In 2176, a Martian police unit is sent to pick up a highly dangerous criminal at a remote mining post. Upon arrival, the cops find that the post has become a charnel house.In 2176, a Martian police unit is sent to pick up a highly dangerous criminal at a remote mining post. Upon arrival, the cops find that the post has become a charnel house.In 2176, a Martian police unit is sent to pick up a highly dangerous criminal at a remote mining post. Upon arrival, the cops find that the post has become a charnel house.
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Featured reviews
Packing a badass cast & good dose of gore-filled action, John Carpenter's penultimate film (to date) features an interesting premise and even set things up well in the beginning but once the main plot takes over, the script shortcomings start to surface as dialogues go downhill, characters turn bland, acting takes a hit, VFX inadequacy is exposed, and the scare factor diminishes in its entirety. Not one of Carpenter's best but not a chore either, Ghosts of Mars still has an unabashed quality to it that makes the ride somewhat enjoyable despite the hammy acting & over-the-top execution.
I can see why people hate Ghost of Mars cause the whole movie look like it could be directed by Paul W. Anderson and not John Carpenter but you gotta know that the man is not a flipping God when he direct the unholy sequel to his 1981 steath action classic Escape From New York so watching the movie today I can cut him some slack and enjoy it.The plot of Ghosts of Mars feel like the Hollywood first attempt at a Doom live action movie when it take place on Mars where space cop vs not demon but human possessed by evil Martian spirit that make them going on a killing spree while dress up as a MetalHead and I kid you not they also sound like a Death Metal song and Metal music will kick in everytime they appears on screen.It B-movie glorious which mean it campy,cheesy and alot of fun plus you can see Ice Cube and Jason Statham played the opposite role of what are they usually doing nowadays
I'm not some naive fan who thinks Carpenter can do no wrong. I didn't care much for Vampires or Village of the Damned (they were alright, but the scripts for those two were not up to snuff for a great director like Carpenter). However, I think Ghosts of Mars is one of his greatest movies. If you can't appreciate this movie then you can't really appreciate Carpenter, IMO. From the Lovecraftian story and atmosphere, to the anamorphic photography, to the excellent music, everything here is Carpenter. Hopefully this movie will find its audience, in time, rather than be forgotten. One criticism of Carpenter I've never been able to understand is that people say he isn't subtle, he relies solely on shocks and violence. Yes, his movies have shocks and violence, they are the release mechanisms for all of the terror he slowly builds up, neanderthals! It seems some film critics are just too good for American horror, they can't stoop to its level from their lofty perch.
Apparently GOM was originally intended to be a 3rd entry of the Escape franchise, with character Snake Plissken (Oh my god, I wish they did that instead, because Ice Cube always was, and still is terrible at acting). Anyways, that info in mind, it made so much more sense. John Carpenter's Escape visual style was right there all along, and I never noticed. The costumes, the train, the future technology, and all the visual effects are exactly the same as the Kurt Russel Escape films, just transported to the Mars location. I think part of the issue with fans is that people didn't understand what this was. It was an old fashioned future (if that makes sense). The story takes place in the future, but using visual techniques and story elements that feel dated in the past. It's actually fun that way, if you don't treat it like the Matrix, or something that actually was progressive at the time.
That's it, no deep dives. This film is Ice Cube playing a dangerous prisoner that was meant to be transferred, when things go amok for all the human survivors. It's Escape from NY/L.A. mixed with Assault on Precinct 13 set on Mars. The bad guys causing all the trouble are the "ghosts"/ weird creepy monsters that self mutilate, and are more or less what happens to people from the Mad Max movies when they have a supply of meth. Oh, I forgot the ghost spirit can travel into people's bodies.
It is fun if you let it be. It's a low budget nothing action. You get a young Jason Statham as a perv, Clea DuVall, Pam Grier in a weird pushy lesbian commander role, and Ice Cube if you are into his wide range of abilities (gangster with a Cali accent on Mars, go figure).
This is the definition of a 4-5 star flick. It is fun, and has people I like long enough to keep watching. I give 5 stars, just because it's been given an unfair wrap over the years. If you treat it like it was made in the 80's you might actually like it a lot!
That's it, no deep dives. This film is Ice Cube playing a dangerous prisoner that was meant to be transferred, when things go amok for all the human survivors. It's Escape from NY/L.A. mixed with Assault on Precinct 13 set on Mars. The bad guys causing all the trouble are the "ghosts"/ weird creepy monsters that self mutilate, and are more or less what happens to people from the Mad Max movies when they have a supply of meth. Oh, I forgot the ghost spirit can travel into people's bodies.
It is fun if you let it be. It's a low budget nothing action. You get a young Jason Statham as a perv, Clea DuVall, Pam Grier in a weird pushy lesbian commander role, and Ice Cube if you are into his wide range of abilities (gangster with a Cali accent on Mars, go figure).
This is the definition of a 4-5 star flick. It is fun, and has people I like long enough to keep watching. I give 5 stars, just because it's been given an unfair wrap over the years. If you treat it like it was made in the 80's you might actually like it a lot!
The wild-west inspiration is obvious.
It could just as easily have been made as a "regular" horror-western, and perhaps a remake/reimaging will make it so.
The sets are OK, the CGI is so-so.
The actors are doing a decent job and all in all, the film accomplishes what it sets out to do: A two-fisted action-romp with a splash of horror and gore.
It's not high art but it is silly fun and good enough for an evening along with popcorn and soda.
It could just as easily have been made as a "regular" horror-western, and perhaps a remake/reimaging will make it so.
The sets are OK, the CGI is so-so.
The actors are doing a decent job and all in all, the film accomplishes what it sets out to do: A two-fisted action-romp with a splash of horror and gore.
It's not high art but it is silly fun and good enough for an evening along with popcorn and soda.
Did you know
- TriviaIn a 2011 interview, John Carpenter stated he was intentionally trying to make Ghosts Of Mars as over-the-top and tongue-in-cheek as possible. He claimed he was trying to make a mindless and silly, yet highly entertaining and thrilling, action flick where "the universe allows its characters and plot points to be silly without being full-fledged comedies", akin to 80's movies like Commando (1985), Rambo II : La Mission (1985), and Predator (1987). Looking back on the film and its criticism, he stated he was frustrated that most people thought the film was meant to be a serious horror movie, and feels that he should've made the film more openly comedic and "in on the joke", saying "...it's called Ghosts Of Mars for Christ's sake, why would people take this movie seriously?"
- GoofsDuring a shot out the front of the police station, a crew member is visible loitering in the shadows while the leader of the Ghosts yodels in the center of the street.
- Quotes
Melanie Ballard: [to Jericho] Let me put it this way. Maybe I'd sleep with you if you were the last man on Earth. But we're not on Earth.
Details
Box office
- Budget
- $28,000,000 (estimated)
- Gross US & Canada
- $8,709,640
- Opening weekend US & Canada
- $3,804,452
- Aug 26, 2001
- Gross worldwide
- $14,010,832
- Runtime1 hour 38 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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