Brendan & Trudy

Quiet, self-absorbed teacher Brendan (Peter McDonald) meets outgoing thief Trudy (Flora Montgommery) and, following the old maxim 'opposites atract', they fall madly in love. She introduces him to the intricacies of breaking and entering, while he introduces her to the beauty of sung hymnal music.

The film is a veritable reel of visual and oral quotes, which you must be (like screenwriter Roddy Doyle) a real film fan in order to get them all. However, the constant quotation does not get in the way of the story, which is by turns funny and tragic.

Good story, lovely accents, fantastic external shots around Ireland and some nice views around Dublin make this film a genial and pleasent way to spend an evening. 7/10.

For his first original screenplay Roddy Doyle subverts the romantic comedy genre and still manages to write a film that appeals to both subversives and rom com fans.

Roddy Doyle was a teacher who loved music and film, just like Brendan, but it would be a mistake - and libellous - to read this as autobiography. In a typical opposites attract tale Brendan is an innocent devoted to singing hymns and cinema, while Trudy is a not-so-innocent with a mysterious night life.

This film is as much of a love story with cinema as it is a love story between Brendan and Trudy. The opening echoes Sunset Boulevard's opening and other films also feature - although budgetary constraints meant that Doyle's wish list of films to license couldn't be granted. The quoting of films both visually and verbally has the potential to get on your nerves but here it is wonderfully and wittily done and always relevant to the story. Although, to be honest, the A Bout De Souffle sequence does push it just a bit too far. Watch out also for fake film posters and titles in the background which give a sly hilarious comment about film.

The eponymous leads are wonderfully played by Peter McDonald and Flora Montgomery and according to the director he had to argue to the financiers to allow Montgomery to have the role as she wasn't famous enough. If a brilliant screenplay by one of the world's most popular writers needs stars to get it made then the world has indeed gone mad.

When Brendan Met Trudy is very funny and has a good compelling story that will surprise. It is highly recommended.

This one I found quite by accident in a remainder bin and had heard that the great Roddy Doyle had written it. It is a movie lover's delight with many references to old movies. The uptight teacher, Brendan, is a movie buff with a leaning in the art house direction. He sings in a choir and is just about the poster boy for a Mummy's darling. Trudy is, well, the complete opposite, a thief who would never watch anything not in technicolour. There are lots of small scenes that take you by surprise here, many laughs. Trudy and her three TVs one stacked on top of the other, Brendan singing Panis Angelicus at her urging in the most inappropriate of places, Brendan's mother being far from anyone that would have a son like Brendan. The last third of the movie was a bit of a let down, went into slapstick mode, a little too frenetic in parts. Well worth seeing though. 7 out of 10.

Roddy Doyle has a well deserved reputation as a fine author, whose (very funny) books are grounded firmly in acute social observation. It's therefore something of a surprise that for this, his first film script, he chose to knock out such a whimsical comedy, packed with daft jokes, wacky plot, knowing film references, and occasional moments of pertinent satire. Realised with brio by director and cast, the result is a film that is flimsy, unpretentious, and hilarious. Watch it and cheer yourself up!

The title has a romantic comedy resonance (`When Harry Met Sally') and, true, this is a romantic comedy, but it's different – Irish, in fact. It has an edgy character that seems to say it's just that little bit more dangerous to laugh here. The opening scene is of a man in pouring rain lying face down in a Dublin gutter and a voice over saying `it all started six months ago'. Brendan (Peter McDonald), history and English schoolteacher and film buff, best described as afraid of life, meets Trudy (Fiona Montgomery), blonde, bouncing, full of life, and Brendan is swept along. Trudy, however, has a secret…at first Brendan thinks she might be the Rathmines castrator, but she turns out to be a professional thief. Naturally Brendan gets involved, and the climactic caper is an attempt to steal computers from Brendan's school, which Brendan justifies on luddite grounds - the kids need to learn how to think without machines – a chalk is the only technology a good teacher needs, says Brendan.

Despite the rain, this film, written by Roddy Doyle and directed by first-time director Kieron Walsh, is really a very sunny piece. As Brendan becomes more and more distracted, his elderly headmaster summons him in for a talk, only to tell him not to worry about the complaints. The spirit of rebellion infects Brendan's mother, who starts to use words you don't expect Irish mothers to use. Brendan's sister and husband (`middle class and proud of it') turn out to be a bit kinky as well.

Peter McDonald (a younger Jeremy Irons) is perfect as the po-faced Brendan, and Fiona Montgomery manages to carry off a rather unlikely character with great panache. The minor roles are filled with good performances also and the whole cast blend in beautifully. Thank goodness the producers didn't try (or couldn't afford) to cast big names.

There are all sorts of references to Hollywood classics and non-film buffs will be driven mad by their film friends digging them in the ribs with an excited `oh that's from `Sunset Boulevard', or `African Queen' ` or wherever. The film buffery is sent up too, with unexpected twists been given to some great scenes of the past (have you ever wondered for instance what happened at the end of `Singing in the Rain' after Gene Kelly throws his feet in the air?). It's all good fun on its own terms and the `what happened to whoever' sequence at the end is one of the funniest of its kind.