Ghosts of Mars

The wild-west inspiration is obvious.

It could just as easily have been made as a "regular" horror-western, and perhaps a remake/reimaging will make it so.

The sets are OK, the CGI is so-so.

The actors are doing a decent job and all in all, the film accomplishes what it sets out to do: A two-fisted action-romp with a splash of horror and gore.

It's not high art but it is silly fun and good enough for an evening along with popcorn and soda.

I really like movies from John Carpenter, they all have something, something unique only that comes from the brain of John Carpenter. Somehow i didn't watched Ghosts of Mars to this day, and how i made a mistake listening to reviews and other people, this is exceptional entertainment, this is not intelligent movie, but it is very action packed and moving film, and still it keeps the atmosphere for which Carpenter is known for. You really have a feeling that it is happening on colony on Mars. Ghosts of Mars is great mixture of action, sci-Fi, horror and even western segments. Cast is very good, Natasha Henstridge has done great job as the main charachter, i will also praise the acting of Jason Statham in this one, on of my favorite charachters in the movie for sure, other part of the cast is also great, Ice Cube is solid in his role of gangsta Desolation Williams, i would also mention performances of veteran actresses Pam Grier and Joanna Cassidy. I also enjoyed the soundtrack which was once again created by Carpenter himself, goes well with the movie. I really enjoyed Ghosts of mars and i recommend anyone who loves action movies and works of John Carpenter. My grade 7/10.

Packing a badass cast & good dose of gore-filled action, John Carpenter's penultimate film (to date) features an interesting premise and even set things up well in the beginning but once the main plot takes over, the script shortcomings start to surface as dialogues go downhill, characters turn bland, acting takes a hit, VFX inadequacy is exposed, and the scare factor diminishes in its entirety. Not one of Carpenter's best but not a chore either, Ghosts of Mars still has an unabashed quality to it that makes the ride somewhat enjoyable despite the hammy acting & over-the-top execution.

I'm not some naive fan who thinks Carpenter can do no wrong. I didn't care much for Vampires or Village of the Damned (they were alright, but the scripts for those two were not up to snuff for a great director like Carpenter). However, I think Ghosts of Mars is one of his greatest movies. If you can't appreciate this movie then you can't really appreciate Carpenter, IMO. From the Lovecraftian story and atmosphere, to the anamorphic photography, to the excellent music, everything here is Carpenter. Hopefully this movie will find its audience, in time, rather than be forgotten. One criticism of Carpenter I've never been able to understand is that people say he isn't subtle, he relies solely on shocks and violence. Yes, his movies have shocks and violence, they are the release mechanisms for all of the terror he slowly builds up, neanderthals! It seems some film critics are just too good for American horror, they can't stoop to its level from their lofty perch.

John Carpenter, together with Brian De Palma, are the only active directors who had created a body of work consisting of the representation of a particular, personal world, forged by the mixture of a number of themes and subjects, reinserted on tracks left by classic directors (Hawks and Hitchcock respectively). They make one single movie over and over again, reaching outstanding levels of accomplishment in style and coherence.

Thus `Ghost of Mars' is full of Carpenter's imaginary. The plot, the characters, the tone, everything can be linked to his previous work, most notably `Assault on Precint 13', that was yet a reworking of Hawks' `Rio Bravo'. And that's a significant point regarding this film: despite the zombies, the gore, the futuristic set-up, the red Martian atmosphere, the heavy metal score, `Ghost of Mars' is essentially a western in the most classic way. There is a train, a lawman (played by an actress), a group of deputies, a gang of bandits, a frontier town surrounded by the desert.

As in Hawks, the individuals work as a group, defined by codes of professional skill in a strictly masculine environment. Interestingly, Capenter portrays the Martian society as a matriarchy, but the elements operate the same way: the good guy and the bad guy differentiate from each other just for the fact that they are in opposite sides of the law, but are nevertheless exchangeable. Also, following Hawks' epic, the vulnerability of the hero is determined by a fault or weakness (Melanie's addiction to drugs is a progression of Dean Martin's alcoholism in Rio Bravo).

Told in a peculiar series of flashbacks from different points of view, and as in `Vampires', with the use of long, continual dissolves, the story introduces some original points, like the ghosts taking possession of human through the ears and Desolation's smart device to save Melanie with the aid of drugs. There are some plot holes, yes, some bad acting and gratuitous -though stylized- violence. But it's Carpenter unpretentious as ever, telling us how dark our future appears, not from a pulpit but from his director's chair. And I'm very grateful for his effort.