Elle s'appelait Scorpion

It's difficult to describe a movie like Female Convict Scorpion Jailhouse 41. First let me say that I saw it in a film class that concentrates on the visual styles of several films. In this same class I have seen Touch of Evil and several other "classics." I was amazed to see that this film only had 6 votes(7 including mine), so I had to add my own comment.

This film is masterfully shot in a classic Japanese style that emphazises color and full use of the widescreen presentation. The film also has a bit of a campiness to it that adds a flavor that is unusual for a foreign film. Most foreign films that are thought of as being campy usually are just not well done. This is not the case with Female Convict Scorpion Jailhouse 41. The campiness that I refer to is the same campiness that has made the Evil Dead series such a success. Exaggeration of many shots and the characters themselves.

The story itself is very unique, following a group of escape female convicts lead by an awesome character named Scorpion. The filmmakers gave her a near godlike respect when shooting her, and she is very well developed even though she doesn't speak. She doesn't speak because she knows that actions speak louder than words.

Anyway, I highly recommend this film for anyone who is a fan of foreign films, and I also recommend it to those who like stories based on comic books. I believe that this film is based on a series of Japanese comics; it is put together like a comic book, so it is obvious that many shots and the story are out of this world, as movies such as The Matrix have proved to the main-stream audience.

The Western of the series; Scorpion breaks out of a prison van with six other girls and they're all on the run from newly promoted Inspector Goda. Their adventure takes them through wooded forests, cursed witches, stakeout cabins in mountains, rapists by the rapids, bus jacking, police shootouts, and a second breakout

Less boobage, more humiliation, dumber cops, less violence, more anime, still sexy, still bloody, still art-house

Meiko Kaji plays the title role, a stone-faced badass in the Man With No Name mode, in this bizarrely stylized adaptation of a popular _manga_, brimming over with gore, nudity, gratuitous sadism, bad-trip fantasy scenes, chain-fu, spoon-fu, dog-fu, bus-fu, anything-they-can-get-their-hands-on-fu, and more castration imagery than one can -- pardon the expression -- shake a stick at.

And I'm not even going to TRY to describe the musical numbers.

Truly this has to be seen to be believed, and even then it's going to take some effort.

Effortlessly cool, visually stylish, and brutally violent, Female Convict Scorpion Jailhouse 41, the sequel to Female Prisoner #701: Scorpion, opens with Meiko Kaji's Matsu locked in an underground cell, where she has been imprisoned by her vengeful one-eyed warden. However, after attacking the warden once again, she is taken to a quarry for some extreme punishment (strapped to a tree and gang-raped by three guards); it is here that she seizes her opportunity to escape, along with six other desperate women.

As the seven fugitives race for freedom though a barren Japanese landscape, they are closely pursued by the warden and his men, who are hell-bent on recapturing their prisoners.

Part shameless exploitation flick and part experimental art-house classic, this film has 'cult' stamped all over it: the film features plenty of scenes of rape, murder, and general gratuitous violence for those who enjoy extreme cinema, yet still finds time to include some amazing cinematography, a few wonderfully surreal and trippy hallucinogenic moments, and a beautiful haunting soundtrack. Something for everyone!

With a totally entrancing central performance by the beautiful Kaji, plus great support from the rest of the cast (especially the woman who plays the psycho child killer with the scarred stomach), Female Convict Scorpion Jailhouse 41 is an unmissable treat for fans of 70s Japanese cinema.

7.5 out of 10, rounded up to 8 for IMDb.

I was fortunate to see this film on the big screen and I was very impressed with the cinematography. There isn't much character development, but the simmering hatred between Scorpion and a rival inmate creates significant tension. Those who enjoy Eastwood's "man with no name" films, other unusual Japanese films from the same time period (Black Tight Killers, Ecstasy of the Angels, etc.) will find this interesting... my only caveats have to do with the rape scenes, which for some reason often find their way into offbeat Japanese films. Some of the scenes aren't entirely fulfilling... at times I wished for more (unbelievably) violence so the characters are more fully able to avenge themselves. Some of the editing is a little awkward, but there are a few scenes that have breathtaking cinematography... particularly in the hut toward the end of the film where the camera focuses on Scorpion as the contents of the hut rotate around her... and the amazing transition "dream" scene on the bus. Great stuff... I thoroughly enjoyed it. Will be buying on DVD....

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I wrote that review in 2001, but thought I'd add a comment four years later. This film has worked it's way into my subconscious and has become one of my all-time favorites. Not only do I own the U.S. DVD, but the Japanese Region 2 as well (the print quality is much higher... no English subtitles, though). I have since seen all four of the Sasori films, and this film (Joshuu sasori: Dai-41 zakkyo-bô), the second in the series, is the best one.