IMDb RATING
7.3/10
7.2K
YOUR RATING
A childless couple passes off an anthropomorphous tree stump as their baby, but things get out of hand when the monstrosity comes to life and demands to be fed.A childless couple passes off an anthropomorphous tree stump as their baby, but things get out of hand when the monstrosity comes to life and demands to be fed.A childless couple passes off an anthropomorphous tree stump as their baby, but things get out of hand when the monstrosity comes to life and demands to be fed.
- Awards
- 6 wins & 9 nominations total
Tomás Hanák
- Radio presenter
- (voice)
Featured reviews
I had never heard of Jan Svankmajer before seeing this, after recording it at 3o'clock in the morning on channel four, and i certainly wasn't dissapointed. This film, as like the rest of Svankmajer's work is truly original and unique. It's a must see for anyone who's a fan of the surreal. The stop motion animation of the disturbing stump baby is incredible. A number of Svankmajer's work, including this and Faust, are retelling of old czech fairy tales, and the films really capture the atmosphere of the great capital Prague.
Also see faust and alice, also by Svankmajer, both are equally as good if slightly more difficult to comprehend.
Also see faust and alice, also by Svankmajer, both are equally as good if slightly more difficult to comprehend.
10bloo66
I had seen other films by Jan Svankmajer, so I had high expectations when I went to see this latest release. I was not disappointed. This is possibly Svankmajers most accessible feature film, as it follows a simple linear narrative on a parallel to a fairytale discovered by one character.
The film follows a couple who are unable to have children. Whilst in the woods one day, The man pulls up a tree stump which faintly resembles a baby. In jest, he gives this to his missus who, in her desperation, believes it is a real child. After a few exasperated protests from the skeptical father, she takes it home with her and the couple goes to great lengths to conceal the young root baby from the prying eyes of the neighbours. The child becomes difficult to hide as its appetite grows and, following the rules of the fairytale, it develops a taste for human flesh.
Despite the grim subject matter, the film remains fairly light hearted. There is some well-appreciated humour from the all-too-accurate characters, and despite the films length, I was not reduced to clock-watching. Svankmajers trademark stop-motion was sparce, but had all the more effect when it was used.
Svankmajer has used the mediums of film and animation to question the possibilities and blurs the line between fable and reality. This would not be credible, were it not for the accurate and witty insights into modern living and the characters it breeds. As it was, I found myself constantly questioning whether, maybe, perhaps, there's the slimmest of chances that the stuff of fairytales is. real.
I urge you to see it. Its f***ing brilliant.
The film follows a couple who are unable to have children. Whilst in the woods one day, The man pulls up a tree stump which faintly resembles a baby. In jest, he gives this to his missus who, in her desperation, believes it is a real child. After a few exasperated protests from the skeptical father, she takes it home with her and the couple goes to great lengths to conceal the young root baby from the prying eyes of the neighbours. The child becomes difficult to hide as its appetite grows and, following the rules of the fairytale, it develops a taste for human flesh.
Despite the grim subject matter, the film remains fairly light hearted. There is some well-appreciated humour from the all-too-accurate characters, and despite the films length, I was not reduced to clock-watching. Svankmajers trademark stop-motion was sparce, but had all the more effect when it was used.
Svankmajer has used the mediums of film and animation to question the possibilities and blurs the line between fable and reality. This would not be credible, were it not for the accurate and witty insights into modern living and the characters it breeds. As it was, I found myself constantly questioning whether, maybe, perhaps, there's the slimmest of chances that the stuff of fairytales is. real.
I urge you to see it. Its f***ing brilliant.
This movie was very, very disturbing. I can't help but noting that I would never voluntarily see this movie again, and even that I wish I hadn't seen it the first time.
On the other hand, I am forced to admit that it was a very good movie. The fertility imagery was a little TOO heavy-handed for my liking; I felt like shrieking "OKAY, I GET IT ALREADY!!!" about twenty minutes into the movie. But I suppose it all related to the theme, so it was okay.
The Otik-creature is also very disturbing, but the food scenes are probably the worst. I remember the food from my stay in St. Petersburg, and this movie was fairly accurate. Don't see it if you've recently eaten, or plan to eat at any time in the future. Ugh!
I think the movie would be classified as a dark comedy if it were American. As such it was extremely funny; the dialogue is quite witty and the acting is good. But the whole thing was just... disturbing.
Beware of violence; there are a few very bloody, graphic scenes. The nudity is nonsexual, so it's really not a problem even for prudish Americans like me.
On the other hand, I am forced to admit that it was a very good movie. The fertility imagery was a little TOO heavy-handed for my liking; I felt like shrieking "OKAY, I GET IT ALREADY!!!" about twenty minutes into the movie. But I suppose it all related to the theme, so it was okay.
The Otik-creature is also very disturbing, but the food scenes are probably the worst. I remember the food from my stay in St. Petersburg, and this movie was fairly accurate. Don't see it if you've recently eaten, or plan to eat at any time in the future. Ugh!
I think the movie would be classified as a dark comedy if it were American. As such it was extremely funny; the dialogue is quite witty and the acting is good. But the whole thing was just... disturbing.
Beware of violence; there are a few very bloody, graphic scenes. The nudity is nonsexual, so it's really not a problem even for prudish Americans like me.
Perhaps Jan Svankmajer is sick of the medium of stop-motion animation which first made him famous. Perhaps he's trying to move into pure filmmaking. And perhaps I shouldn't criticize him for that. He's actually an excellent live-action director as well, which Little Otik (in Czech "Otesanek," "Greedy Guts," the name of an Eastern European fairy tale from which the script is adapted) demonstrates. But I'm not sure he wants to leave stop-motion animation behind. It seems to me more like he wants to use it more often in the film, but he didn't have the money. If you're interested in Svankmajer's work, start with his short stop-motion films, then move to Alice, his version of Alice in Wonderland, and then move to this film and then Faust.
As for the film itself, it's imperfect. Its biggest problem is that it's overlong. There's really not enough meat in it (well, there's enough meat literally). It can move slowly, especially nearer the beginning. Also, the ending is a bit abrupt. Still, there're a lot of great scenes and set pieces. It can also be very funny. It's certainly the most humorous side of Jan Svankmajer that I've seen. 8/10.
As for the film itself, it's imperfect. Its biggest problem is that it's overlong. There's really not enough meat in it (well, there's enough meat literally). It can move slowly, especially nearer the beginning. Also, the ending is a bit abrupt. Still, there're a lot of great scenes and set pieces. It can also be very funny. It's certainly the most humorous side of Jan Svankmajer that I've seen. 8/10.
I liked this film very much. As with most comedy/horror films, the plot is fairly absurd. An infertile couple is desperate for a child. When the husband digs up a tree root vaguely resembling a child the woman loves it so much that it comes to life, and life begins to imitate a frightening fairly tale. It gets pretty slow towards the end, and would have been an even better film had it been about 25 minutes shorter. But, the film is great fun to watch, especially the performance of the woman playing Little Otik's mother, who is just insanely funny in the protection of her "son".
It's certainly not the best of it's kind, but it is a hilarious, twisted nightmare of a tale that fans of the genre will likely enjoy.
It's certainly not the best of it's kind, but it is a hilarious, twisted nightmare of a tale that fans of the genre will likely enjoy.
Did you know
- TriviaOriginally, Jan Svankmajer wanted to shoot this film in early nineties and considered to cast Woody Allen and Mia Farrow as Karel and Bozena.
- Quotes
Bulankova, the social worker: Show me your Otik. That's his name, isn't it? Don't worry, i won't eat him.
- ConnectionsFeatured in Brows Held High: Little Otik and the Magic of Stop Motion (2016)
- How long is Little Otik?Powered by Alexa
Details
Box office
- Gross worldwide
- $125,716
- Runtime2 hours 12 minutes
- Color
- Sound mix
- Aspect ratio
- 1.37 : 1
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