A Question of Suspense

While not an especially well-known feature, Max Varnel's briskly entertaining 'A Question of Suspense' proves itself to be a lively, capably acted, terrifically twisty-turny Noirish British crime melodrama from the more than capable director of the no less absorbing Anton Diffring-led B-thriller 'Enter Inspector Duval' (1961), while, perhaps, not quite as dynamic as the latter, this dastardly nefarious tale concerning demonstratively shady business dealings, and callous murder remains a smart, effective, if a little routine 60s B-Thriller, and while somewhat formulaic in style, it still simmers along politely to an amusingly theatrical climax! While the talented cast all equipped themselves rather splendidly, once again, I was taken by the sinisterly smooth acting stylings of the delightfully charismatic actor Peter Reynolds as the devilishly glib, Machiavellian heel Jim Tellman Drew, and the ravishing brunette Yvonne Buckingham is certainly easy on the eye! This is most certainly a worthwhile watch for rabid fans of vintage British crime drama.

The basic plot of this 1961 movie seems to be borrowed for Danger By My Side (1962). In that crime film, Maureen Connell is out to trap the killer of her brother by cozying up to the murderer after glamming herself up. In A Question of Suspense, Noelle Middleton glams up to get the murderer of her man. It's an okay programmer if entirely predictable and done a hundred times. Yvonne Buckingham is the killer's secretary and is wasted in that minor role. I never understood the producers and casting directors who underappreciated this beauty, always giving her nothing parts. She should have gotten the lead in this picture.

This B/C grade thriller is hampered from the start by being obviously a product of an Irish studio, and yet insists on trying to convince us that the action takes place in the UK., with allusions to the big city - ie London- and with the police (not Garda) conversing in received English. This is a strange anomaly, as the beautiful Irish locations could've been used to greater effect.

The plot is a confection of murder, double cross, desire and greed, yet with all those ingredients still fails to hit the spot . Maybe it's because Peter Reynolds always appears just too darned nice to be a genuinely bad guy; also he appears to be burdened with an ill fitting hairpiece in this one to add to our sympathies (maybe it's just the camera angles). Noelle Middleton is certainly an unusual leading lady who, as one Reviewer has noted, transforms from Fusty to Foxy, with one deft removal of her unflattering specs...

It's a likeable thriller with a brisk tempo and fluent dialog all the way, the intrigue being transparent though as soon as Frank is gone missing. Peter Reynolds makes a perfectly credible performance as a double dealer in every way, while he is taken aback by the appearance of Noelle Middleton, the love of his youth and of his colleague Frank's, when she takes him by surprise by demonstrating herself as Frank's wife. Peter never thought he had one and least of all the one they both adored as youngsters. Well, she isn't really Frank's wife, but they did find each other again in mature days and started being together, so she has reasons enough to worry about him like a wife. You really start to worry already when he and Frank go out together to the sea with a pickaxe and a shovel and start digging like for a hidden treasure of their youth, and your darkest misgivings will gradually materialise. It's a sinister drama dressed in elegance, Peter Reynolds is a rich man who can afford being generous, and it takes some time before he starts to suspect any threat to his illusions. It's a great pastime, like any Agatha Christie thriller, and you will find all the pieces fitting into the jigsaw puzzle with a few shocks for a solution.

The less you know about the story, the more you are likely to enjoy it. At little more than an hour long, this is a brisk little thriller powered by a decent story. The acting is variable, with the lead doing most of the heavy lifting, but with some decent sets, location shooting (in Ireland) and a plot that rattles along like a clockwork toy this passes the time agreeably enough.