Chopper

This film is very well done. I can see why a lot of people compare it to Refn's Bronson. Both revolve around psychopaths who spend the majority of the film inside of a cell block.

As expected with Andrew Dominik, the dialogue and cinematography are extremely well done. His transition shots are damn near flawless and the tongue and cheek dialogue is fun while keeping the audience interested. He also does some neat little things to allow the audience to see the film through Choppers perspective.

Eric Bana gives a stellar performance (better than Munich in my opinion). With all the weigh he put on, he seems larger than life on the screen (with credit also going to Dominik for the "Larger then life" personality of Chopper). Fair warning though, Their are some parts that are not for the light stomached, but definitely a movie I would suggest to watch.

I want to start by saying that I hate gangster movies. I thoroughly dislike being asked to identify with murderers and criminals and to treat organised criminals as "anti-heroes". With this in mind I was quite surprised to find that I really enjoyed "Chopper".

As previous reviewers have said, this is essentially a character study rather than a story. The reason it works so well is that Mark Brandon Read is a compelling character beautifully impersonated by Eric Bana. Anyone who's ever seen an interview with Read himself can appreciate what a close impersonation Bana achieves; his sudden guffawing laugh and light-hearted way of talking about his really unpleasant deeds being perfectly copied. The movie manages to do what I'm sure Read himself has achieved in real life - it tricks you into liking him before revealing that his hair-trigger temper and propensity for paranoia and violence make him a dangerous person to be around. The thing that keeps you watching is Chopper's jovial nature but also his unpredictability. In circumstances where other gangsters would have gone on a killing spree, Chopper just shrugs and takes it in his stride. But likewise, in throughly innocuous circumstances, his paranoia can kick in at any moment and send him on a violent outburst.

CHOPPER (3+ outta 5 stars) Nifty little character study of a notorious Australian criminal... well, notorious in his own mind, at least. The jury is still out on how much of the autobiographical details of the life of "Chopper" read are real and how much is fake... but it does make a compelling story either way. Eric Bana gives a great performance in the lead... nothing else I've ever seen him in prepared me for how good he really is. The character he plays is nasty, repellent, scary, ill-tempered... and still full of charisma. After a violent stint in prison (his motto appears to be "do unto others before they do it unto you") Chopper is sent back out into society. With no other skills besides his knowledge of crime, Chopper offers himself to the local police as a special undercover agent. They, of course, want nothing to do with his boneheaded scheme but he pretends that they do anyway. Inflicting pain (on himself *and* others) seems to be what he is best at and he gets plenty of opportunities to show his stuff. Amusing though it may be at times, the movie is not a glorification of violence... the ferocity and suddenness of it keeps the audience constantly on edge.

Like many of the best films, CHOPPER isn't about one thing, and it doesn't tell one story. It's a film about life on the fringes of society, about the lasting effect of growing up in an unstable, violent environment; it's about mental illness and the less glamorous (and thus in film rarely depicted) aspects of the life of a gangster and career criminal. Most of all though, it's one of the most fascinating character studies I've ever seen with a tour-de-force performance by Eric Bana that is never less than superb. This was only the debut feature by director Andrew Dominik, but it's the meticulously crafted masterwork of a driven artist that deserves to be mentioned together with the best debut films by directors of his generation (it would take him 7 years to confirm with his sophomore film, the excellent THE ASSASSINATION OF JESSE JAMES BY THE COWARD ROBERT FORD (2007) that he wasn't a one-hit wonder). Once you've seen this raw, shocking, at times darkly funny portrayal of a sociopath you'll understand why it single-handedly launched Eric Bana's international career. A truly excellent film. 9 Stars out of 10.

In case you're interested in more underrated masterpieces, here's some of my favorites:

imdb.com/list/ls070242495

Mark Brandon Read, nicknamed "Chopper", was a notorious criminal in Australia who after spending most of his life in prison, went on publishing books with anecdotes of those years becoming a successful writer of Best-Sellers. While he has been accused of exaggerating things about his life in his books, the stories presented still are realistic and shocking, and give insight about the mind of this complex and often-troubled man, regardless if if they are real or fiction. "Chopper", the movie, is not based exactly on Read's life, but in the series of anecdotes he wrote in his first books.

Eric Bana plays Chopper and gives one of his best performances to date, capturing the very essence of the living legend Chopper has become now. It is not a surprise that this film gave him recognition out of Australia and turned him into an international star. but even when the movie is centered around Chopper, Simon Lyndon and Kate Beahan's performances shine in their roles as Chopper's cell mate Jimmy and Chopper's girlfriend Tanya respectively.

Like Read's books, the movie is not exactly a biography, but a collection of tales surrounding the now-mythical figure of "Chopper", presented in a way that perfectly mixes strange surrealism with harsh realism. The gritty semi-documentary look the film has enhances this feeling as well as the cold way the violence is presented. Like the real Chopper, the film walks the fine line between fact and fiction, and that's what makes it very appealing and interesting.

It could be said that Director Andrew Dominik painted an accurate portrait of "Chopper" the legend, not of the real person; and that's probably what the real Chopper may prefer. Domink plays with the moods, going from serious drama to awkwardly funny scenes in this character study that presents us a charming yet dangerous man, who probably has been through more than what we would like to do, yet less than what he would likes us to believe.

The film is very intense and "tough", and very good at it; Bana is perfect as Chopper and shows great promise as an actor. His characterization makes very difficult to don't like this common man with a very uncommon life. Director Dominik makes a straight-to-the-face film that stays true to Chopper's persona (fictional or not), and does it without being pretentious or manipulative. It basically lets Chopper's charisma speak for itself playing with the audience's fascination with crime and violence.

If as flaw was to be found, it would be that it never tries to go beyond its goal or push too much the envelope. It is not much of a flaw, as the results are still brilliant, but leaves one wondering at how far could it had gone considering the talent of those involved. Anyways, Eric Bana and Andrew Dominik are set to a bright future and this film is a brilliant start for these two new talents. 7/10