La vie à la folie

After seeing this film's premiere at the Galway Film Fleadh, I cannot wait for it to be released in theatres. The acting is exceptional, especially on the part of Cillian Murphy. John Carney's direction is innovative and hopeful, and his free use of camera movements, angles and extreme close-ups adds so much to the depth of this film. Finally, the soundtrack is essential to the emotional impact of the movie. All in all, a versatile and funny film that is optimistic without nearing sappiness.

This is not what you would call an average Irish film where ordinary people fight poverty, or kids gets dragged into nasty criminal business. The film seems to have gotten some bad reviews and I can only guess that this is because these people did not look hard enough. As the saying goes; 'the truth lies in the eyes of the beholder'. No, this film features something completely and utterly different. The film circulates around trust and what you can and what you can not do for a person depraved of the will to live. It touches the subject of trust very elegantly. Both romance and friendship is a part of the film, they do not take a leading purpose of the story but are always present in the background.

I was awestruck by the beauty of this film, it struck the bullseye of my heart. I am guessing that if you have ever known a very depressed soul this movie has a lot to teach you.

If Cillian Murphy had only one movie role to identify himself by, On the Edge should be it. You could almost feel the energy coming off his slender body in waves as he strode through the scenes, wise cracking one minute, driving a BMX off a cliff the next. In this story of Jonathon Breech, a young Irishman's battle with death, depression, and love, my only beef came with Jonathon Jackson's accent. It wasn't terrible, but it was enough to make me cringe a few times when I'd rather have concentrated on Cillian's ice blue eyes, Cillian's deep Irish brogue, Cillian's large, working man's hands... Well-known for playing mentally off-kilter roles, Cillian Murphy is one of those blue-eyed actors (Paul Newman, Robert Redford) who can emote with stillness. There were times when the soundtrack in this film seemed to dominate, catchy teeny-bopper gingles gangling in the background, and then the camera light would catch a certain nuance in his face. It was like seeing a window opened. If you're a romantic, this one is worth renting.

The central theme of the film revolves (mainly) around three of the young patients in a Mental HOME; Jonathan - (Cillian Murphy) - Rachel -(Tricia Vessey) and Toby - (Jonathan Jackson) all of whom have feelings of suicide and complex self-harm scenarios, including various idealisations of death imagery. Dr. Figure, (Stephen Rea) who is an osmosis figure to help to explore and hopefully deal with their deep-rooted demons. The surnames of the characters - Breech, Row & Figure also say something!

Jonathan kicks off the story by driving a stolen car off a cliff in an attempt to kill himself shortly after his (alcoholic) Dad's funeral. The consequences offer up the the ultimatum of facing jail or three months in the institute - he goes for the "easy" option ; )

The personification of Jonathan is invested heavily for the first part of the film; Outwardly witty, inwardly dark, charismatic, and quite sexy.

Dispensing with society's protocols and anti-establishment, he comes across as highly intelligent and 'on top' . . . maybe some may find it difficult to warm to his inner angst at first, but perhaps the alternative working title of "The Smiling Suicide Club" would help to explain more about him and other central characters.

Jonathan's 'battle' of wits against the passive Dr. Figure, and whole structure of the institute is very witty, intelligent, and reveals a great deal about both. A fairly corny part of the dialogue draws in the "Good Will Hunting" scenario (Only because Jonathan says so in the film).

The relationship between him and Dr. Figure gives room for some very witty and at times profound observations.

The clever dialogue (always peppered with underlying angst) is PERFECT for Cillian Murphy's character.

The Group Therapy sessions let us meet and greet the other in-patients, who have occasional but important focus in the film. The love-story then ensues; NO! nothing like "One Flew" - The love part of the story and the components within it will be understood from many differing angles - depending on where you've been with your *own* demons.

The occasional night 'escapes' to the local pub, bring the needed inside-outside interaction - especially the bowling alley scene, a central turning point in the film. John Carney ensured that the stereo-typical alley was not entered regarding the love scenes.

We have an occasional snatch of the historical nature of Toby and Rachel's 'relationship' which is left to the dialogue mainly; not on screen.

This is possibly a neglected part of the film which seemed to have got lost on the cutting room floor or so it seems; perhaps with these included it may not have its cult following?

Cillian is extremely bright, charismatic, fluent and cocky with it . . . American Jonathan Jackson's Northern Irish accent is much praised by followers of this cult film and gave great pathos...

Tricia Vessey (looking, sounding and acting a ***little*** like the new Vicky from Eastenders - oops!) Drags her feet, whilst much of the walking is inside her head. To be honest you would need to have had some emotional traumas to understand and even like her. Eastenders Vicky still comes to mind - but only as a resemblance of her image.

The characteristic intake of deep breathes in sync with his raised eyebrows, Stephen Rea carries his passive, calm, role and acts very much as a mirror for the cast.

# BRILLIANT soundtrack in all the right places . . . enough to make you want to go and buy it. ON THE EDGE is totally enjoyable the first, second and maybe third time around - a great film.

"On the Edge" is a touching story about people and life. It is too bad it never got a wider release, audiences would have appreciated it.

Cillian Murphy and Stephen Rea make this film. Murphy creates a relatable character with Jonathan, making us genuinely care for him and empathize with his pain. He is a talent to watch. Rea's subtle style of acting is perfect for the role of Dr. Figure. Their scenes together are funny and poignant at the same time. The dialogues between them are very well written, as are the ones between Jonathan and Rachel (the also good Tricia Vessey).

Since I always pay attention to a film's atmosphere, I have to say that I loved the atmosphere and cinematography in "On the Edge". There is a melancholy and earthy quality to the cinematography, which fits perfectly with the film's themes of joy, sorrow and, ultimately, life as the most valuable thing in the universe.

Everyone should see this film for its wonderful message and the acting.

9/10