Une femme à sacrifier

It never ceases to amaze me how many gorgeous Japanese actresses will star in the sickest pink rape films yet the showing of the genitals and normal sex is forbidden in Japan. This one is as vile and degrading as any pinku. Kidnapped by her psycho ex-husband, she is forced into sadistic, horrific, extreme acts. There's a rare Asian Cult Cinema interview with Naomi that's difficult to find. I don't know if she explains why she was so personally immersed in this bizarre lifestyle and level of film making.

Ikenie fujin (1974), directed by Masaru Konuma, is a cult classic that delves into the dark and twisted world of Japanese folklore. The film follows the story of a young woman who becomes possessed by a vengeful spirit, leading to a series of gruesome and unsettling events. While the premise is intriguing, the execution leaves much to be desired, resulting in a mixed viewing experience.

One of the film's strengths lies in its atmospheric and eerie visuals. Konuma effectively creates a sense of dread and unease through his use of shadows, dim lighting, and unsettling imagery. The practical effects, though dated, are surprisingly effective and add to the film's overall creepy vibe. However, the pacing is often sluggish, and the narrative can feel disjointed at times, making it difficult to fully immerse oneself in the story.

The performances in Ikenie fujin are a mixed bag. While some actors deliver convincing and committed portrayals, others struggle with the material, resulting in moments of unintentional camp. The film's exploration of Japanese folklore and mythology is intriguing, but it often feels surface-level, leaving the viewer wanting more depth and context.

Overall, Ikenie fujin (1974) is a flawed but fascinating cult classic that will appeal to fans of offbeat and unconventional horror. Its atmospheric visuals and creepy premise are let down by uneven pacing and performances, but there's still enough here to make it a worthwhile watch for those with a taste for the bizarre and unsettling. While not a masterpiece, it's a unique and memorable entry in the annals of Japanese horror cinema.

Kunisada's wife,Akiko(Naomi Tani),left him three years ago due to his violent temper.Unfortunately for her Kunisada suddenly returns and kidnaps her.She is brought to a hidden cabin in a remote wooded area.The husband subjects her to a variety of sexual humiliations, slowly breaking her will until Akiko becomes totally submissive."Wife to Be Sacrificed" is perhaps one of the most famous Japanese S&M pink films.The cinematography is lovely and the acting is stunning.There is plenty of sleaze and sexual degradation on display,but later Masaru Konuma's pinku films like "Woman in a Box" series are even more extreme in their depiction of sexual violence.Overall,I enjoyed this stylish and harrowing film and you should too,if you are into Japanese erotic cinema.9 out of 10.

This is my first from the so called Jap pink genre.

Jap exploitation movies are truly depraved n not for me.

The movie is filled with sick stuff.

Generous with a 2 for the settings, the babe n her last dialogue, "It's funny, but I think he's afraid of me."

Wtf were the makers thinking when they shot the outhouse scene. Shock value?

The makers n the cast sure needed some mental treatment.

Another Nikkatsu winner along the same plotlines as CAPTURED FOR SEX 2, though not quite as extreme, but more "arty".

A man kidnaps his ex-wife (the gorgeous Naomi Tani) and subjects her to various forms of humiliation and abuse. She finally stops resisting and embraces her submission.

A couple whose attempt at suicide fails are also thrown into the mix.

Films like this create a vision of hell for some, a vision of heaven for others. This is highly erotic and simple in its execution, but complex for its sexual politics.

Not great drama, but the sexual anarchy on screen is strangely beautiful and the film's general tone is deliciously subversive.