Sam Murray runs a restaurant. He and Sarah grew up together and Sam hoped they'd grow old together.Sam Murray runs a restaurant. He and Sarah grew up together and Sam hoped they'd grow old together.Sam Murray runs a restaurant. He and Sarah grew up together and Sam hoped they'd grow old together.
- Awards
- 2 wins & 2 nominations total
Robyn Calloway
- Shirley
- (voice)
Robin Galloway
- Shirley
- (voice)
- (as Robyn Calloway)
Oscar Fullane
- Chef
- (as Oscar Fullone)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
This film is incredibly moving its also very funny in parts and can have u both laughing and crying within the same minute. Gerard Butler's performance stands out a mile and truly shows his natural talent. Yes he's absolutely gorgeous but there is so much more than his beauty, he is one of those rare finds we seldom get to see these days, a real actor who can play any part, from Phantom of the opera,(singing beautifully) gangster, comedy parts, hero, everyday bloke, he changes his appearance, accent, weight, a real De Niro in essence, we need to see more of him and i do hope that he gets the recognition he deserves asap. I wish him the very best in his life and career.
I've seen several movies of this genre before but this one was just unsettling and disturbing for me (I suppose it was realistic and honest, though).
Having left her native Scotland to go to New York to pursue her career, Sarah returns home to tell her family and friends that she has cancer and has little time left to live. Specifically she has returned to spend time with her ex-boyfriend Sam, who is now married. His wife Charlotte is not supportive but Sam does it anyway. While the two of them spend time together they start to become a bit closer and recall memories from the past; meanwhile Sarah also tries to mend things with her present but emotionally distant father Frank.
Within five minutes I realised that I had started watching a genre film in a genre that I generally don't like the "seize the day while at death's door" movie. Generally an excuse for a load of hankies to come out and the audience to be put through the Hollywood emotional mangle, it is not an experience that I enjoy that much. However, despite some clunky and preachy moments, this is actually quite an engaging and raw experience that I found quite enjoyable, well, maybe "enjoyable" is not a good word. The characters and the emotions are well painted and I can forgive the film its soapy, sweeping opening sequence mainly because it does get much closer to reality from then onwards. Of course it is still a genre movie and it does have its fair share of "seize the day" dialogue but it generally avoids the clichés, cheese and moods that you will find in countless television movies cluttering the daytime television schedules.
The cast help this by being pretty convincing and bringing the best out of the good script. Edmond worried me at first but got stronger as it went on; she was convincing in the main and she works well with her support cast. Butler is not quite as good but he works well with Edmond although he could have done better with Gogan, who herself is perhaps weakened by the fact that her character is not all that it could have been. Cosmo is as solid as he always is and I found him to be easy to care about and relate to (perhaps due to him being rather bottled up). Jean's direction is good and generally avoids sentimentality, to the benefit of the material generally.
Overall then this is a genre film but it is one that is worth a look if, like me, you generally don't care for the genre. It is soapy at times (specifically the opening ten minutes is very "genre") but generally it is convincingly raw and all the better for it. The cast bring this out well and director Vadim Jean seems to have little or no interest in manipulating the audience emotionally or drawing out fake emotions and despite my initial concerns, it was certainly one of the better films I have seen albeit in a generally weak genre (in my opinion).
Within five minutes I realised that I had started watching a genre film in a genre that I generally don't like the "seize the day while at death's door" movie. Generally an excuse for a load of hankies to come out and the audience to be put through the Hollywood emotional mangle, it is not an experience that I enjoy that much. However, despite some clunky and preachy moments, this is actually quite an engaging and raw experience that I found quite enjoyable, well, maybe "enjoyable" is not a good word. The characters and the emotions are well painted and I can forgive the film its soapy, sweeping opening sequence mainly because it does get much closer to reality from then onwards. Of course it is still a genre movie and it does have its fair share of "seize the day" dialogue but it generally avoids the clichés, cheese and moods that you will find in countless television movies cluttering the daytime television schedules.
The cast help this by being pretty convincing and bringing the best out of the good script. Edmond worried me at first but got stronger as it went on; she was convincing in the main and she works well with her support cast. Butler is not quite as good but he works well with Edmond although he could have done better with Gogan, who herself is perhaps weakened by the fact that her character is not all that it could have been. Cosmo is as solid as he always is and I found him to be easy to care about and relate to (perhaps due to him being rather bottled up). Jean's direction is good and generally avoids sentimentality, to the benefit of the material generally.
Overall then this is a genre film but it is one that is worth a look if, like me, you generally don't care for the genre. It is soapy at times (specifically the opening ten minutes is very "genre") but generally it is convincingly raw and all the better for it. The cast bring this out well and director Vadim Jean seems to have little or no interest in manipulating the audience emotionally or drawing out fake emotions and despite my initial concerns, it was certainly one of the better films I have seen albeit in a generally weak genre (in my opinion).
I liked this film because of the fantastic outside, location shooting, mainly of Berwick-upon-Tweed. It is similar to the way Eric Rohmer would film somewhere like Le Mans in his film le Beau Marriage (1982).
Indeed, the dour, granite buildings seem to sum up the awful plight of Sarah (played very ably by Valerie Edmond). She returns to her father's house, right behind the sea wall and the beach in Berwick, which, of course, is not even in Scotland. It's one of those border towns between Scotland and England, the scene of many violent fights to the death over the years. Perhaps there's some symbolism in there somewhere.
James Cosmo is very good as Frank, Sarah's father. Worth watching.
Indeed, the dour, granite buildings seem to sum up the awful plight of Sarah (played very ably by Valerie Edmond). She returns to her father's house, right behind the sea wall and the beach in Berwick, which, of course, is not even in Scotland. It's one of those border towns between Scotland and England, the scene of many violent fights to the death over the years. Perhaps there's some symbolism in there somewhere.
James Cosmo is very good as Frank, Sarah's father. Worth watching.
10nk44ab
This movie shows a sensitivity and finesse that do all of the actors huge credit. I became quickly immersed in the story line and thought how delicately it was handled. Gerard Butler seems to have a rare ability when it comes to this type of subject. His character Sam was a delight a rare man who showed true compassion for the young girl suffering from cancer. She was so brave and matter of fact that she scared me. I have commented on Gerard Butler before and each film I see convinces me that here we have a rare talent. He is truly a master of his craft. Thank you for so much enjoyment even if I cried a river. Wonderful Stuff more please.
Did you know
- TriviaFilmed in cinemascope which usually means doubling the lighting budget but this instance the lights were miniature ones and there was a very reduced crew which not only meant greatly reduced costs but filming was able to move along a lot quicker, spending 5 weeks in Berwick on Tweed then strangely going to New York before returning to complete filming at Bristol,
- ConnectionsReferences King Kong (1933)
- SoundtracksHow About You
Written by Ralph Freed & Burton Lane
Performed by Connie Lush
Published by EMI Limited Partnership Ltd.
- How long is One More Kiss?Powered by Alexa
Details
- Runtime
- 1h 37m(97 min)
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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