La vie à la folie

In a way, On the Edge is a wasted potential, but it's hardly a film that should be avoided.

Its main problem is the fact it doesn't offer anything new. Patients in the mental institution, group therapy, doctors, rebellious patient that just doesn't want to follow the routine. That's right: we've seen it all, and we've seen it better; One Flew Over the Cuckoo's Nest is simply too memorable and impossible to forget when watching one of the films about mental institutions.

On the Edge also feels a bit rushed, as if 30 minutes of it is missing. This doesn't let us get to know characters better or understand their stories.

But the film isn't completely bad. Stephen Rea does make us believe he's a doctor, and it's possible to sense a real person behind the professional persona, even if we never get to know much, if anything, about him. But the real heart of the film is Cillian Murphy, who manages to make his Jonathan as complex as the script allows him to.

He brings warmth, honesty and sarcasm to his character, without being over the top, even in extreme situations. Cillian Murphy is one of those actors who can speak with their eyes, and in this early role he proves himself as a talented actor that should not be overlooked.

After the death of his alcoholic father, Jonathan Breech (Cillian Murphy) steals the urn with his ashes from the house of his brother and drives a robbed car off a cliff to commit suicide. However her survives and accepts an alternative sentence of three months in therapy in a psychiatric hospital with a suicide group under the supervision of Dr. Figure (Stephen Rea). He befriends the disturbed Rachel Row (Tricia Vessey), who saw her mother dying in an accident, and Toby (Jonathan Jackson), who accidentally killed his brother in a car crash. During the treatment, the sarcastic Jonathan changes his behavior and sees the importance of being alive.

"On the Edge" explores an unusual theme - the behavior of persons that have survived a suicide attempt. However, the plot fails since it is pointless and the motives of the lead character to try to commit suicide are never clear: does he miss his alcoholic father, or is he simply a crazy disturbed young man? On the contrary, the motives of Rachel and Toby are very clear. The acting is great, with the exception of Stephen Rea, who has a weak performance in the role of a passive psychiatrist that does not seem to help his patients. My vote is six.

Title (Brazil): "A Beira da Loucura" ("On the Edge of the Madness")

i am tired of going into details on films . Cillian Murphy is captivating. The comedy is brilliant in timing and delivery and Stephen Rea plays it low profile in this film. Such constant and well done comedic content is based around young adults whon in despair do not wish to live and are institutionalised for it. (which is rare enough to find mental health assistance in ireland). the main character starts out wanting to end his life , commits sarcasm and jokes on all serious matters to hide his pain. He then through a series of life's common events, grows to appreciate life in a most touching way. as they say Tragedy Plus Time Equals Comedy" which seems to make a premise of this film yet for the character, his comedy stemming from pain grows to enlightenment. anyone who can understandably see the levels of mental depression in ireland that go without treatment can , i hope , relate to the issue at hand and appreciate the ability to laugh at life as well as treasure it. anyway this is how i interpret it, ( nothing worse than a critic, lol) ;-)

The central theme of the film revolves (mainly) around three of the young patients in a Mental HOME; Jonathan - (Cillian Murphy) - Rachel -(Tricia Vessey) and Toby - (Jonathan Jackson) all of whom have feelings of suicide and complex self-harm scenarios, including various idealisations of death imagery. Dr. Figure, (Stephen Rea) who is an osmosis figure to help to explore and hopefully deal with their deep-rooted demons. The surnames of the characters - Breech, Row & Figure also say something!

Jonathan kicks off the story by driving a stolen car off a cliff in an attempt to kill himself shortly after his (alcoholic) Dad's funeral. The consequences offer up the the ultimatum of facing jail or three months in the institute - he goes for the "easy" option ; )

The personification of Jonathan is invested heavily for the first part of the film; Outwardly witty, inwardly dark, charismatic, and quite sexy.

Dispensing with society's protocols and anti-establishment, he comes across as highly intelligent and 'on top' . . . maybe some may find it difficult to warm to his inner angst at first, but perhaps the alternative working title of "The Smiling Suicide Club" would help to explain more about him and other central characters.

Jonathan's 'battle' of wits against the passive Dr. Figure, and whole structure of the institute is very witty, intelligent, and reveals a great deal about both. A fairly corny part of the dialogue draws in the "Good Will Hunting" scenario (Only because Jonathan says so in the film).

The relationship between him and Dr. Figure gives room for some very witty and at times profound observations.

The clever dialogue (always peppered with underlying angst) is PERFECT for Cillian Murphy's character.

The Group Therapy sessions let us meet and greet the other in-patients, who have occasional but important focus in the film. The love-story then ensues; NO! nothing like "One Flew" - The love part of the story and the components within it will be understood from many differing angles - depending on where you've been with your *own* demons.

The occasional night 'escapes' to the local pub, bring the needed inside-outside interaction - especially the bowling alley scene, a central turning point in the film. John Carney ensured that the stereo-typical alley was not entered regarding the love scenes.

We have an occasional snatch of the historical nature of Toby and Rachel's 'relationship' which is left to the dialogue mainly; not on screen.

This is possibly a neglected part of the film which seemed to have got lost on the cutting room floor or so it seems; perhaps with these included it may not have its cult following?

Cillian is extremely bright, charismatic, fluent and cocky with it . . . American Jonathan Jackson's Northern Irish accent is much praised by followers of this cult film and gave great pathos...

Tricia Vessey (looking, sounding and acting a ***little*** like the new Vicky from Eastenders - oops!) Drags her feet, whilst much of the walking is inside her head. To be honest you would need to have had some emotional traumas to understand and even like her. Eastenders Vicky still comes to mind - but only as a resemblance of her image.

The characteristic intake of deep breathes in sync with his raised eyebrows, Stephen Rea carries his passive, calm, role and acts very much as a mirror for the cast.

# BRILLIANT soundtrack in all the right places . . . enough to make you want to go and buy it. ON THE EDGE is totally enjoyable the first, second and maybe third time around - a great film.

This is not what you would call an average Irish film where ordinary people fight poverty, or kids gets dragged into nasty criminal business. The film seems to have gotten some bad reviews and I can only guess that this is because these people did not look hard enough. As the saying goes; 'the truth lies in the eyes of the beholder'. No, this film features something completely and utterly different. The film circulates around trust and what you can and what you can not do for a person depraved of the will to live. It touches the subject of trust very elegantly. Both romance and friendship is a part of the film, they do not take a leading purpose of the story but are always present in the background.

I was awestruck by the beauty of this film, it struck the bullseye of my heart. I am guessing that if you have ever known a very depressed soul this movie has a lot to teach you.