watching on a lazy Sunday or Saturday morning when I'm bored and just want something mind-numbing to watch. There were a few good laughs and a couple moments of decent gore

One area I will give this movie credit on is the Maine coastal accents. While not spot on they were some of the better ones I've heard. Also, some of the islander characters were pretty spot on. If you've ever been to Maine there are a few of those folks in every town. They're the locals who've never left or experienced the outside world, who are stuck in their ways, cautious of outsiders and a bit on the ignorant side. I suppose everywhere has those folks, but I thought it was well done.

Overall, a pretty harmless watch that turned out way better than I expected.

My Rating: 5/10