In a world where luck can be taken from a lucky person by a luckier person's touch, a small group of lucky people compete to be the luckiest and for the other contestants' luck.In a world where luck can be taken from a lucky person by a luckier person's touch, a small group of lucky people compete to be the luckiest and for the other contestants' luck.In a world where luck can be taken from a lucky person by a luckier person's touch, a small group of lucky people compete to be the luckiest and for the other contestants' luck.
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Juan Carlos Fresnadillo is a Spanish director who dares to be different to show us this visionary tale where chance, luck, passion and possibility are behind the action of this thriller. In doing so, he gets away from the formulas of the other Spanish filmmakers working in the Spanish cinema of today. He belongs to a new bred of creators with a sharp eye for detail and cinematic style.
This film pretends to be a game of wits between Federico and Tomas, who are connected in a strange way to the mysterious inhabitant of the casino, Samuel. Much of the early action is a bit confusing because the viewer doesn't have a clue as to what's going on. The scenery where the casino is located looks as though it could be on the moon, for its bareness and lack of life.
The acting if very good. Leonardo Sbaraglia is Argentina's gift to Spain. He's an interesting actor to watch; he has a very enigmatic look about himself. Eusebio Poncela is very effective as the shadowy figure of Federico. Max Von Sydow brings his royal presence as Samuel, the master player of the game that pits him against all the others that dare come close to him.
This film exudes intelligence and a film script above the mediocrity of what passes as Spanish Cinema these days, thanks to director Fresnadillo and his team.
This film pretends to be a game of wits between Federico and Tomas, who are connected in a strange way to the mysterious inhabitant of the casino, Samuel. Much of the early action is a bit confusing because the viewer doesn't have a clue as to what's going on. The scenery where the casino is located looks as though it could be on the moon, for its bareness and lack of life.
The acting if very good. Leonardo Sbaraglia is Argentina's gift to Spain. He's an interesting actor to watch; he has a very enigmatic look about himself. Eusebio Poncela is very effective as the shadowy figure of Federico. Max Von Sydow brings his royal presence as Samuel, the master player of the game that pits him against all the others that dare come close to him.
This film exudes intelligence and a film script above the mediocrity of what passes as Spanish Cinema these days, thanks to director Fresnadillo and his team.
Spanish action/thriller story about desperate as well as enigmatic people intertwined by destiny are subject to the laws of luck and fate . But destiny is hard to care with the rules changing at any moment . The film contains suspenseful and hair rising images and a sinister, mysterious atmosphere . This mystery movie trips at the first hurdle with a staggeringly banal angle on fate . A weird tale of four people whose lives are mingled and they then discover that luck is something they cannot afford to be without as they gamble with the highest stakes possible in a deadly game from which only one of them will emerge intact , but not that incoherence is the main problem . It deals with four players , each the sole survivor a catastrophe , vie for supremacy in some dangerous deeds . There is Tomas (Leonardo Sbaraglia) , a stealer who survives a plane crash , Sam (Max Von Sidow) , a Holocaust survivor who lives in a casino in the desert ; Federico (Eusebio Poncela) who survived an earthquake and Sara (Monica Lopez) , a policewoman who walked away from a car crash that murdered her family and becomes obsessed with uncovering the truth behind a clandestine gambling ring where death and luck intermingle . As good fortune , we're asked to believe , not only exist , but can be transferred and robbed through physical contact , even with photographs . In the flick happens rare happenings , such as an insect lands on a treacle-smothered head , a sprint blindfold through the forest knocking themselves and many other things .
The picture displays thriller , mystery , suspense , shocks , grisly scenes and intriguing events when a motley group crosses ways until an amazing finale . Intriguing film contains thrills , chills , suspense , twists and turns , and results to be quite entertaining . The atmosphere and perverse intrigue enhance as well as the relationship among protagonist develops . From start to finish the intrigue and suspenseful scenes are continuous till a striking ending . The film plays with various concepts as Russian roulette , hooded faces , blessed survivors , casualty , luck , random and destiny . It has a couple of twists piled on top of one central twist concerning about a startling meeting and a strange quality which bears the misfit group who seems to be a supernatural deed . Attractive set pieces pass the time along with magnificent production design . Screenplay does something strange by the end : it actually removes the stakes of everything that came before with its trio of revelations that at first test and then demolish any credulity the movie had built up by that point . Nice performances from Leonardo Sbaraglia , a young thief and the sole survivor of a horrific plane crash ; Eusebio Poncela , who survived a massive earthquake and discovered he has the power to rob those around him of their good fortune with a touch and Max Von Sidow , a casino owner who is the ultimate survivor after losing everything but his own life in the terrible conflagration that enveloped Europe during the Second World War . Support cast is frankly well such as Paz Gomez , Guillermo Toledo and special mention to Antonuio Dechent .
Xavi Gimenez cinematography is excellent creating a frightening and scary atmosphere , he's expert on sombre photography (Fragile , Agora , Red lights , Nameless) . Being filmed on location in Las Cañadas del Teide, La Orotava, Tenerife, Canary Islands, Spain . The film crew could not get permission for filming from a helicopter in the National Park of "Las Cañadas del Teide", so they used a remote controlled mini-helicopter . Sensitive as well as thrilling musical score by Lucio Godoy (Blackthorn , Fin , All about my mother , Mataharis , Triage) . Director Juan Carlos Fresnadillo (Intacto , 28 Weeks Later) isn't exactly a visionary director like the film bills him as, but he is good at approaching films with style and consistent moods . The director made an editing the film was a big challenge , it was a long, complex process because of the story's complex structure. The film will appeal to suspense buffs , as it gets some decent set pieces , though sometimes chaotic thriller , however , resulting to be a good flick .
The picture displays thriller , mystery , suspense , shocks , grisly scenes and intriguing events when a motley group crosses ways until an amazing finale . Intriguing film contains thrills , chills , suspense , twists and turns , and results to be quite entertaining . The atmosphere and perverse intrigue enhance as well as the relationship among protagonist develops . From start to finish the intrigue and suspenseful scenes are continuous till a striking ending . The film plays with various concepts as Russian roulette , hooded faces , blessed survivors , casualty , luck , random and destiny . It has a couple of twists piled on top of one central twist concerning about a startling meeting and a strange quality which bears the misfit group who seems to be a supernatural deed . Attractive set pieces pass the time along with magnificent production design . Screenplay does something strange by the end : it actually removes the stakes of everything that came before with its trio of revelations that at first test and then demolish any credulity the movie had built up by that point . Nice performances from Leonardo Sbaraglia , a young thief and the sole survivor of a horrific plane crash ; Eusebio Poncela , who survived a massive earthquake and discovered he has the power to rob those around him of their good fortune with a touch and Max Von Sidow , a casino owner who is the ultimate survivor after losing everything but his own life in the terrible conflagration that enveloped Europe during the Second World War . Support cast is frankly well such as Paz Gomez , Guillermo Toledo and special mention to Antonuio Dechent .
Xavi Gimenez cinematography is excellent creating a frightening and scary atmosphere , he's expert on sombre photography (Fragile , Agora , Red lights , Nameless) . Being filmed on location in Las Cañadas del Teide, La Orotava, Tenerife, Canary Islands, Spain . The film crew could not get permission for filming from a helicopter in the National Park of "Las Cañadas del Teide", so they used a remote controlled mini-helicopter . Sensitive as well as thrilling musical score by Lucio Godoy (Blackthorn , Fin , All about my mother , Mataharis , Triage) . Director Juan Carlos Fresnadillo (Intacto , 28 Weeks Later) isn't exactly a visionary director like the film bills him as, but he is good at approaching films with style and consistent moods . The director made an editing the film was a big challenge , it was a long, complex process because of the story's complex structure. The film will appeal to suspense buffs , as it gets some decent set pieces , though sometimes chaotic thriller , however , resulting to be a good flick .
This film puts you in the middle of a world where luck isn't all luck. In this world some people really *do* have more luck than others, and it can be transferred from one person to another by touch. But this isn't a film that spells things out-you're immersed and have to figure it out on your own.
Very early in the film we see Federico win several rounds of roulette in a row, betting on single numbers. He goes to see the owner of the casino, Sam (Max von Sydow), who hugs Federico (taking his luck) and then throws him out of the casino. Federico wants revenge, so he begins to look for a very lucky person to help him. He finds Tomás, the sole survivor of a plane crash.
To say more about the plot would give away too much, so I won't. The film is visually beautiful and unique, and there are a few scenes that will likely stick with you for weeks (I can say this with certainty since as I write this it's been over two weeks since I watched the film). I'm not normally someone who seeks out thrillers, but I'm very glad I saw this one.
Seen on 11/9/2002 at the 2002 Hawaii International Film Festival.
Very early in the film we see Federico win several rounds of roulette in a row, betting on single numbers. He goes to see the owner of the casino, Sam (Max von Sydow), who hugs Federico (taking his luck) and then throws him out of the casino. Federico wants revenge, so he begins to look for a very lucky person to help him. He finds Tomás, the sole survivor of a plane crash.
To say more about the plot would give away too much, so I won't. The film is visually beautiful and unique, and there are a few scenes that will likely stick with you for weeks (I can say this with certainty since as I write this it's been over two weeks since I watched the film). I'm not normally someone who seeks out thrillers, but I'm very glad I saw this one.
Seen on 11/9/2002 at the 2002 Hawaii International Film Festival.
The more I think about this film, the more I liked it. The script was extremely well-written, with appropriate twists and turns for each of the numerous characters-- not just the antagonist and one other, as usually happens.
It's a great idea. What if Luck were a quantifiable commodity, and certain people had the ability to take it from others? What if such people were only one in a billion? The premise reminded me somewhat of "Unbreakable," but this movie has so many more complex characters and is so much better written-- yes, really.
However, the more I think about this film, the more I realize how much I disliked the cinematography, editing, production design, and lighting. I know they probably didn't have a lot of money to spend, but a good DP isn't hard to find. Making much of the movie literally dark to go with the psychological darkness was a fine idea, but executed poorly. It's unfortunate.
The script would make a great read, though, and I suspect that's why the film was able to be made. Those talking about "Adaptation" as an argument for a screenplay to be a legitimate piece of literature would do well to read "Intacto," and leave it at that.
As a film, though, I'd still recommend it. Good job keeping Max von Sydow away from the other actors... he acts circles around them. But the others do okay too. 8/10.
It's a great idea. What if Luck were a quantifiable commodity, and certain people had the ability to take it from others? What if such people were only one in a billion? The premise reminded me somewhat of "Unbreakable," but this movie has so many more complex characters and is so much better written-- yes, really.
However, the more I think about this film, the more I realize how much I disliked the cinematography, editing, production design, and lighting. I know they probably didn't have a lot of money to spend, but a good DP isn't hard to find. Making much of the movie literally dark to go with the psychological darkness was a fine idea, but executed poorly. It's unfortunate.
The script would make a great read, though, and I suspect that's why the film was able to be made. Those talking about "Adaptation" as an argument for a screenplay to be a legitimate piece of literature would do well to read "Intacto," and leave it at that.
As a film, though, I'd still recommend it. Good job keeping Max von Sydow away from the other actors... he acts circles around them. But the others do okay too. 8/10.
What is perhaps crucial about this movie is that it is shaped for a sophisticated cine-maniac,not so very keen about action and plot,rather willing to focus on the very atmosphere of the movie and the questions it puts in front of the viewer.
Whole idea of the movie is to find the real connection between love and luck,to investigate whether they are two sides of the same story. If one believes love could be a drug much more powerful than heroine , what to tell about luck - especially if one's life is all about taking advantage and satisfaction of luck possessed.
Slow,bit dream-like narration,avoiding obvious solutions,think-forcing movies and great photography makes Intacto my favorites.
To conclude I can quote Jill Scott:"gave me things to think about"
Whole idea of the movie is to find the real connection between love and luck,to investigate whether they are two sides of the same story. If one believes love could be a drug much more powerful than heroine , what to tell about luck - especially if one's life is all about taking advantage and satisfaction of luck possessed.
Slow,bit dream-like narration,avoiding obvious solutions,think-forcing movies and great photography makes Intacto my favorites.
To conclude I can quote Jill Scott:"gave me things to think about"
Did you know
- TriviaThe film crew could not get permission for filming from a helicopter in the National Park of "Las Cañadas del Teide", so they used a remote controlled mini-helicopter.
- GoofsWhile taking Polaroid's of the captives, a bright flash is used to photograph through a glass window. When we later see the Polaroid's there is no flare, which would have been all that was captured on the film.
- ConnectionsFeatures La ruleta de la fortuna (1990)
- SoundtracksLas Palmeras
Written by Gilberto Rojas
Performed by Alberto Cortez
© Lagos / Warner Chappell / Sadaic - Argentina
(P) Hispavox S.A. / Emi Odeón S.A.
- How long is Intacto?Powered by Alexa
Details
Box office
- Gross US & Canada
- $307,333
- Opening weekend US & Canada
- $7,362
- Dec 15, 2002
- Gross worldwide
- $1,864,185
- Runtime
- 1h 48m(108 min)
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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