Ressources humaines

"Human Resources" is a very French look at labor and management. What I mean is that it takes a decidedly more adversarial look at this relationship...something more common there than in the US or our films.

Franck (Jalil Lespert) is going to be graduating soon from college. So, for his internship, he returns to the factory where his dad has long worked and Franck's job is in the front office...with management. He has arrived at an interesting time, as the relationship between the owners and the workers are deadlocked. The boss insists he's got the workers' best interests at heart and the communist labor leader simply wants nothing to do with him and her position is purely adversarial. Most viewers likely will assume this labor leader is an extremist...and it sure looks that way. Franck decides to try appealing directly to the workers...and he's wildly successful. What he doesn't know is that the boss really IS a duplicitous creep and he's using Franck. So what will Franck do when he learns the truth?

This film is a tough sell for many viewers. A film about labor and management is NOT a sexy or exciting idea for most viewers. It also is very slow at times and features a direct-to-video look. Still, despite all this, it is a powerful and well acted film that gets you to think.

I am French and I am very proud when I see that such a movie can be produced in my country - It's not a movie with Gerard Depardieu, it's a movie with real situations and real people, about working in a factory, blue collar and white collar confrontation, family feud. Acting is great with only one professional actor, the rest being amateurs. I highly recommend it. It's not an easy piece. But it will you make think.

It has all the pieces of docudrama. Not professional actors, clash between workers and managers, admirable performances - Jean Claude Vallot is the main example - Jalil Lepris giving the fair portrait of young man discovering the real side of reality. A film about family, illusions, youth , friendship and fundamental options. Admirable in each detail.

This is a well-made, powerful film addressing the dynamic between union factory workers and management in a suburban French factory. The director makes use of many non-actors, like the union rep (who is a union rep in real life) which lends the film an almost documentary-like feel. I thought the acting was extremely real and powerful and this potentially boring subject matter kept me captivated to the end. I highly recommend this film.

Although the context for this film is the political tension surrounding the introduction of the 35 working week, the soul of the film lies in the relationship between father and son and its power to evoke folk memories of other, epic, generational struggles.This power comes not so much from what is said but from what is NOT said - looks, gestures, silences.This makes it sound as though the film is ponderous but it isn't: the context makes sure that there's plenty of action and there is a lightness of touch in the family scenes.The two struggles ( familial and political)are perfectly intertwined with each adding meaning to the other.The Human Resources of the title therefore refers not just the rather inhuman term for personnel management - but also to the resources which father and son find within themselves to cope with their respective situations.

There is a naturalness about the location, the setting and the pace that makes this film a refreshing change from Hollywood High Tech. It is well worth seeing.